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can love of “Freebies” be a problem? In Lance Johnson’s case the answer is yes. His love of freebies, including free drinks, leads to him being drugged and raped by two women he met at a bar, spiraling his life out of control and causing him to loose everything——— and everyone he loves. He sets out for revenge an is willing to kill to get it.
When her father is murdered for a journal revealing the location of a hidden gold mine, eighteen-year-old Kate Thompson disguises herself as a boy and takes to the gritty plains looking for answers -- and justice. What she finds are untrustworthy strangers, endless dust and heat, and a surprising band of allies, among them a young Apache girl and a pair of stubborn brothers who refuse to quit riding in her shadow. But as Kate gets closer to the secrets about her family, a startling truth becomes clear: some men will stop at nothing to get their hands on gold, and Kate's quest for revenge may prove fatal.
When a man loses everything there is nothing left but REVENGE! And that Revenge is sometimes Bittersweet.
Throughout its limited run beginning in 2014, the HBO series True Detective has presented viewers with unique takes on the American crime drama on television, marked by literary and cinematic influences, heavyweight performances, and an experimental approach to the genre. At times celebrated and opposed, the series has ignited a range of ongoing critical conversations about representations of gender, depictions of place, and narrative forms. True Detective: Critical Essays on the HBO Series includes a breadth of scholarly chapters that cross disciplinary boundaries, interrogate a range of topics, and ultimately promise to further contribute to critical debates surrounding the series.
"This edition published by arrangement with Harlequin Books S.A."--T.p. verso.
"By examining literary portraits of the woman as artist, Linda M. Lewis traces the matrilineal inheritance of four Victorian novelists and poets: George Eliot, Elizabeth Barrett Browning, Geraldine Jewsbury, and Mrs. Humphry Ward. She argues that while the male Romantic artist saw himself as god and hero, the woman of genius lacked a guiding myth until Germaine de Stael and George Sand created one. The protagonists of Stael's Corinne and Sand's Consuelo combine attributes of the goddess Athena, the Virgin Mary, Virgil's Sibyl, and Dante's Beatrice. Lewis illustrates how the resulting Corinne/Consuelo effect is exhibited in scores of English artist-as-heroine narratives, particularly in the works of these four prominent writers who most consciously and elaborately allude to the French literary matriarchs." "Exploring a connection between French and English literature and providing fresh insight, Germaine de Stael, George Sand, and the Victorian Woman Artist makes a major contribution to our understanding of nineteenth-century feminism."--Jacket.
Leon's panic stricken eyes locked on hers, wide and full of fear. "I killed her", he confessed in stunted gasps. "In the crematorium. Ten years ago". The meaning of his words began to dawn on her, and she pulled backwards slowly. "Leon", she asked in an overly-calm voice. "What did you do?" He gan to break down in tears. "I killed her," he wept. "Burned her up. I had to. She attacked me. She couldn't have been alive. She wasn't alive". Leon's mind was slowly surfacing back to reality, and his sentences took more form. "I was doing an autopsy. On a girl. Sexual assault victim. She was...mulitated, terribly. I was halfway through the autopsy, when she.." Leon began to cough heavily, starving himself of oxygen. "She came alive". Impossibly. She attacked me. She would have killed me". He began sobbing heavily again. "She's still trying to".