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In this second volume of the Biblical Imagination series, Michael Card leads us on an imaginative journey through the Gospel of Mark. Card teaches us to enter each scene with the eyes of faith, knowing that Mark intended us to be filled with passion at the sight of Jesus.
The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave
The passion is the climactic event in each of the gospels. This volume elucidates the passion in its historical background and explores its theological breadth and depth. With scholarly finesse and pastoral awareness, the author sets the vibrant message of the passion speaking to our lives and times.
Throughout the history of Christianity, the four canonical gospels have proven to be vital resources for Christian thought and practice, and an inspiration for humanistic culture generally. Indeed, the gospels and their interpretation have had a profound impact on theology, philosophy, the sciences, ethics, worship, architecture, and the creative arts. Building on the strengths of the first edition, The Cambridge Companion to the Gospels, 2nd edition, takes account of new directions in gospels research, notably: the milieu in which the gospels were read, copied, and circulated alongside non-canonical gospels; renewed debates about the sources of the gospels and their interrelations; how central gospel themes are illuminated by a variety of critical approaches and theological readings; the reception of the gospels over time and in various media; and how the gospels give insight into the human condition.
These imaginary reenactments follow the story of the death and resurrection of Jesus from the time the chief priests plotted to kill Him to His glorious resurrection from the dead, allowing readers to re-experience the Passion--or perhaps see it fully for the first time.
A new edition in which the author illuminates the manner in which Mark understood Jesus' death.
Moderate revision of the author's thesis (doctoral)--Fuller Theological Seminary, 2007.
Scholarship on the Gospel of Mark has long been convinced of the paradoxical description of two of its primary themes, christology and discipleship. This book argues that paradoxical language pervades the entire narrative, and that it serves a theological purpose in describing God's activity. Part One focuses on divine action present in Mark 4:10-12. In the first paradox, Mark portrays God's revelatory acts as consistently accompanied by concealment. The second paradox is shown in the various ways in which divine action confirms, yet counters, scripture. Finally, Mark describes God's actions in ways that indicate both wastefulness and goodness; deeds that are further illuminated by the ongoing, yet defeated, presence of evil. Part Two demonstrates that this paradoxical language is widely attested across Mark's passion narrative, as he continues to depict God's activity with the use of the three paradoxes observed in Mark 4. Through paradoxical narrative, Mark emphasizes God's transcendence and presence, showing that even though Jesus has brought revelation, a complete understanding of God remains tantalizingly out of their grasp until the eschaton (4:22).
Peter Bolt explores the impact of Mark's Gospel on early readers in the first-century Graeco-Roman world. Focusing upon the thirteen characters in Mark who come to Jesus for healing or exorcism, Bolt analyzes their crucial role in the communication of the Gospel. Enlisting a variety of ancient literary and non-literary sources, this book recreates the first-century world of illness, magic and Roman imperialism. This new approach to Mark combines reader-response criticism with social history.