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Marjorie and Ed: A Love Story By: Edward L. Osler At the time he met Marjorie, Ed Osler was at the end of his "dating rope." He was tired of dating, disgusted with who he was meeting, and wondered if he would ever meet his "special someone." He met Marjorie online-on a dating site that allowed him to express how he felt in words and in poetry. They emailed each other for close to three weeks before they actually met. By the time they had their first date, they had developed a relatively strong friendship. When they finally met for their dinner date, Marjorie in person was no different than the woman he was emailing. The evening's date was effortless. Everything flowed so easily. By the time the date ended Ed was sad, for he wondered if they would ever have a second date. Love-call it karma or fate or simply an emotional connection-does exist-even in this day and age. Dating is not difficult as long as both parties remain open and honest with their feelings and hold fast that unconditional love does exist. It is real and special. We experience happy emotions and sad emotions and as long as we retain our sense of humor, we will find that special someone to spend our life with.
A wonderful book about life in the three magnificent homes of Marjorie Merriweather Post, one of America's most stylish women.
Since the first edition went to press in 1989, there have been many important developments concerning different aspects of maternity care. To take account of these, much needs to be added to this history. Late 1989 saw the publication of the double volume set of studies, Effective Care in Pregnancy and Childbirth, in which all the then existing evidence on all the associated procedures was considered and evaluated by well-informed and impartial authors representing many countries. This informative collection has since been followed by a flow of single reports of new research findings about specific subjects within the field. To incorporate the new material has involved, in particular, a consider able enlargement and rearrangement of the text and reference lists for Chapters 3 and 4, which deal with antenatal and intranatal care. Then in 1990-1 the House of Commons Health Committee, under its chairman Nicholas Winterton, undertook a further enquiry into the maternity services in Britain. A wide range of people concerned as pro viders or users of the service, as well as researchers concerned to find out how well the service was meeting needs, chose to submit testi monies, written and oral. These testimonies were all later published in six volumes which offered a most valuable depiction of the maternity service from many points of view.
American Empress is a sweeping history of the dramatic life of heiress Marjorie Merriweather Post, daughter of breakfast-cereal magnate C. W. Post. As a young girl growing up in the Midwest, Marjorie Post helped glue cereal boxes in her father's barn, later became a board member of his company, wed a diplomat and by late middle age was widely acknowledged as the unofficial "Queen of Washington, D.C." The glamorous and warm-hearted Mrs. Post was also mother to actress Dina Merrill. Throughout her life, she gave generously to hundreds of civic, artistic and philanthropic causes, among which were the National Symphony Orchestra, the Washington Ballet and the Kennedy Center. By virtue of her brains, beauty and great wealth, Mrs. Post was a woman well ahead of her era, whose natural business acumen created the frozen foods industry and transformed the Postum Cereal Company into the General Foods Corporation.
Marjorie Diehl-Armstrong, as one judge described her, was “a coldly calculated criminal recidivist and serial killer.” She had experienced a lifetime of murder, mayhem, and mental illness. She killed two boyfriends, including one whose body was stuffed in a freezer. And she was convicted in one of the Federal Bureau of Investigation’s strangest cases: the Pizza Bomber case, in which a pizza deliveryman died when a bomb locked to his neck exploded after he robbed a bank in 2003 near Erie, Pennsylvania, Diehl-Armstrong’s hometown. Diehl-Armstrong’s life unfolded in an enthralling portrait; a fascinating interplay between mental illness and the law. As a female serial killer, Marjorie Diehl-Armstrong was in a rare category. In the early 1970s, she was a high-achieving graduate student pursuing a career in education but suffered from bipolar disorder. Before her death, she was sentenced to serve life plus thirty years in federal prison. In Mania and Marjorie Diehl-Armstrong, Jerry Clark and Ed Palattella examine female serial killers by focusing on the fascinating and tragic life of one woman. This book also explores mental illness and forensic psychology and provides a history of how American jurisprudence has grappled with such complex and controversial issues as the insanity defense and mental competency to stand trial. The authors’ account shows why Marjorie Diehl-Armstrong was unlike any other criminal – man or woman – in American history. Accounts of Diehl-Armstrong’s travails – her difficult childhood, her murder trials, her hoarding – are interpolated with chapters about mental disorders and the law.
First multi-year cumulation covers six years: 1965-70.
Real Change is Incremental is a broad-ranging collection of essays by a writer with broad-ranging interests, including magic, philosophy, poetry, comedy, and international development. An exploration of change and ideas through a series of reflections on knowledge, experience, and how we see the world, the book urges intellectual humility, being open to the ideas of others, and meeting the challenge of taking practical action together to change the world moment-by-moment, day-by-day, and generation-by-generation. Real Change Is Incremental is an eloquent plea for all of us citizens of the world to admit what we do not know and sincerely search for truth in what other people may not know that they know.
The explosion of minimalism into the worlds of visual arts, music and literature in the mid-to-late twentieth century presents one of the most radical and decisive revolutions in aesthetic history. Detested by some, embraced by others, minimalism's influence was immediate, pervasive and lasting, significantly changing the way we hear music, see art and read literature. In The Theory of Minimalism, Marc Botha offers the first general theory of minimalism, equally applicable to literature, the visual arts and music. He argues that minimalism establishes an aesthetic paradigm for rethinking realism in genuinely radical terms. In dialogue with thinkers from both the analytic and continental traditions – including Kant, Danto, Agamben, Badiou and Meillassoux – Botha develops a constellation of concepts which together encapsulate the transhistorcial and transdisciplinary reach of minimalism. Illustrated by a range of historical, canonical and contemporary minimalist works of different media, from the caves of early Christian ascetics to Samuel Beckett's late prose, Botha offers a bold and provocative argument which will equip readers with the tools to engage critically with past, present and future minimalism, and to recognize how, in a culture caught between the poles of excess and austerity, minimalism still matters.