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This volume investigates the linguistic and semantic encodings and conceptions of space in the East-Polynesian language Marquesan by focusing on the great variety of language- and culture-specific ways of referring to space, thus documenting an essential part of human behaviour and everyday communication in a South Pacific island population. On the basis of a large corpus of both natural and elicited spoken language data the morphosyntactic and semantic properties of all relevant lexical and grammatical units and constructions used for spatial reference are analysed in detail. Remarkable for this language is the fact that a particular kind of spatial orientation system based on local landmarks of the environment - a so-called 'absolute system' - is used for spatial description even on a micro-level or so-called 'table-top' space. Marquesan - A Grammar of Space is the first comprehensive description and in-depth study of spatial language to be found in an Austronesian language. Apart from examining the complex sociolinguistic situation, the degree of language endangerment in the bilingual speech community and the resulting rapid linguistic change in spatial language use, the book also offers a detailed description of the theoretical background of 'language and space' research and the linguistic variability to be found across languages. Moreover, the volume contains an extensive grammatical sketch of Marquesan which complements the language description of the specific domain space in a useful way providing the reader with general insights into one of the not well documented Oceanic languages. The volume addresses linguists, psycholinguists, anthropologists, fieldworking linguists, and especially Oceanists and Austronesianists. Moreover, it provides important insights for researchers from other disciplines that are interested in the study of space.
The Marquesas Islands of the South Pacific have been inhabited by Polynesian peoples since around A.D. 300 but were not visited by Europeans until 1595. Ferdon has drawn on the records of these early visitors to paint a broad picture of Marquesan social organization, religion, material culture, and daily life.
"The imagery of Marquesan art is testament to the myriad beings and creatures who inhabited the Marquesan universe - gods, ancestors, humans, lizards, turtles, fish - and to the islands' complex social and political organization. These art forms are explored in the present volume, published in conjunction with the exhibition "Adorning the World: Art of the Marquesas Islands," held at The Metropolitan Museum of Art."--BOOK JACKET.
The Marquesas Islands of the South Pacific have been inhabited by Polynesian peoples since around A.D. 300 but were not visited by Europeans until 1595. Ferdon has drawn on the records of these early visitors to paint a broad picture of Marquesan social organization, religion, material culture, and daily life.
Definitive source on intricate tattoos of Polynesia's Marquesas Islands offers a rare glimpse of a vanished art. Its 38 plates of black-and-white drawings and photographs provide an unusually complete and intimate record.
Created across the six islands of a remote archipelago in eastern Polynesia, the art of the Marquesas is one of the world's most distinctive and remarkable art traditions. Though exhibited in major museums around the world, Marquesan art is nevertheless poorly understood, and the formation of collections still largely unresearched. This book documents and explores the most extensive early collection from the archipelago. In May, 1804, participants in the first Russian voyage round the world, usually known as the Krusenstern expedition after the principal commander, spent twelve days at the island of Nuku Hiva. Inspired by the science and collecting associated with the voyages of Captain James Cook, the mariners interacted with Islanders, and made extensive collections of artifacts. While the lives of the collectors and exchanges among scientists led to these artifacts being widely dispersed, the research reported here has identified some 200 objects collected during the voyage which are now in museums in Russia, Estonia, Germany, Switzerland and the Netherlands. The outcome of years of work in museum stores and archives, Tiki reassembles a collection of exceptional importance. A set of essays contextualize these precisely provenanced artifacts historically, and in the life and environment of the Marquesas Islands. For the first time, this heritage is made accessible to Islanders themselves, and to interested scholars and curators.