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Chronicles the efforts of John Gray to marry off his daughter Mary to the heir of Deer Lick, Missouri's, wealthiest family, until the appearance of a stranger not only derails Gray's plans but also leads to murder.
THE STORY: Mary Gray is the prettiest girl in Deer Lick, Missouri, and shy Hugh Gregory loves her as much as she loves him. Sally, Mary's mother, is happy for her daughter and convinces Mary's father, John, that Hugh is perfect for Mary. Unfortunat
Sherlock Holmes in America? Mark Twain a character in his own stories? Can it be true? Mark Twain breaks character with a collection of short mystery stories.
"All modern American literature comes from one book called Huckleberry Finn," declared Ernest Hemingway. "There was nothing before. There has been nothing as good since." Yet even from the time of its first publication in 1885, Mark Twain's masterpiece has been one of the most celebrated and controversial books ever published in America. No other story so central to our American identity has been so loved and so reviled as Huck Finn's autobiography.
A group of impoverished artists living in France stage the death of a friend to increase the value of his paintings and then must engage in cross-dressing, deception, and romantic intrigue in order to make their plot succeed.
Mark Twain is at his irreverent best with this hilarious parody of the 19th-century mystery - two seemingly unrelated narratives are spliced together, the author interjects himself as a character, and Twain even provides literary criticism of himself midway in the text. A Double-Barreled Detective Story is a delightful spoof of the mystery genre, then in its infancy, introducing the reader to Sherlock Holmes, as he has never been seen before or since. Far from his usual elegant London haunts, the great detective is caught up in a melodramatic murder mystery of love, betrayal, and vengeance in a rough California mining town - and dealing with characters named Ferguson, Wells-Fargo, Ham Sandwich, and Fetlock Jones. -- Publisher.
In the summer of 1876, Mark Twain started to write Adventures of Huckleberry Finn as a detective novel surrounding the murder of Huck's father, Pap Finn. The case is unresolved in the novel as it exists today, but Twain had already planted the clue to the identity of the killer. It is not the various objects ostentatiously left around Pap's naked body; they are not the foreground of the scene, but actually the background, against which a peculiar absence emerges distinctively--Pap's boots, with a "cross" in one of the heels, are gone with his murderer. The key to the mystery of Twain's writings, as this book contends from a broader perspective, is also such an absence. Twain's persistent reticence about the death of his father, especially the autopsy performed on his naked body, is a crucial clue to understanding his works. It reveals not only the reason why he aborted his vision of Huckleberry Finn as a detective novel, but also why, despite numerous undertakings, he failed to become a master of detective fiction. ecome a master of detective fiction.