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The first overview on fabric sculptor Marion Baruch, from the 1960s to today This richly illustrated edition presents a broad span of Romanian artist Marion Baruch's (born 1929) oeuvre, spanning her painting, textile art, photography, installations and graphics. It includes focus texts by curators, friends and art historians from the artist's circle.
137 plates, photographs taken in 1968 to document the Black Panther movement with the permission of Eldridge Cleaver and others in the Black Panthers.
Poetry. Photographer. Widely known as an important twentieth century American photographer, Ruth-Marion Baruch also turned her remarkable eye inward to explore through her poetry the depths of human suffering. Her poems, written for the most part in the 1950s and 1960s, have remained unpublished until now. This collection gives voice to this powerful, at times awesome, figure. "Hers is an honest alternative to the easy sentimentality of half-truths. In view of the prevailing darkness of her vision, it is remarkable how life-affirming her clear and forthright declarations are..."--Mark Linenthal. Originally born in Germany, Baruch spent her life in America, where she studied with Ansel Adams, Minor White, Homer Page and Edward Weston.
The Panthers' march on the California capitol on May 2, 1967, marked a significant turning point-the moment when the Black Panthers' posture of armed self defense became a matter of national awareness. This new militancy rolled across the American landscape like an earthquake, trembling the foundation of the republic. On the surface, such an earthquake seems quite sudden. It catches people off guard. The ground begins to roll, and it is all too easy to lose footing. Solid things, things designed to be immovable, tilt suddenly, casting all confidence askew. In moments of nervousness and fear, when the ground is shaking and it feels as if the world might come crashing down, sometimes people forget that earthquakes are, in fact, not sudden. Nor do serious political movements arise in one fell swoop. Nothing happens overnight. The major turning points of history are seismic, born of eons of slightly shifting geologic plates. They do not emerge from nowhere. They are born of deep unrest. Book jacket.
In this nuanced and groundbreaking history, Donna Murch argues that the Black Panther Party (BPP) started with a study group. Drawing on oral history and untapped archival sources, she explains how a relatively small city with a recent history of African
After World War II the California School of Fine Arts (CSFA) in San Francisco hired renowned photographer Ansel Adams to establish one of the first fine art photography departments in the United States. The caliber of teachers and guest instructors assembled there under the new directorship of Douglas McAgy was unmatched, and the school was one of the most avant-garde art schools of its time. On hand were photographers Adams and Minor White, along with Edward Weston, Dorothea Lange, Imogen Cunningham, Lisette Model, Nancy and Beaumont Newhall, and Homer Page. Three former students of Adams and White - William Heick, Ira H. Latour and C. Cameron Macauley, later known as the "Three Musketeers" - began planning a book that would focus on CSFA's photography department, covering the years between 1945 and 1955, the period known as "The Golden Decade." It was a lucky coincidence when Ken Ball and his wife Victoria Whyte Ball (whose father, Don Whyte, had bequeathed them an abundance of negatives and contact prints from his student years at CSFA) joined them. Together this team has embarked on an important journey into photography's past that is embodied in this book.
Unusually inclusive, visually intriguing, and beautifully produced, Made in California will appeal to anyone who has lived in, visited, or imagined California.".
Pioneering biblical critic, theorist of democracy, and legendary conflater of God and nature, Jewish philosopher Baruch Spinoza (1632-1677) was excommunicated by the Sephardic Jews of Amsterdam in 1656 for his "horrible heresies" and "monstrous deeds." Yet, over the past three centuries, Spinoza's rupture with traditional Jewish beliefs and practices has elevated him to a prominent place in genealogies of Jewish modernity. The First Modern Jew provides a riveting look at how Spinoza went from being one of Judaism's most notorious outcasts to one of its most celebrated, if still highly controversial, cultural icons, and a powerful and protean symbol of the first modern secular Jew. Ranging from Amsterdam to Palestine and back again to Europe, the book chronicles Spinoza's posthumous odyssey from marginalized heretic to hero, the exemplar of a whole host of Jewish identities, including cosmopolitan, nationalist, reformist, and rejectionist. Daniel Schwartz shows that in fashioning Spinoza into "the first modern Jew," generations of Jewish intellectuals--German liberals, East European maskilim, secular Zionists, and Yiddishists--have projected their own dilemmas of identity onto him, reshaping the Amsterdam thinker in their own image. The many afterlives of Spinoza are a kind of looking glass into the struggles of Jewish writers over where to draw the boundaries of Jewishness and whether a secular Jewish identity is indeed possible. Cumulatively, these afterlives offer a kaleidoscopic view of modern Jewish cultureand a vivid history of an obsession with Spinoza that continues to this day.
This essential survey of Italian Radical design, a movement that interrogated modern living against the turbulent political climate of the 1960s, is lavishly illustrated with new photography, including rarely seen prototypes and limited-production pieces.