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Did you ever wonder about the enslaved people in your ancestry? Have you asked the oldest living relative what they remember? Do you know what to do next? I was able to find my second great grandfather, Beverly Vance (1832-1899), in 1880 and 1870 on the census along with his mother, his wife, and his children. Have you located your formerly enslaved ancestor in the 1880 and 1870 censuses? This book, entitled My Best Genealogy Tips: Finding Formerly Enslaved Ancestors, will lead to discovering ancestors who had been enslaved. My move to South Carolina When I first moved to South Carolina in 2005, I no longer had to research my ancestors from afar. I lived in the same town as the South Carolina Department of Archives and History. I went regularly to Richland Library where I learned about my family in Richland County, and I identified Abbeville County as the place where they were enslaved. After going through and documenting everything I had, I reached out to the community where Beverly was enslaved in Abbeville County, South Carolina. Originally, I was puzzled because I could not find them in 1880. Greenwood County was redistricted in 1897. They did not move, but Greenwood County did not exist before 1897. It was Abbeville County, SC before 1897. Digging a little deeper I moved to Greenwood County, SC and spent two years trying to uncover what I could. The research included in this book is for those of you who would like to take my examples and use them to find burials for those who were formerly enslaved. I documented formerly enslaved ancestors and worked with the descendants of enslavers to discover what they knew. I did not take the advice given to me by other people while I was researching. It is so important to have a clear head when you are looking for family. I was told that I would not be able to document my ancestors before 1870. I was told that I would not find them married after enslavement. I was told that I did not need to search for them on land deeds or even in newspapers. These are the things that I was told. Let me say that if I had entertained any of what I was told, I would not have had the findings presented in this book. I did not listen, and I have found all but one of my ancestors married after enslavement. So, just remember when you have become a little down because you have made that overwhelming discovery and grandma just does not want to talk or people with the best intentions give the wrong advice. For these reasons, I have a habit of visiting courthouses, libraries, historical societies, and archives to see their resources in-person after I have exhausted researching online. Even with all that has been put online, I notice parts of collections. All the original documentation is kept at the repository. Do not get me wrong though. Databases such as familysearch.org and Ancestry.com are vital. FamilySearch Books, WorldCat.org, Internet Archive, and Amazon.com are places I have found my ancestors. Louisiana In 2016, Ellis and I went on an adventure to discover more about his family in Louisiana. We started out in New Orleans and discovered his Grandmother Louise’s parents after searching among the clerk of court records in East Feliciano Parish. Alabama Ellis and I also visited the Jefferson County, Alabama where Ellis found a plat map which showed his grandparents' property. Mississippi and North Carolina I will share my recent findings with you. They are a much harder group of people to research involving Buck Nelms (B. 1830) and his family from Mississippi and North Carolina back to 1841. For me oral history has played an integral part in my finding documentation. I have gathered many examples of historical records that you will want to know about so that you too can find your formerly enslaved ancestor.
V.1-2, 5-6, 9-10, 13-14:Places; v.3-4,7-8,11-12,15-16: Families.
This book, a family history of Albert Carroll Tiller, is an effort to both reconnect and remind those specially and historically removed from their ancestral home and cultural roots, just who they are and where they came from. The emphasis is not on genealogy, but on the story of seven generations of a family, set in the historical and cultural context of their times.
Based on reports from American repositories of manuscripts.
" ... provides updated county and town listings within the same overall state-by-state organization ... information on records and holdings for every county in the United States, as well as excellent maps from renowned mapmaker William Dollarhide ... The availability of census records such as federal, state, and territorial census reports is covered in detail ... Vital records are also discussed, including when and where they were kept and how"--Publisher decription.
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn