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In this book, Katie Reid argues that the fifth-century author Martianus Capella was a significant influence in the late Middle Ages and Renaissance. His poetic encyclopaedia, The Marriage of Philology and Mercury, was a source for writing on the liberal arts, allegory and classical mythology from 1300 to 1650. In fact, writers of this period had much more in common with Martianus Capella than they did with older ancients like Homer and Virgil. As such, we must reshape our understanding of late medieval and Renaissance encounters with the classical world by exploring their roots in Late Antiquity.
Part of a detailed compendium of late-Roman learning in each of the seven liberal arts, set within an amusing mythological-allegorical tale of courtship and marriage among the pagan gods. The text provides an understanding of medieval allegory and the components of a medieval education.
Classical Rhetoric in the Middle Ages: The Medieval Rhetors and Their Art 400-1300, with Manuscript Survey to 1500 CE is a completely updated version of John Ward’s much-used doctoral thesis of 1972, and is the definitive treatment of this fundamental aspect of medieval and rhetorical culture. It is commonly believed that medieval writers were interested only in Christian truth, not in Graeco-Roman methods of ‘persuasion’ to whatever viewpoint the speaker / writer wanted. Dr Ward, however, investigates the content of well over one thousand medieval manuscripts and shows that medieval writers were fully conscious of and much dependent upon Graeco-Roman rhetorical methods of persuasion. The volume then demonstrates why and to what purpose this use of classical rhetoric took place.
The articles in this volume focus upon Boethius's extant works: his De arithmetica and a fragmentary De musica, his translations and commentaries on logic, his five theological texts, and, of course, his Consolation of Philosophy. They examine the effects that Boethian thought has exercised upon the learning of later generations of scholars.
A COMPANION TO ANCIENT GREEK AND ROMAN MUSIC A comprehensive guide to music in Classical Antiquity and beyond Drawing on the latest research on the topic, A Companion to Ancient Greek and Roman Music provides a detailed overview of the most important issues raised by the study of ancient Greek and Roman music. An international panel of contributors, including leading experts as well as emerging voices in the field, examine the ancient 'Art of the Muses' from a wide range of methodological, theoretical, and practical perspectives. Written in an engaging and accessible style, this book explores the pervasive presence of the performing arts in ancient Greek and Roman culture—ranging from musical mythology to music theory and education, as well as archaeology and the practicalities of performances in private and public contexts. But this Companion also explores the broader roles played by music in the Graeco-Roman world, examining philosophical, psychological, medical and political uses of music in antiquity, and aspects of its cultural heritage in Mediaeval and Modern times. This book debunks common myths about Greek and Roman music, casting light on yet unanswered questions thanks to newly discovered evidence. Each chapter includes a discussion of the tools or methodologies that are most appropriate to address different topics, as well as detailed case studies illustrating their effectiveness. This book Offers new research insights that will contribute to the future developments of the field, outlining new interdisciplinary approaches to investigate the importance of performing arts in the ancient world and its reception in modern culture Traces the history and development of ancient Greek and Roman music, including their Near Eastern roots, following a thematic approach Showcases contributions from a wide range of disciplines and international scholarly traditions Examines the political, social and cultural implications of music in antiquity, including ethnicity, regional identity, gender and ideology Presents original diagrams and transcriptions of ancient scales, rhythms, and extant scores that facilitate access to these vital aspects of ancient music for scholars as well as practicing musicians Written for a broad range of readers including classicists, musicologists, art historians, and philosophers, A Companion to Ancient Greek and Roman Music provides a rich, informative and thought-provoking picture of ancient music in Classical Antiquity and beyond.
This Companion to Twelfth-Century Schools provides a comprehensive update and new synthesis of the last three decades of research. The fruit of a contemporary renewal of cultural history among international scholars of medieval studies, this collection draws on the discovery of new texts, the progress made in critical attribution, the growing attention given to the conditions surrounding the oral and written dissemination of works, the use of the notion of a “community of learning”, the reinterpretation of the relations between the cloister and the urban school, and links between institutional history and social history. Contributors are: Alexander Andrée, Irene Caiazzo, Cédric Giraud, Frédéric Goubier, Danielle Jacquart, Thierry Kouamé, Constant J. Mews, Ken Pennington, Dominique Poirel, Irène Rosier-Catach, Sita Steckel, Jacques Verger, and Olga Weijers. See inside the book.
This title was first published in 2002: Before the introduction of Greco-Arabic mathematical astronomy in the 12th century, what astronomy was there in the medieval West? While we know of developments in computus, which calculated with solar and lunar cycles to create Christian calendars, and in monastic time-telling by the stars, was anything known of the five planets? Using glosses, commentaries, and diagrams to the early manuscripts of four classical Latin authors - Pliny, Macrobius, Martianus Capella, and Calcidius - Bruce Eastwood provides evidence for the extensive development of the sixth liberal art, astronomy, from the time of Charlemagne forward, with a particular focus on the diagrams used and invented by Carolingian and later scholars. Learning to understand the motions of planets in terms of spatial, or geometrical, arrangement, they mined these Roman writings for astronomical and cosmological doctrines, in the process not only absorbing but also creating models of planetary motions. What they accomplished over three centuries was to establish a basic set of models that showed the reasoned order of the planets in the heavens.
"The Carrara Herbal is an exceptional illustrated book of materia medica (therapeutic substances drawn from plants, animals and minerals). It is exceptional in both its illustrations and its content, making it of interest to historians of art and medicine alike. The Herbal contains a translation into Paduan dialect of a Latin version of the mid-thirteenth-century Arabic pharmacopeia, Kitab al-Adwiya al-mufrada (The Book of Simple Medicines), written by Ibn Sarabi, a Christian physician working in al-Andalus and known in the Latin West as Serapion the Younger."--Introduction.
This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.