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For fifty years, Marti Friedlander (1928-2016) was one of New Zealand's most important photographers, her work singled out for praise and recognition here and around the world. Friedlander's powerful pictures chronicled the country's social and cultural life from the 1960s into the twenty-first century.From painters to potters, film makers to novelists, actors to musicians, Marti Friedlander was always deeply engaged with New Zealand's creative talent. This book, published to coincide with an exhibition at the National Portrait Gallery in Wellington, brings together those extraordinary people and photographs: Rita Angus and Ralph Hotere, C. K. Stead and Maurice Gee, Neil Finn and Kapka Kassabova, Ans Westra and Kiri Te Kanawa, and many many more.Marti Friedlander: Portraits of the Artists chronicles the changing face of the arts in New Zealand while also addressing a central theme in Marti Friedlander's photography. Featuring more than 250photographs, many never previously published, the book is an illuminating chronicle of the cultural life of Aotearoa New Zealand.
For fifty years, Marti Friedlander (1928–2016) was one of New Zealand's most important photographers, her work singled out for praise and recognition here and around the world. Friedlander's powerful pictures chronicled the country's social and cultural life from the 1960s into the twenty-first century. From painters to potters, film makers to novelists, and actors to musicians, Marti Friedlander was always deeply engaged with New Zealand's creative talent. This book, published to coincide with an exhibition at the National Portrait Gallery in Wellington, brings together those extraordinary people and photographs: Rita Angus and Ralph Hotere, C. K. Stead and Maurice Gee, Neil Finn and Kapka Kassabova, Ans Westra and Kiri Te Kanawa, and many many more. Marti Friedlander: Portraits of the Artists chronicles the changing face of the arts in New Zealand while also addressing a central theme in Marti Friedlander's photography. Featuring more than 250 photographs, many never previously published, the book is an illuminating chronicle of the cultural life of Aotearoa New Zealand.
From a childhood in London's East End to half a century in New Zealand photographing wine-makers and artists, children and kuia, Marti Friedlander has lived a rich life - one defined by the art of looking, seeing, capturing on film. In Self-Portrait, Marti tells her story for the first time. As unflinching and clear in prose as in her photographs, she describes growing up in a London orphanage, being Jewish, working in a Kensington photography studio, marrying a New Zealander and moving to a challenging new country. Here she spent her life photographing the ordinary and the extraordinary, protests and politicians, balloons and beaches. Seeing with a stranger's eye, Marti Friedlander describes how she captured the transformation of New Zealand life over more than fifty years. This book is a rich meditation on one women's photographic journey through the twentieth century.
Moko is written by Michael King, one of New Zealand's most celebrated historians, and photographed by Marti Friedlander, one of the country¿s most eminent photographers. One of New Zealand's iconic books, originally published in 1972, it was a milestone in New Zealand publishing. Maori subject matter was not thought to be of interest to the New Zealand public at that time, and the author and photographer were relative unknowns--Moko was their first book. To research this book, King and Friedlander travelled thousands of kilometres through the hinterland of New Zealand to find and speak with those who were tattooed, or with people who had first-hand knowledge of the custom. It is also the story of the last generation of Maori women who wore the traditional moko. Marti Friedlander's photographs illustrate with skill and compassion the moko itself, the women who wore it and the environments in which they lived.
This book illustrates the richness of New Zealand's photographic tradition, from nineteenth-century portraits and landscapes to the latest contemporary art photography. It showcases more than 400 photographs from the collection of the Museum of New Zealand Te Papa Tongarewa.
The Mongrel Mob of Aotearoa New Zealand is notorious for extreme violence, and they have long been regarded as the nations monsters. In layers of apparent contradictions, their icon is the British bulldog wearing a Nazi helmet, while their members are largely indigenous Maori. The Mongrel Mobs symbols arose as both a goading response to a history of colonial subjugation of Maori, and a proclamation of war against the (white) state. Mongrelism offers a communion with this impenetrable fraternity. Monumental portraits illustrate Mob members assertion of membership and pride in their identity. Artefact studies and brutal first person narratives are drawn from the Mob corpus, mirroring the landscapes that bare the brooding environments where Mob members live. Mongrelism examines how the gang brands itself to itself to uphold its hierarchy and history, and find core values usually lauded by society: perseverance, resilience, and loyalty. The publication takes the form of a gang handbook. The order and grouping of images is the result of consultation with members and hews to their geographic, familial and hierarchical relationships. An unedited Mob voice dominates the written section. Rotmans images have become a part of Mob history and their visual mythology. Ongoing consultation and engagement has been integral. Rotman is a fourth generation white New Zealander, his forebears were among the first to settle in the region that became the epicentre of the Mob genesis. The process of colonisation and the atomisation of indigenous communities can be argued to have resulted in the Mongrel Mob. IMongrelism, as in the history of the nation, the narratives intertwine.
"Step into our vineyards. Meet our people. Discover our story. Waiheke Island is an internationally acclaimed destination producing world-class wine, but it didn't start off that way. Meet the enterprising, determined and inspiring collective who planted vineyards and transformed this special place into an award-winning island of outstanding wines. Who are they? Where did they come from? Turn the pages. Pour a glass of wine. Celebrate their endeavours."--Publisher.
From the 1870s to the early twentieth century, the Bohemian immigrant artist Gottfried Lindauer travelled to marae and rural towns around New Zealand and - commissioned by Maori and Pakeha - captured in paint the images of key Maori figures. For Maori then and now, the faces of tupuna are full of mana and life. Now this definitive book on Lindauer's portraits of the ancestors collects that work for New Zealanders. The book presents 67 major portraits and 8 genre paintings alongside detailed accounts of the subject and work, followed by essays by leading scholars that take us inside Lindauer and his world: from his artistic training in Bohemia to his travels around New Zealand as Maori and Pakeha commissioned him to paint portraits; his artistic techniques and deep relationship with photography; Henry Partridge's gallery of Lindauer works on Queen Street in Auckland where Maori visited to see their ancestors; and the afterlife of the paintings in marae and memory. Published in association with Auckland Art Gallery Toi o Tamaki.
"A career retrospective, including photographic plates and essays by the photographer and commentators"--Publisher information.