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Faced with moving away from his beloved river in the country, Martin discovers it is possible to make a meaningful connection to nature in the city, too, and find ways to accept changes beyond his control. Martin loves to play by the river near his house. He watches the great blue herons and looks for crayfish and otters. He builds forts and lies in the tall grass near the water. But one day Martin’s parents tell him they have to move away, to the city. The family spend a day in the city, exploring their future home. Martin rides the subway, visits the market, explores the museum and watches a street performer, but none of the city’s charms can compare with the river. Then his parents show him a small stream running through the park, and Martin senses something familiar in the air. When moving day arrives, Martin fills a small glass jar with river water as a keepsake. And when he returns to the stream, he discovers that his connection to nature can be just as wondrous in the city. This poetic story looks at the special relationship between an imaginative child and the natural world, and explores how that connection can be nurtured and recreated in a new place. Key Text Features dialogue illustrations vignettes Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.K.7 With prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts). CCSS.ELA-LITERACY.RL.1.2 Retell stories, including key details, and demonstrate understanding of their central message or lesson. CCSS.ELA-LITERACY.RL.1.4 Identify words and phrases in stories or poems that suggest feelings or appeal to the senses. CCSS.ELA-LITERACY.RL.1.7 Use illustrations and details in a story to describe its characters, setting, or events.
“This stunningly illustrated book, rendered in deep blues and greens, charts a river’s meandering course through cities, farms and jungles.” —Entertainment Weekly A Winner of the New York Times/New York Public Library Best Illustrated Children’s Books Award There’s a river outside my window. Where will it take me? So begins the imaginary journey of a child inspired by the view outside her bedroom window: a vast river winding through a towering city. A small boat with a single white sail floats down the river and takes her from factories to farmlands, freeways to forests, out to the stormy and teeming depths of the ocean, and finally back to the comforts—and inspirations—of home. This lush, immersive book by award-winning picture book creator Marc Martin will delight readers of all ages by taking them on a transcendent and aspirational journey through an imaginative landscape. “A subtle study of how imagination allows children to safely explore the unknown without ever leaving home.” —Publishers Weekly
A comprehensive introduction to the epic geological history of the world’s rivers, from the first drop of rain on the Earth to the modern environmental crisis.
Diagnosed with breast cancer four years ago, Abbie's case is now terminal. Running away from hospital with Chris, her husband of 14 years, Abbie takes with her a wish list of 10 things she wants to do before she dies. However, Abbie's father, the press and the police are determined to find them and bring Abbie home.
Sixteen-year-old Tom LeFave is trying to hold his world together. His family's marina is struggling. His dad is full of secrets. And the quarterback of the football team hates his guts. When a huge yacht docks at Tom's marina, things look brighter, especially when he meets Kat, the daughter of the boat's owner. Kat and Tom share a love of rum-running history. It's not long, however, before Tom starts to realize there's something more than history happening on the river. And if Tom can't figure it out in time, he just might be history too.
“You have to know the rest of my story, the part I can’t yet bring myself to say. A story of a boy I knew a long time ago and a brother I loved and then lost.” Past and present collide in Lee Martin’s highly anticipated novel of a man, his brother, and the dark secret that both connects and divides them. Haunting and beautifully wrought, River of Heaven weaves a story of love and loss, confession and redemption, and the mystery buried with a boy named Dewey Finn. On an April evening in 1955, Dewey died on the railroad tracks outside Mt. Gilead, Illinois, and the mystery of his death still confounds the people of this small town. River of Heaven begins some fifty years later and centers on the story of Dewey’s boyhood friend Sam Brady, whose solitary adult life is much formed by what really went on in the days leading up to that evening at the tracks. It’s a story he’d do anything to keep from telling, but when his brother, Cal, returns to Mt. Gilead after decades of self-exile, it threatens to come to the surface. A Pulitzer Prize finalist for The Bright Forever, Lee Martin masterfully conveys, with a voice that is at once distinct and lyrical, one man’s struggle to come to terms with the outcome of his life. Powerful and captivating, River of Heaven is about the high cost of living a lie, the chains that bind us to our past, and the obligations we have to those we love.
Urban riverbanks are attractive locations and highly prized recreational environments. The designs of urban river landscapes must fulfill a broad range of requirements: flood control, open space design, and ecology are as a rule the three dominant themes, and they must often be reconciled within a very restricted space. The river must be understood as a process: governed by changing water levels, shifting seasons, erosion, and sedimentation, the river environment is not a static entity but constantly changing—the design must be flexible and take this into account. This book is the product of a multi-year study that subjected more than fifty Western European projects to a comparative analysis. The result is a systematic catalog of effective strategies and innovative design elements. First, designers and planners are given an overview of the broad and varied spectrum of design possibilities. The book’s process-oriented approach is especially helpful where the focus is on long-term, sustainable measures. The publication consists of two linked volumes that enable the reader to consult the systematic catalog and the case study section side by side. The easy-to-navigate structure and an extensive glossary provide further guidance, while the work’s highly distinctive design makes it visually appealing as well and invites the reader to leaf through and explore it.
A man must confront a terrifying evil in this captivating horror novel that's "as much F. Scott Fitzgerald as Dean Koontz."* Haunted by memories of the Great War, failed academic Frank Nichols and his wife have arrived in the sleepy Georgia town of Whitbrow, where Frank hopes to write a history of his family's old estate--the Savoyard Plantation--and the horrors that occurred there. At first their new life seems to be everything they wanted. But under the facade of summer socials and small-town charm, there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice. It comes from the shadowy woods across the river, where the ruins of the Savoyard Plantation still stand. Where a long-smoldering debt of blood has never been forgotten. Where it has been waiting for Frank Nichols....
Callie Mae McCauley knows a girl’s got to be leathery, or she’ll be tore to pieces by the weight of all her troubles and trials . . . The tragedy Callie endures will forever change her simple, yet full life in the heart of the Blue Ridge Mountains. Orphaned at age eight, she must move to her Granny Jane’s, where she soon realizes the shock of what she’s seen has stolen her voice. A new neighbor and Granny Jane’s swarm of honeybees help Callie find her tongue. She soon discovers that, although Chloe Combs may be peculiar, Miss Chloe may be her only friend when her uncles come to claim their share of Granny Jane’s land that straddles the New River. Her uncles have a plan, and they won’t let anything or anyone stand in their way, certainly not their niece Callie. When Callie ends up in an orphanage, she knows a mountain girl can’t be held inside walls of plaster and wood. A mountain girl’s got to feel the earth beneath her feet and listen as the river makes sweet music in her ears. But time is running out for Callie to save the New River—her river—from her greedy uncles’ plan.