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Excerpt from Mark, the Match Boy, or Richard Hunter's Ward Fosdick, said Richard Hunter, What was the name of that man who owed your father two thousand dollars, which he never paid him? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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In 'Mark the Match Boy; or, Richard Hunter's Ward' by Horatio Jr. Alger, readers are taken on a gripping journey through the challenges faced by a young protagonist. The book, written in a straightforward and engaging style, reflects the moralistic and didactic themes typical of Alger's writing. Set in a 19th-century urban landscape, the story explores issues of poverty, perseverance, and the pursuit of success, making it a compelling read for audiences of all ages. With vivid descriptions and relatable characters, Alger's narrative captivates the reader from start to finish. The book's message of hope and hard work resonates with readers, leaving behind a lasting impact on their perspective on life and values. Horatio Jr. Alger, known for his numerous works focusing on themes of rags to riches and moral development, drew inspiration from his own experiences as a writer and social commentator. His personal struggles and observations of society undoubtedly influenced the creation of this timeless tale. I highly recommend 'Mark the Match Boy; or, Richard Hunter's Ward' to those seeking a thought-provoking and enlightening read that delves into the complexities of human nature and societal norms.
In this book, Glenn Hendler explores what he calls the "logic of sympathy" in novels by Walt Whitman, Louisa May Alcott, T. S. Arthur, Martin Delany, Horatio Alger, Fanny Fern, Nathaniel Parker Willis, Henry James, Mark Twain, and William Dean Howells. For these nineteenth-century writers, he argues, sympathetic identification was not strictly an individual, feminizing, and private feeling but the quintessentially public sentiment--a transformative emotion with the power to shape social institutions and political movements. Uniting current scholarship on gender in nineteenth-century American culture with historical and theoretical debates on the definition of the public sphere in the period, Hendler shows how novels taught diverse readers to "feel right," to experience their identities as male or female, black or white, middle or working class, through a sentimental, emotionally based structure of feeling. He links novels with such wide-ranging cultural and political discourses as the temperance movement, feminism, and black nationalism. Public Sentiments demonstrates that, whether published for commercial reasons or for higher moral and aesthetic purposes, the nineteenth-century American novel was conceived of as a public instrument designed to play in a sentimental key.
Well, Fosdick, this is a little better than our old room in Mott Street, said Richard Hunter, looking complacently about him. You're right, Dick, said his friend. This carpet's rather nicer than the ragged one Mrs. Mooney supplied us with. The beds are neat and comfortable, and I feel better satisfied, even if we do have to pay twice as much for it. The room which yielded so much satisfaction to the two boys was on the fourth floor of a boarding-house in Bleecker Street. No doubt many of my young readers, who are accustomed to elegant homes, would think it very plain; but neither Richard nor his friend had been used to anything as good. They had been thrown upon their own exertions at an early age, and had a hard battle to fight with poverty and ignorance. Those of my readers who are familiar with Richard Hunter's experiences when he was Ragged Dick, will easily understand what a great rise in the world it was for him to have a really respectable home.
Excerpt from Jack's Ward: Or, the Boy Guardian Look here, boy, can you hold my horse a few minutes? Asked a gentleman, as he jumped from his carriage, in one of the lower streets in New York. The boy addressed was apparently about twelve, with a bright face and laughing eye, but dressed in Clothes Of coarse material. This was Jack Harding, who is to be our hero. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Jack's Ward is presented here in a high quality paperback edition. This popular classic work by Horatio Alger is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of Horatio Alger then we highly recommend this publication for your book collection.