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The Peruvian Nobel laureate presents a collection of essays on the decline of intellectual life in the age of media spectacle. In the past, culture was a kind of vital consciousness that constantly rejuvenated and revivified everyday reality. Now it is largely a mechanism of distraction and entertainment. Notes on the Death of Culture is an examination and indictment of this transformation—penned by Mario Vargas Llosa, who is not only one of our finest novelists but one of the keenest social critics. Taking his cues from T.S. Eliot—whose essay “Notes Toward a Definition of Culture” is a touchstone precisely because the culture Eliot aimed to describe has since vanished—Vargas Llosa traces a decline whose ill effects have only just begun. He mourns, in particular, the figure of the intellectual: for most of the twentieth century, men and women of letters drove political, aesthetic, and moral conversations; today they have all but disappeared from public debate. But Vargas Llosa stubbornly refuses to fade into the background. A necessary gadfly, the Nobel laureate Vargas Llosa, here vividly translated by John King, provides a tough but essential critique of our time and culture.
Examines the life and writings of Mario Vargas Llosa, an outspoken author from Peru, known for his political writings as well as his literary works, who at one time was scheduled to debate Hugo Chavez of Venezuela himself over matters of socialism versus free market neoliberalism--Chavez called the debate off, however, yielding a slough of questions about the late president's convictions about his political views and praise for the strength of Vargas Llosa's.
The true story of Guatemala’s political turmoil of the 1950s as only a master of fiction can tell it Guatemala, 1954. The military coup perpetrated by Carlos Castillo Armas and supported by the CIA topples the government of Jacobo Árbenz. Behind this violent act is a lie passed off as truth, which forever changes the development of Latin America: the accusation by the Eisenhower administration that Árbenz encouraged the spread of Soviet Communism in the Americas. Harsh Times is a story of international conspiracies and conflicting interests in the time of the Cold War, the echoes of which are still felt today. In this thrilling novel, Mario Vargas Llosa fuses reality with two fictions: that of the narrator, who freely re-creates characters and situations, and the one designed by those who would control the politics and the economy of a continent by manipulating its history. Harsh Times is a gripping, revealing novel that directly confronts recent history. No one is better suited to tell this riveting story than Vargas Llosa, and there is no form better for it than his deeply textured fiction. Not since The Feast of the Goat, his classic novel of the downfall of Trujillo’s regime in the Dominican Republic, has Vargas Llosa combined politics, characters, and suspense so unforgettably.
A tabloid sex scandal leads to murder in the Nobel laureate’s politically charged thriller set among the wealthy elite of 1990s Peru. Through the 1990s, Peruvian president Alberto Fujimori oversaw a deeply corrupt society. Those among the elite enjoyed privilege beyond imagining. But two couples from Lima’s upper class are about to become embroiled in a disturbing vortex of erotic adventures and politically driven blackmail. Enrique, a high-profile businessman, receives a visit from notorious tabloid editor Rolando Garro, who attempts to blackmail him with graphic pictures from an old business trip. When Enrique refuses to pay, the images are on the front page. Meanwhile, Enrique’s wife is in the midst of a passionate affair with the wife of Enrique’s lawyer and best friend. When Garro shows up murdered, the two couples must navigate the unspoken laws and customs of Peru’s criminal underworld, while the magazine staff embarks on its greatest exposé yet. A twisting, unpredictable tale, The Neighborhood is at once a scathing indictment of Fujimori’s regime and a crime thriller that evokes the vulgarity of freedom in a corrupt system.
This collection of essays associated with Mario Vargas Llosa’s visits to the City College of New York offers readers an opportunity to learn about his body of work through his own perspective and those of key fiction writers and literary critics.
Mario Vargas Llosa's brilliant, multilayered novel is set in the Lima, Peru, of the author's youth, where a young student named Marito is toiling away in the news department of a local radio station. His young life is disrupted by two arrivals. The first is his aunt Julia, recently divorced and thirteen years older, with whom he begins a secret affair. The second is a manic radio scriptwriter named Pedro Camacho, whose racy, vituperative soap operas are holding the city's listeners in thrall. Pedro chooses young Marito to be his confidant as he slowly goes insane. Interweaving the story of Marito's life with the ever-more-fevered tales of Pedro Camacho, Vargas Llosa's novel is hilarious, mischievous, and masterful, a classic named one of the best books of the year by the New York Times Book Review.
Haunted all her life by feelings of terror and emptiness, forty-nine-year-old Urania Cabral returns to her native Dominican Republic - and finds herself reliving the events of l961, when the capital was still called Trujillo City and one old man terrorized a nation of three million. Rafael Trujillo, the depraved ailing dictator whom Dominicans call the Goat, controls his inner circle with a combination of violence and blackmail. In Trujillo's gaudy palace, treachery and cowardice have become a way of life. But Trujillo's grasp is slipping. There is a conspiracy against him, and a Machiavellian revolution already underway that will have bloody consequences of its own. In this 'masterpiece of Latin American and world literature, and one of the finest political novels ever written' (Bookforum), Mario Vargas Llosa recounts the end of a regime and the birth of a terrible democracy, giving voice to the historical Trujillo and the victims, both innocent and complicit, drawn into his deadly orbit.
At a small gallery in Florence, a Peruvian writer happens upon a photograph of a tribal storyteller deep in the jungles of the Amazon. He is overcome with the eerie sense that he knows this man...that the storyteller is not an Indian at all but an old school friend, Saul Zuratas. As recollections of Zuratas flow through his mind, the writer begins to imagine Zuratas's transformation from a modern to a central member of the unacculturated Machiguenga tribe. Weaving the mysteries of identity, storytelling, and truth, Vargas Llosa has created a spellbinding tale of one man's journey from the modern world to our origins, abandoning one in order to find meaning in both.
The Nobel Prize–winning author’s classic on the craft of novel writing “distills [the great works] brilliantly, revealing an architecture to their greatness” (The Washington Post Book World). In Letters to a Young Novelist, Mario Vargas Llosa condenses a lifetime of writing, reading, and thought into an essential manual for aspiring writers. Drawing on the stories and novels of writers from around the globe—including Borges, Bierce, Céline, Cortázar, Faulkner, Kafka, Robbe-Grillet and others—he lays bare the inner workings of fiction, all the while urging young novelists not to lose touch with the elemental urge to create. Conversational, eloquent, and effortlessly erudite, this little book is destined to be read and re-read by young writers, old writers, would-be writers, and all those with a stake in the world of letters.
In this tale of two Peruvians in separate cities who each stand up to injustice, the Nobel laureate is “a master playing at his craft” (Los Angeles Times). Felícito Yanaqué, a small businessman in the Peruvian city of Piura, finds himself the victim of blackmail—and finds within himself the will to refuse. Meanwhile, Ismael Carrera, a successful owner of an insurance company in Lima, cooks up a plan to avenge himself against the two lazy sons who want him dead. As their small acts of rebellion unfold, their lives are destined to intersect. In The Discreet Hero, Vargas Llosa examines the possibilities of honorable individuals who insist on taking control of their destinies. He also revisits some unforgettable characters from his previous novels: Sergeant Lituma, Don Rigoberto, Doña Lucrecia, and Fonchito are all here in a prosperous Peru. Vargas Llosa sketches Piura and Lima vividly—and the cities become not merely physical spaces but realms of the imagination populated by his vivid characters. A novel whose humor and pathos shine through in Edith Grossman’s masterly translation, The Discreet Hero is another remarkable achievement from the finest Latin American novelist at work today.