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A history of the English East India company.
THE TOP 5 SUNDAY TIMES BESTSELLER ONE OF BARACK OBAMA'S BEST BOOKS OF 2019 THE TIMES HISTORY BOOK OF THE YEAR FINALIST FOR THE CUNDILL HISTORY PRIZE 2020 LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2019 A FINANCIAL TIMES, OBSERVER, DAILY TELEGRAPH, WALL STREET JOURNAL AND TIMES BOOK OF THE YEAR 'Dalrymple is a superb historian with a visceral understanding of India ... A book of beauty' – Gerard DeGroot, The Times In August 1765 the East India Company defeated the young Mughal emperor and forced him to establish a new administration in his richest provinces. Run by English merchants who collected taxes using a ruthless private army, this new regime saw the East India Company transform itself from an international trading corporation into something much more unusual: an aggressive colonial power in the guise of a multinational business. William Dalrymple tells the remarkable story of the East India Company as it has never been told before, unfolding a timely cautionary tale of the first global corporate power.
poetics of belonging in the region. --Book Jacket.
This book brings to light an extraordinary satiric epic on Britain’s empire, one suppressed right after its publication in 1828. Tom Raw, the Griffin, written and illustrated by the Romantic artist Charles D’Oyly, is vital, engaging, morally earnest, and trenchant in its critique—and wickedly funny in its observations and depictions of British India. Known in art circles for his Indian landscapes, D’Oyly was born in Bengal; he returned there from England at age 16 to serve in increasingly titular posts in the occupying government; by 1818, he was a full-time artist in Patna. In his story of a young English cadet serving his country in India, D’Oyly writes and draws as an outsider to Britain’s imperial project abroad—but with the knowledge of an insider. His epic poem traces the political and cultural fault lines of Britain’s nascent empire. Like Lord Byron’s Don Juan (1819-24), Tom Raw is exuberantly comic and terrifyingly serious in its prescience on the prospects of nineteenth-century Britain and future world empires. Tom Raw has a real, original place in the literature, art and culture of its age, and is a key entity in the study of global Romanticism.
What induced the British to adopt foreign coffee-drinking customs in the seventeenth century? Why did an entirely new social institution, the coffeehouse, emerge as the primary place for consumption of this new drink? In this lively book, Brian Cowan locates the answers to these questions in the particularly British combination of curiosity, commerce, and civil society. Cowan provides the definitive account of the origins of coffee drinking and coffeehouse society, and in so doing he reshapes our understanding of the commercial and consumer revolutions in Britain during the long Stuart century. Britain’s virtuosi, gentlemanly patrons of the arts and sciences, were profoundly interested in things strange and exotic. Cowan explores how such virtuosi spurred initial consumer interest in coffee and invented the social template for the first coffeehouses. As the coffeehouse evolved, rising to take a central role in British commercial and civil society, the virtuosi were also transformed by their own invention.