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This completely rewritten autobiography has been brought up to date with new material covering the last twenty years, all new pictures, and a CD of live recordings chosen by Mme. Horne as the best to exemplify her talent.
"What drives someone to commit an act of terrible violence? Drawing from her thirty years' experience in working with people who have committed serious offenses, Dr. Gwen Adshead provides fresh and surprising insights into violence and the mind. Through a collaboration with coauthor Eileen Horne, Dr. Adshead brings her extraordinary career to life in a series of unflinching portraits. In eleven vivid narratives based on decades of providing therapy to people in prisons and secure hospitals, an internationally renowned forensic psychiatrist and psychotherapist demonstrates the remarkable human capacity for radical empathy, change, and redemption."--Provided by publisher.
Everyone is familiar with the words diva or prima donna, which have come to mean a (usually) outrageous operatic soprano, but there was a time when the star of the show was more often a contralto, or a soprano singing in today's mezzo-soprano range. This performer was referred to as an alto. In the 17th and 18th centuries, the male and female leading roles were likely to be sung by emasculated males, the alto castrati, although there were many great female altos during this period as well. The music for these fantastic artists, written by such composers as Porpora, Vinci, Hasse, and even Handel, has been largely forgotten. At the beginning of the 19th century, as the castrati died out, their roles were often assumed by female altos referred to as musici. New repertoire continued to be written for them by Rossini and others, but gradually, this musical tradition and technique was lost. Now, however, because of the talent and industry of such gifted artists as Marilyn Horne, Cecilia Bartoli, and Joyce DiDonato, and the sudden ease with which the performance of these forgotten works can be obtained, there is a resurgence of interest in the performance and preservation of this lost art. Alto: The Voice of Bel Canto examines the careers of nearly 320 great alto singers, including the great castrati, from the dawn of opera in 1597 to the present. The music of the composers who wrote for the alto voice is discussed along with musical examples and suggestions for listening. The exploration of the greatest altos’ careers and techniques offers inspiration for aspiring young singers as well as absorbing reading for the music lover who wants to know more about the fascinating world of opera.
(Vocal Collection). A 23 minute song cycle based on poems of American women poets, commissioned for Marilyn Horne in honor of the Carnegie Hall Centennial. Also recorded by Miss Horne.
Jerry Sibal is no mere party planner. He’s a world-renowned designer of unforgettable celebrations of every description. Each of Sibal’s projects—whether for a private birthday party or holiday dinner, a lavish wedding or bar/bat mitzvah, a corporate retreat or charity ball—is a distinctive work of art. An Event to Remember presents a portfolio of some of Sibal’s finest and most visionary work—with dramatic photographs that will make you wish you’d been there. Throughout, Sibal reveals how he coordinates architecture, lighting and audiovisual systems, interior decor, tabletop arrangements, and his trademark floral extravaganzas to create such gloriously spellbinding environments. Venues from all over the country are featured, from New York City’s Rainbow Room, to Miami Beach’s Setai Hotel, to Atlantic City’s Borgata Casino, to outdoor settings such as the Brooklyn Botanic Garden and a California hillside with breathtaking Pacific Ocean views.
A teenage girl's driving ambition to be a writer prevents her from forming normal friendships. A favorite teacher tries to help her.
The most celebrated "voice" in Hollywood speaks for herself! Everyone knows Marni Nixon...even if they think they don’t. One of the best-known and best-loved singing voices in the world, Nixon dubbed songs for Natalie Wood inWest Side Story, Audrey Hepburn inMy Fair Lady, and Deborah Kerr inThe King and I. She was the voice of Hollywood’s leading ladies, arriving in filmland after a debut with the Los Angeles Philharmonic at 17 and continuing her career with Leonard Bernstein, Aaron Copland, Charles Ives, Stephen Sondheim, Rogers and Hammerstein, and many others. Her inspiring autobiography reveals Nixon as a singer, an actress, and a woman fighting for artistic recognition. Today, a survivor of breast cancer, she works on Broadway and television’sLaw & Order SVU, tours with her own stage show, and teaches master classes in voice.I Could Have Sung All Nightreveals the woman behind the screen in a frank, funny biography that is as remarkable as the woman whose story it tells. • Beloved show-biz icon Nixon dubbed the singing of Natalie Wood inWest Side Story, Deborah Karr inThe King and I, and Audrey Hepburn inMy Fair Lady—she now tells her story for the first time • Entertaining behind-the-scenes celebrity stories from six decades of performing • Nostalgia appeal, plus insider's account of the music and film worlds of the 20th century • Breast cancer survivor Nixon is an inspiration to millions of women
Operas most beloved stars, including Placido Domingo and Marilyn Horne, pose in full costume and makeup as they speak about their favorite roles. 100 color illustrations.
This book focuses on American opera singers and what their recordings say about their artistry. It is not a book about all American opera singers, since many who had important careers on stage, made few, if any, recordings. And many of those who did make recordings, did so prior to the introduction of electrical recording in 1925 (and the resulting advances in the reproduction of the human voice). Opera enthusiasts can only imagine the sound of Farinelli's voice or read what his contemporaries have written about it, but with almost any famous or near-famous singer of recent years, enthusiasts do not have to imagine. Their voices are available through the technology of sound recording. There are 53 entries, one each for 52 singers and a composite entry for a group of Hollywood vocalists. Each entry contains biographical information and is followed by a discography of operatic recordings to be used in conjunction with the critical commentaries. The entries are in alphabetical order by the singer's last name and provide critical analyses of key recordings and of the artists' gifts and limitations.