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This book is a literary exploration of Mark Twain's writings on crime in the American West and its intersection with morality, gender and justice. Writing from his office at the Enterprise newspaper in the Nevada Territory, Twain employed a distinct style of crime writing--one that sensationalized facts and included Twain's personal philosophies and observations. Covering Twain's journalism, fictional works and his own personal letters, this book contextualizes the writer's coverage of crime through his anxieties about westward expansion and the promise of a utopian West. Twain's observations on the West often reflected common perceptions of the day, positioning him as a "voice of the people" on issues like crime, punishment and gender.
This book is a literary exploration of Mark Twain's writings on crime in the American West and its intersection with morality, gender and justice. Writing from his office at the Enterprise newspaper in the Nevada Territory, Twain employed a distinct style of crime writing--one that sensationalized facts and included Twain's personal philosophies and observations. Covering Twain's journalism, fictional works and his own personal letters, this book contextualizes the writer's coverage of crime through his anxieties about westward expansion and the promise of a utopian West. Twain's observations on the West often reflected common perceptions of the day, positioning him as a "voice of the people" on issues like crime, punishment and gender.
In Its Distrust Of Too Much Civilisation And Its Concern With The Way Language Turns Dreamy And Corrupt When Divorced From The Real Condition Of Life, Huckleberry Finn Echoed Some Of The Central Concerns Of Life Today. Like All Great Works Of Fiction Where No Story Is Told As If It Is The Only One, Huck Finn Is Open-Ended, The 'Unfinished Story' Where The True Meaning Is Left To The Conscience And Imagination Of Each Reader.
This volume collects the most important writings by Mark Twain in which he used biblical settings, themes, and figures. Featuring Twain's singular portrayals of God, Adam, Eve, Satan, Methuselah, Shem, St. Peter, and others, the writings stand among Twain's most imaginative expressions of his views on human nature and humankind's relation to the Creator and the universe. Composed over four decades (1871-1910), the writings range from farce to fantasy to satire, each one bearing the mark of Twain's unmistakable wit and insight. Among the many delights in store for readers are Adam and Eve's divergent accounts of their domestic troubles; Methuselah's discussion of an ancient version of baseball, complete with a parody of baseball jargon; Shem's hand-wringing account of how material shortages and labor troubles were hampering the progress of the ark his father, Noah, was building; a description of the disruptive actions of the fire-and-brimstone evangelist Sam Jones upon arriving in heaven; Captain Stormfield's revelations of what heaven is really like; Satan's musings on our puerile concepts of the afterlife; and Twain's advice on how to dress and tip properly in heaven. Twain's humor, however, is never gratuitous. As readers laugh their way through this volume, they will find ample evidence of Twain's concerns about scriptural fallacies and inconsistencies, the Bible's rather flat portrayal of important characters, and our limited notions about the nature and meaning of our own--and God's--existence. Many of the pieces in this collection, even the most lighthearted, might still be considered controversial; of some of the darker pieces, Twain himself acknowledged that they would be heretical in any age. Moreover, these writings are valuable cultural artifacts of a time when, across the Western world, fundamental religious beliefs were being called into question by the precepts of Darwinism and the rapid advances of science and technology. Several of this volume's selections are previously unpublished; others, like Letters from the Earth, are classics. Virtually all have been newly edited to reflect as closely as possible Twain's final intentions for their form and content. For serious Twain devotees, editors Howard G. Baetzhold and Joseph B. McCullough have supplied an abundance of background material on the writings, including details on the history of their composition, publication, and relevance to the Twain canon.
Though best known for his adventure novels and humorous stories, Twain was a passionate world traveler and he recorded his journeys in several travel books which were all very popular at the time: "The Innocents Abroad" humorously chronicles Twain's "Great Pleasure Excursion" on board the chartered vessel Quaker City through Europe and the Holy Land in 1867. "Roughing It" follows the travels of young Mark Twain through the Wild West during the years 1861–1867. The book illustrates many of Twain's early adventures, including a visit to Salt Lake City, gold and silver prospecting, real-estate speculation and a journey to the Kingdom of Hawaii. "Old Times on the Mississippi" is a short account of Twain's experiences as a cub pilot, learning the Mississippi river. "A Tramp Abroad" details Twain's journey through central and southern Europe with his friend. As the two men make their way through Germany, the Alps, and Italy, they encounter situations made all the more humorous by their reactions to them. "Life on the Mississippi" is a memoir by Mark Twain of his days as a steamboat pilot on the Mississippi River before the American Civil War, recounting his trip along the Mississippi River from St. Louis to New Orleans after the War. "Following the Equator" – In an attempt to extricate himself from debt, Twain undertook a tour of the British Empire in 1895, a route chosen to provide numerous opportunities for lectures in English. The book is a social commentary, critical of racism towards Blacks, Asians, and Indigenous groups. "Some Rambling Notes of an Idle Excursion" presents a series of stories about a trip that Twain and some friends took to Bermuda from New York City. "Chapters from my Autobiography" comprises a rambling collection of anecdotes and ruminations of Mark Twain, assembled during his life. Samuel Langhorne Clemens (1835-1910), better known by his pen name Mark Twain, was an American writer, humorist, entrepreneur, publisher, and lecturer.
The Introspective Art of Mark Twain is a major new assessment of a towering American writer. Seeking to trace the development of Mark Twain's imagination, Douglas Anderson begins near the end of Twain's life, with the long dialogue What Is Man? that Twain published anonymously in 1906. In Twain's view, the little-read What Is Man? lies at the heart of his creative life. It is the central aesthetic testament that he employed to tell the story of his artistic evolution. Anderson follows the contours of that story as it unfolds over Twain's career. The portrait that emerges addresses the full scope of Twain's achievement, drawing on his autobiographical and travel writings, as well as the published and unpublished works of fiction that are by now deeply embedded in the world literary canon. “Steer by the river in your head,” Mark Twain's master pilot, Horace Bixby, once advised him, when the opaque atmosphere of the outer world made it impossible to see the actual Mississippi through which Twain was trying to guide his steamboat. For the purposes of this book, the river in one's head is not a mental construct of the physical world but the riverine networks of consciousness itself: the river that is the mind. The detailed discussions of individual books that structure each chapter direct the attention of Mark Twain's students and admirers, through inward rather than outward channels, toward a fuller appreciation for his legacy.
The American Critical Archives is a series of reference books that provide representative selections of contemporary reviews of the main works of major American authors. Specifically, each volume contains both full reviews and excerpts from reviews that appeared in newspapers and weekly and monthly periodicals, generally within a few months of the publication of the work concerned. This 1999 book is a systematic, comprehensive gathering of the reviews (primarily in the United States and Britain) of Mark Twain's books published up until 1917. The reviews collected here are essential reading for anyone interested in Twain criticism and reception. In addition, by devoting attention to each individual work, the volume provides the broadest possible perspective on Twain's career.
The Autobiography of Mark Twain is a collection of reminiscences and reflections. Twain began dictating them in 1870, and in 1906 he published Chapters from My Autobiography in twenty-five installments in the North American Review. He continued to write stories for his autobiography, most of which weren’t published in his lifetime due to a lack of access to his papers, or their private subject matters. After Twain’s death, numerous editors have tried to organize this collection of published and unpublished autobiographical works, producing various differing editions. The most recent attempt is by the Mark Twain Project at the University of California, Berkeley, which published a three-volume edition; but, through what many consider legal trickery, the University of California, Berkeley has claimed copyright on that edition until 2047—137 years after Twain’s death. This Standard Ebooks edition is based on Harper and Brothers’ 1924 collection, compiled by Albert Bigelow Paine. This book is part of the Standard Ebooks project, which produces free public domain ebooks.