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In 1937, 10-year-old Marjorie Arnison was shipped from Britain to Prince of Wales Fairbridge Farm School near Victoria, British Columbia. For years she wouldn't talk about her past. It wasn't until daughter Patricia explored archival records and shared them with her mother that a home-child saga emerged.
The biography of a British girl, split from her family by the British child migration program, learning to cope with her hard new life in Canada. Marjorie Too Afraid to Cry — Book #1 In 1937, 10-year-old Marjorie Arnison was shipped from Britain to Prince of Wales Fairbridge Farm School near Victoria, British Columbia. For years she wouldn't talk about her past. It wasn't until daughter Patricia explored archival records and shared them with her mother that a home-child saga emerged. Marjorie Her War Years — Book #2 Sent away from her family and England to an isolated farm where she was at the mercy of a tyrannical “cottage mother,” Marjorie Arnison had to learn to forget her identity in order to survive in her unfamiliar and hostile new home. It was only much later in her life that the memories of where she came from began to resurface.
Sent away from her family and England to an isolated farm where she was at the mercy of a tyrannical “cottage mother,” Marjorie Arnison had to learn to forget her identity in order to survive in her unfamiliar and hostile new home. It was only much later in her life that the memories of where she came from began to resurface.
Her family broken apart and her identity taken away, she had to forget her past in order to face her future. But forgetting isn’t forever. Taken from their mother’s care and deported from England to the colonies, ten-year-old Marjorie Arnison and her nine-year-old brother, Kenny, were sent to the Prince of Wales Fairbridge Farm School on Vancouver Island in September 1937. Their eight-year-old sister, Audrey, followed the next August. Marjorie's new home was on an isolated farm — a cottage she shared with at least ten other girls and a “cottage mother” at the head, who had complete control over her “children.” Survival required sticking to bare essentials. Marjorie had to accept a loss, which was difficult to forgive. Turning inward, she would find strength to pull her through, but she had to lock away her memories in order to endure her new life. Marjorie was well into her senior years before those memories resurfaced.
Key Selling Points In their small coastal town, Addie lives with her mom and little brother...until her mom (who struggles with alcoholism and depression) leaves and Addie is forced to take care of herself and her brother, without anyone finding out. Refusing the easy answers, Picture a Girl looks unflinchingly at the life of an 11-year-old girl who has learned to be an adult in her mother's absence and to lie to keep her family together. Shows surfing in a less glamorous way, as Addie's mother's only true "happy place" and an obsession that can take precedence over her kids—but also reveals it as a way forward for the family, after she returns and promises to give Addie and Billy regular surfing lessons. Jenny Manzer is the author of Save Me, Kurt Cobain , which was nominated for the Bolen Books Children's Book Prize, and My Life as a Diamond , which was nominated for numerous awards and named one of Bank Street College of Education's Best Books of the Year.
At a time when thousands of refugees risk their lives undertaking perilous journeys by boat across the Mediterranean, this multidisciplinary volume could not be more pertinent. It offers various contemporary case studies of boat migrations undertaken by asylum seekers and refugees around the globe and shows that boats not only move people and cultural capital between places, but also fuel cultural fantasies, dreams of adventure and hope, along with fears of invasion and terrorism. The ambiguous nature of memories, media representations and popular culture productions are highlighted throughout in order to address negative stereotypes and conversely, humanize the individuals involved.
This book argues that media and capitalism no longer exist as separated entities, and posits three reasons why one can no longer exist without the other. Firstly, mass media have become indispensable to capitalism due to the media’s ability to sell the commodities of mass consumerism. Media capitalism also creates pro-capital attitudes among a target population and establishes an ideological hegemony. Thirdly, media capitalism provides mass deception to hide the pathologies of capitalism, which include mass poverty, rising inequalities, and the acceleration of global warming. To illuminate this, the book’s historical chapter traces the emergence of media capitalism. Its subsequent chapters show how media capitalism has infiltrated the public sphere, society, schools, universities, the world of work and finally, democracy. The book concludes by outlining how societies can transition from media capitalism to a post-media- capitalist society.
Realistic and practical advice for parents of college-age kids. Parents whose kids are away at college have a tough tightrope to walk: they naturally want to stay connected to their children, yet they also need to let go. What's more, kids often send mixed messages: they crave space, but they rely on their parents' advice and assistance. Not surprisingly, it's hard to know when it's appropriate to get involved in your child's life and when it's better to back off. You're On Your Own (But I'm Here If You Need Me) helps parents identify the boundaries between necessary involvement and respect for their child's independence.
An examination of Upper Canadian life at the dawn of a modern nation. Hoping for the Best, Preparing for the Worst explores the web of human relationships that developed in Upper Canada following the American Revolution, in the years leading up to the War of 1812, and during the conflict that raged for two years between the young United States and Britain, its former master. The book focuses on the families, homes, gardens, farms, roads, villages, towns, shops, and fabric of everyday life in this frontier society. Upper Canada was a land in transition as First Nations, fur traders, Loyalists, entrepreneurs, merchants, farmers, and newcomers from every walk of life formed alliances and partnerships based on friendship, marriage, respect, religion, proximity, and the desire to survive and prosper. With the declaration of war in June 1812, Upper Canadians realized that not only their lives but their future peace and prosperity were threatened. They responded with perseverance, loyalty, and unexpected acts of bravery.
Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.