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At its very essence, textile art is about mark-making. As an artist would use a pencil, an embroiderer or quilter can use stitch to make marks on fabric – a fundamental creative act. The making of marks often starts and underpins the entire design process, and a textile artwork is usually made up of repeated stitched marks. This fascinating book shows how marks can be used in textile work, both simple and complex, and explores the crossover between stitch and drawing. Author Helen Parrott is well known for her strongly graphic textile art, which uses marks to stunning visual effect. The book is divided into the types of marks that can be made on fabric, varying in complexity, arrangement and 'feel' – single, grouped, massed, regular, irregular, calligraphic, permanent, transient, and so on. It covers both hand and machine stitch, which make very different types of mark and between them offer limitless potential for mark-making, used both separately and together. It aims to help you take inspiration from the world around you to create marks, develop your own mark-making skills and strengthen your personal creative voice, and is an essential book for any textile artist.
Discover how the simplest marks--stitched lines and knots--can be used to create graphically compelling art! In Mark Making, art quilter Helen Parrott, known for her strongly graphic and landscape-inspired textile art, demonstrates how marks can be used in textile work and explains the crossover between stitch and drawing. This fascinating book is divided into the different types of marks or lines that can be made on fabric varying in complexity, arrangement, and 'feel'. You'll also learn techniques in both hand and machine stitching, which offer limitless potential for surface effect. Mark Making aims to help you take inspiration from the world around you to create marks, develop your own mark-making skills, and strengthen your personal creative voice! This is an essential book for any textile artist.
A creative and practical guide on how to get in touch with your local natural world to create thoughtful works of textile art. Filled with projects and step-by-step techniques, this book is perfect for textile students and professionals alike. Renowned quilter and textile artist Helen Parrott explores the creative potential of your local surroundings and teaches you the processes and techniques used to create beautiful textile artworks. Drawing on the Slow Stitch movement, she explains how mark-making techniques can be used meditatively to record personal lives and surroundings influenced by seasonal changes of colour, energy and light. She encourages you to connect to your own locality, whether it be urban or rural, at home or on holiday, and its specific seasonal aspects in order to create a personal, working cycle of textile art. The book is divided into seasons; from learning how to spot the first signs of Spring to recording seasonal characteristics – equinox through to solstice – Helen teaches you how to be in tune with your environment. Each location will have different signs, so each artwork will truly be unique. Techniques and projects are also covered in this book: she first teaches you the basics of both hand and machine stitch techniques, working with free-form stitching, chain stitch, corded quilting and then moves onto appliqué, blackwork and dyeing. The techniques build in complexity ending with pieced textiles and collages. Helen also explores how to work with dot and line, repeating patterns, light and shadow, colour (and lack of colour), plant structures and people in landscapes. The last chapter consolidates techniques you've learnt in the book and showcases finished works from her exhibitions, as well as the Bradford Textile Archive, to help you better understand where inspiration leads.
Through the simple act of drawing—whether it’s doodling or creating detailed illustrations—embrace your inner voice and unlock the power of your intuitive intelligence. Do you remember being a child and the pure joy brought on by a box of crayons and piece of paper? Do you still find yourself sketching away every time you pick up a pencil? That’s because drawing is a natural impulse that stays with us throughout our entire lives. Whether you are doodling in a notebook or carving your name in the sand, this simple, stream-of-consciousness activity is a window into your deepest, truest self. In Making Marks, you’ll learn that every single line, smudge, or spot you make contains visual imagery with the power to heal the past, develop your sense of empathy, and reveal solutions and answers you never realized before. You don’t need to have any specific experience or skills to benefit from this book; through simple steps and interactive exercises, people of all ages and artistic abilities can gain insight and learn to reconnect with their creative selves. With beautiful black-and-white and full-color illustrations, Making Marks is a powerful guide to self-discovery. Tap into your unconsciousness as artist and spiritual guide Elaine Clayton takes you on a journey of the soul.
Here is a complete volume offering lettering arts techniques as well as project ideas.
Discover the rich creative possibilities of fragmentation and repair in textile art. Fragmentation and repair are two of the biggest buzzwords in textile and mixed-media art. In this fascinating book, renowned artist Shelley Rhodes explores both concepts, with a wealth of fresh ideas and practical advice. Drawing on her own practice, Shelley explains how she reconstructs and reassembles cloth, paper and other materials to create new pieces, often incorporating found objects and items she has collected over the years to add depth and emotional resonance. From piercing and devoré to patching and darning, techniques include: Fragmentation of materials, text and image. Repair using darning and patching along with pins, tape, adhesive and plaster. The Japanese concepts of wabi-sabi (finding beauty in imperfection) and mottainai (using every last scrap). Using salvaged and recycled materials, and repurposing household items. Methods of distressing and manipulating surfaces including weathering, abrasion, burning, piercing, staining and burying. Collage, working in a series and collecting fragments. Beautifully illustrated with Shelley's own pieces alongside those of other leading artists, this fascinating book is the ideal companion for any textile artist wanting to bring notions of fragility, fragmentation and repair into their own work.
Transform your ideas on creative fabric embellishment for textile art that's full meaning and astounding texture, in this inspiring book by award-winning textile art tutor and artist Jan Dowson. Whether it's a landscape, a garden, an animal or a powerful memory of a place or object, Jan shows you how she develops them all into beautifully stitched representations that exude awe-inspiring detail, colour and expression. Discover Jan's unique sketchbook process, where she stores and collects natural items, and explores different patterns, textures, media and markings to cultivate her final design. See her simple yet effective methods for transforming her fabric for stitching, including dyeing, embellishing and stamping. Then, watch her transform an unassuming square of fabric into a contemporary piece of art brimming with colour, texture and extraordinary stitched markings - all made through the combination of traditional sewing techniques and other media. Following a fascinating, illustrated step-by step chapter on Jan's key techniques, join her as she takes you through the stages of three types of work for which she is most renowned - the stitched landscape, the memory cloth and the bird sculpture. Each project also includes a break down of the materials, tools and techniques used, so that can understand as well as see the development of her astounding, mixed-media creations. Throughout the book, a gallery of Jan's work complements her techniques and projects, showing how to truly push the limits on your stitcheries. These are stunning pieces that will open your eyes and turn your own creative concepts into original, personal work.
Today the embroiderer’s sketchbook, ideas book or journal embraces a range of exciting possibilities. It includes initial concept material, design, colour work, textile samples, stitches and three-dimensional pieces. Beautiful in itself, the embroiderer's material can also provide inspiration for more developed work. This is the first book to show students, general embroiderers and other textile artists how to make the most of their sketchbooks, showcasing examples from leading textile artists such as Audrey Walker, Rozanne Hawksley, Amanda Clayton and Ruth Issett. Illustrated with sketchbook pages through to finished textile pieces. The book covers: Purposes of a Sketchbook: exploring and storing; investigation and ideas; research and collecting; experimentation and development; recording and analysis Different Approaches: drawing and collage; stitch and fabric; surface inspiration; pattern/colour/texture; design elements as starting points; models and maquettes; 3-D work; sketchbook work for its own sake; exploring concepts Making a Start: things to include; building confidence; when to use a sketchbook; don’t be afraid to… Presentation, Materials, Tools, Techniques
More and more textile artists are using natural processes in their work, from dyeing with rust to working with found and scavenged items, and this book is the first to bring these increasingly popular techniques together. It promotes a way of working creatively with what is close at hand, whether gathered on walks by the seashore or collected in your garden, and working in tune with natural processes, bringing the rhythms and unpredictability of nature into your work. Examples of this type of working include rust dyeing embroidered fabric to give it a natural patina, dyeing with garden fruits or seaweed, weaving with pieces of beachcombed fibre and printing with found objects. In all of this work nature is directly harnessed to make its mark. The book is illustrated with the finest examples of contemporary embroidery and textile-art work using nature, by artists whose practice is tied up with their experience of and respect for the natural environment, often capturing a very strong sense of place and a feeling of calmness and contemplation.