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Before she goes to America, the Polish Jew Anya who has escaped several times during World War II, always searches for her little girl, given to Gentiles at the start of the war.
A plain countess… Tainted by illegitimacy, plain Sarah Martin has no illusions of a grand marriage. So when the Earl of Langford makes her a proposal that will take her one step closer to finding her half sister, she can't refuse! Sebastian's dreams of romance died with his late wife's affair, so now he needs a convenient wife to act as governess for his silent daughter. Yet Sarah continues to surprise and challenge him, and soon Sebastian can't deny the joy his new bride could bring to his life—and into his bed!
An investigation into the evolution of the seven-day week and how our attachment to its rhythms influences how we live We take the seven-day week for granted, rarely asking what anchors it or what it does to us. Yet weeks are not dictated by the natural order. They are, in fact, an artificial construction of the modern world. With meticulous archival research that draws on a wide array of sources—including newspapers, restaurant menus, theater schedules, marriage records, school curricula, folklore, housekeeping guides, courtroom testimony, and diaries—David Henkin reveals how our current devotion to weekly rhythms emerged in the United States during the first half of the nineteenth century. Reconstructing how weekly patterns insinuated themselves into the social practices and mental habits of Americans, Henkin argues that the week is more than just a regimen of rest days or breaks from work, but a dominant organizational principle of modern society. Ultimately, the seven-day week shapes our understanding and experience of time.
Cesspool Murders
The first book on Booth's ten tumultuous years on the stage, with a wealth of rare period illustrations reproduced with special techniques yielding results of better quality than the originals. The book evaluates his performances through newspaper reviews and the recorded opinions of his contemporaries; it also separates Booth the actor from Booth the assassin. Previously unpublished letters are included, some in facsimile. John Wilkes' famous brother Edwin was not necessarily the leading actor of his era: this book indicates why John Wilkes Booth might claim that distinction. One of the appendices is an exhaustive chronology of all his performances, and all fellow cast members.