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Mark Twain's humour has secured him a large audience not only in America and this country, but also in Germany and other Continental countries. It is the dry, incisive humour of a shrewd man of the world who, having gone through life with his eyes wide open, has cheered himself by laughing not merely at the faibles of his fellow-men, but, by implication, at his own as well. He was not very reverent in his attitude towards what he considers worn-out survivals of old beliefs and superstitions, and sometimes poked fun without much discrimination. This is volume one out of two of one of the best biographies ever written about this outstanding author and covers the years 1835 to 1885.
In Its Distrust Of Too Much Civilisation And Its Concern With The Way Language Turns Dreamy And Corrupt When Divorced From The Real Condition Of Life, Huckleberry Finn Echoed Some Of The Central Concerns Of Life Today. Like All Great Works Of Fiction Where No Story Is Told As If It Is The Only One, Huck Finn Is Open-Ended, The 'Unfinished Story' Where The True Meaning Is Left To The Conscience And Imagination Of Each Reader.
Cigar Box Lithographs Vol. 5 is a collection of stories from Canada’s past, which the author tells past using century-old cigar box lithographs as his guideposts. His collection of books, of which this is fifth in a series, pay homage to the heritage and culture of this country that have been largely neglected in today’s fast-paced, technology-driven society. Similar to its precursors, in Volume V readers are once again treated to Humber’s chatty, erudite writing style; reading it no doubt makes Cigar Box Lithographs fans feel like they’re sitting down with a treasured friend enjoying a long and fascinating conversation.
In this new volume of letters, readers are invited to meet Olivia Louise Langdon Clemens on her own terms, in her own voice—as complementary partner to her world-famous spouse, Mark Twain, and as enduring friend, mother to four children, world traveler, and much more. The frail woman often portrayed by scholars, biographers, and Twain himself is largely absent in these letters. Instead, Olivia (who Twain affectionately referred to as “Gravity” in their early correspondence) emerges as a resilient and energetic nineteenth-century woman, her family’s source and center of stability, and a well of private and public grace in an ever-changing landscape. Mark Twain’s biography recounted in Olivia’s letters offers new insights, and her captivating voice is certain to engage and enlighten readers.
This book is the first omnibus history of the literature of the American Civil War, the deadliest conflict in US history. A History of American Civil War Literature examines the way in which the war has been remembered and rewritten over time in prose, poems, and other narratives. This history incorporates new directions in Civil War historiography and cultural studies while giving equal attention to writings from both northern and southern states. It redresses the traditional neglect of southern literary cultures by moving between the North and the South, thus finding a balance between Union and Confederate texts. Written by leading scholars in the field, this book works to redefine the boundaries of American Civil War literature while posing a fundamental question: why does this 150-year-old conflict continue to capture the American imagination?