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If you have read one paragraph of any James Hillman book, you know Marsilio Ficino is the Godfather of archetypal psychology. This man turned Western Europe on its psychological ear. FicinoÆs occult vision of eros and beauty influenced not only Botticelli and Michelangelo, but everyone else ever since who cares about love and soul. A must for your archetypal library.
This book makes the case for Marsilio Ficino, a Renaissance philosopher and priest, as a canonical thinker, and provides an introduction for a broad audience. Sophia Howlett examines him as part of the milieu of Renaissance Florence, part of a history of Platonic philosophy, and as a key figure in the ongoing crisis between classical revivalism and Christian belief. The author discusses Ficino’s vision of a Platonic Christian universe with multiple worlds inhabited by angels, daemons and pagan gods, as well as our own distinctive role within that universe - climbing the heights to talk with angels yet constantly confused by the evidence of our own senses. Ficino as the “new Socrates” suggests to us that by changing ourselves, we can change our world.
Love in Print in the Sixteenth Century explores the impact of print on conflicting cultural notions about romantic love in the sixteenth century. This popularization of romantic love led to profound transformations in the rhetoric, ideology, and social function of love - transformations that continue to shape cultural notions about love today.