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On one of his missions, Xiao Shiyi Lang (the Eleventh Son, known as the Great Bandit) meets Shen, the fairest woman in the martial world. By the will of fate, he rescues Shen several times, which plants the seed of love in both of them. However, Shen is married to a rich young man who is also an outstanding martial artist. As if things were not complicated enough, Xiao has his own secret admirer, Feng, an attractive swordswoman with a quick temper. Xiao is drawn into a messy fight for a legendary saber, the Deer Carver, and is accused of stealing it. Xiao finds out that the person who has set him up is a mysterious young man with an angel's face and a devil's heart. Before he can pursue any further, Shen's grandmother is murdered, and Xiao is named the killer. It appears that things are spinning out of control....
Spice trader Cinnamon’s quiet life is turned upside down when she ends up on a quest with a fiery demon, in this irreverently quirky rom-com fantasy that is sweet, steamy, and funny as hell. All she wanted to do was live her life in peace—maybe get a cat, expand the family spice farm. Really, anything that didn’t involve going on an adventure where an orc might rip her face off. But they say the goddess has favorites, and if so, Cin is clearly not one of them. After Cin saves the demon Fallon in a wine-drunk stupor, Fallon reveals that all he really wants to do is kill an evil witch enslaving his people. And who can blame him? But now he’s dragging Cinnamon along for the ride whether she likes it or not. On the bright side, at least he keeps burning off his shirt.…
In the tradition of the Paris Review, The Notebooks is an exciting collection of original short fiction and in-depth interviews from Canada’s most celebrated and innovative young writers. A provocative examination of the writer’s life in the twenty-first century, The Notebooks charts a new direction in Canadian literature. It brings together a unique collection of accomplished fiction, ranging from the classic storytelling of Michael Redhill to the more experimental style of Lynn Crosbie. In his keenly observed story “Seratonin,” Russell Smith captures the sensuous pleasures and dizzying energy of the rave scene. “Big Trash Day,” a hybrid of fiction and poetry by Esta Spalding, is a devastating commentary on poverty and a striking portrait of the shorthand that develops within intimate relationships. In a sample from a novel-in-progress, Yann Martel shares the process through which rough sketches become realized characters, and disparate moments become fleshed-out scenes. The interviews, remarkable for their honesty and insight, bring us into the writer’s world, revealing the passion and inspiration that motivates these young writers, as well as the hardships they endure in pursuit of their art. By asking thoughtful and probing questions, Michelle Berry and Natalee Caple elicit frank and intriguing details of how writers work, structure their days, and order their physical space to facilitate the act of writing. Many of the authors here explore the impact of technological innovation and mass culture on contemporary fiction, as well as the influence of various art forms on the way they imagine stories. The writers in The Notebooks speak candidly about their political engagement, their passion for writing, and their desire to produce art that will last. Contributors: Catherine Bush, Eliza Clark, Lynn Coady, Lynn Crosbie, Steven Heighton, Yann Martel, Derek McCormack, Hal Niedzviecki, Andrew Pyper, Michael Redhill, Eden Robinson, Russell Smith, Esta Spalding, Michael Turner, R.M. Vaughan, Michael Winter, Marnie Woodrow "These seventeen writers come from different backgrounds, different parts of the country, have different lifestyles, and write very different kinds of fiction, yet the connections between them are still plentiful. As a group they are highly engaged with the world around them, politically sophisticated, intelligent, modest about their potential success, and passionate about the act of writing. We hope that The Notebooks inspires an ongoing discussion with young writers at work and answers some of the silent questions that readers have longed to ask." -- From the Introduction
WINNER of the WRITERS' GUILD BEST FIRST NOVEL AWARD: A riveting, thought-provoking speculative literary novel exploring the impact of the AI revolution through the eyes of three very different young women. Lal, Janetta and Rose are living in a time of flux. Technological advance has brought huge financial rewards to those with power, but large swathes of the population are losing their jobs to artificial intelligence, or auts, as they're called. Unemployment is high, discontent is rife and rumours are swirling. Many feel robbed - not just of their livelihoods, but of their hopes for the future. Lal is languishing in her role at a coffee shop and feeling overshadowed by her quietly brilliant sister, Janetta, whose Ph.D. is focused on making auts empathetic. Even Rose, Lal's best friend, has found a sense of purpose in charismatic up-and-coming politician Alek. When vigilantes break in to the coffee shop and destroy their new coffee-making aut, it sets in motion a chain of events that will pull the three young women in very different directions. Change is coming - change that will launch humankind into a new era. If Rose, Lal and Janetta can find a way to combine their burgeoning talents, they might just end up setting the course of history.
The oldest and most respected martial arts title in the industry, this popular monthly magazine addresses the needs of martial artists of all levels by providing them with information about every style of self-defense in the world - including techniques and strategies. In addition, Black Belt produces and markets over 75 martial arts-oriented books and videos including many about the works of Bruce Lee, the best-known marital arts figure in the world.
Unjustly expelled from his last party, adventurer Nick and his crew of similarly burned adventurers—a once-noble mage, excommunicated priest, and dragonian lady knight—have conquered the slimes of the first beginner labyrinth, and they now set out toward Goblin Forest. Taking down some goblins? That you can do alone! But trust and teamwork are their only hope to defeat the hordes of hobgoblins and the mighty ogre deep in the woods... Can they really succeed when their strategy relies on Karan the dragonian, who will have to relive her traumatic memories and act as the van guard with her back to her team once again?
Iris overcame the threat of excommunication, but now she faces something far worse. The bells of war are tolling, and an enemy nation stands poised to strike. Why, then, has the crown chosen to dismantle the kingdom's armed forces? As Iris desperately shores up her duchy's own defenses, she must answer a question from one of her closest companions, Dida: "If it comes to war, are you prepared to order us to kill?"
THE YEAR 1932. The alchemist Begg believes the drugs he created will guide people to the highest plane of existence. Drugs that the junkie Roy can't break free from. Drugs that the Runorata Family executive loses to a thief. And where were those packets of white powder manufactured? The young girl Eve is about to find out--and discover her family's true colors. Trouble stirs in the city that never sleeps as fate links these individuals together like a chain of falling dominos...
Chinese martial arts novels from the late nineteenth century are filled with a host of suggestive sounds. Characters cuss and curse in colorful dialect accents, vendor calls ring out from bustling marketplaces, and martial arts action scenes come to life with the loud clash of swords and the sounds of bodies colliding. What is the purpose of these sounds, and what is their history? In Sound Rising from the Paper, Paize Keulemans answers these questions by critically reexamining the relationship between martial arts novels published in the final decades of the nineteenth century and earlier storyteller manuscripts. He finds that by incorporating, imitating, and sometimes inventing storyteller sounds, these novels turned the text from a silent object into a lively simulacrum of festival atmosphere, thereby transforming the solitary act of reading into the communal sharing of an oral performance. By focusing on the role sound played in late nineteenth-century martial arts fiction, Keulemans offers alternatives to the visual models that have dominated our approach to the study of print culture, the commercialization of textual production, and the construction of the modern reading subject.
Popular film as a medium of communication, expression and storytelling has proved one of the most durable and fascinating cultural forms to emerge during the twentieth century, and has long been the object of debate, discussion and interpretation. Film After Jung provides the reader with an overview of the history of film theory and delves into analytical psychology to consider the reaction that popular film can evoke through emotional and empathetic engagement with its audience. This book includes: an introduction to film scholarship discussions of key Jungian concepts Post-Jungian film studies beyond film. It also considers the potential for post-Jungian contributions to film studies, and the ways in which these can help to enrich the lives of those undergoing clinical analysis. Film After Jung encourages students of film and psychology to explore the insights and experiences of everyday life that film has to offer by applying Post-Jungian concepts to film, image construction, narrative, and issues in cultural theory. It will enhance the film student’s knowledge of film engagement as well as introducing the Jungian analyst to previously unexplored traditions in film theory.