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Marine City is nestled on the banks of the beautiful St. Clair River, half a mile away from Sombra, Ontario, Canada. Today, it is a small town with strong American values, much like it always has been. Full of industrious people who keep America running, this town has a long history of hard work and skilled labor that is reflected in its rich heritage of shipbuilders, sailors, farmers, factory workers, and enterprising businesspeople. Their stories are shared throughout this book in rare and seldom seen photographs from the 1870s through the 1930s. From the perspectives of the people who lived and worked here, Images of America: Marine City shows a tradition of shipbuilding and sailing, as well as life around town, documenting the important role Marine City played in the early development of the entire Great Lakes shipping industry.
This is a summary of what is known about the life and family of Charles Frederick Spademan (1823-1904), his first wife, Catharine (Schreiner) Spademan (1829-1865), and his second wife, Margaret (Allington) Spademan (1835-1910), mid-Nineteenth Century immigrants or, in the case of Margaret, a daughter of immigrants, who came to America from Germany, England, and Scotland, and settled in Marine City, Michigan (then known as Newport). "Pioneer and Veteran" Charles Spademan, who came to Michigan in about 1851, was a butcher, a farmer, the owner of a successful meat market, a Civil War soldier, and the owner of lake boats. Through hard work, Charles, Catharine, and Margaret, like so many others in the 19th century, made life better for themselves, their descendents, and their community.
This second volume of the landmark Architectural Theory anthology surveys the development of architectural theory from the Franco-Prussian war of 1871 until the end of the twentieth century. The entire two volume anthology follows the full range of architectural literature from classical times to present transformations. An ambitious anthology bringing together over 300 classic and contemporary essays that survey the key developments and trends in architecture Spans the period from 1871 to 2005, from John Ruskin and the arts and crafts movement in Great Britain through to the development of Lingang New City, and the creation of a metropolis in the East China sea Organized thematically, featuring general and section introductions and headnotes to each essay written by a renowned expert on architectural theory Places the work of "starchitects" like Koolhaas, Eisenman, and Lyn alongside the work of prominent architectural critics, offering a balanced perspective on current debates Includes many hard-to-find texts and works never previously translated into English Alongside Volume I: An Anthology from Vitruvius to 1870, creates a stunning overview of architectural theory from early antiquity to the twenty-first century
Megastructure proposals by the Japanese Metabolism group are commonly identified with the concept of utopia. Beyond this partial understanding, Agnes Nyilas suggests that rather than being merely utopian, the Megastructure of Metabolism represents a uniquely amalgam genre: the myth camouflaged as utopia. Although its Megastructure seemingly describes a desirable future condition as utopia does, it also comprises certain cultural images rooted in the collective (un)conscious of Japanese people, in accordance with the general interpretation of myth. The primary narrative of Beyond Utopia thus follows the gradual unfolding of the myth-like characteristics of its Megastructure. Myth is dealt here as an interdisciplinary subject in line with contemporary myth theories. After expounding the mechanism underlying the growing demand for a new myth in architecture (the origin of the myth), Part I discovers the formal characteristics of the Megastructure of Metabolism to give a hint of the real intention behind it. Based on this, Part II is a reexamination of their design methods, which aims to clarify the function of the myth and to suggest the meaning behind it. Finally, Part III deals with the subject matter of the myth by disclosing the meaning unfolding in the story, and suggests a new reading of Metabolism urban theory: as an attempt to reconsider the traditional Japanese space concept.