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The highly acclaimed and provocatively rendered story of a young postulant's claim to divine possession and religious ecstasy.
Just as all organisms are governed by biological laws, human beings also have an ingrained moral compass--laws that direct their behavior in a certain way. According to Catholic Tradition, the virtues operate as central principles behind our notion of moral goodness. Here is a unique and insightful book that examines the virtues and offers them as a blueprint that demonstrates how to embrace the seven key virtues as pillars of behavior and belief. Author Mitch Finley delves into the theological virtues of faith, hope, and love, and the cardinal virtues of prudence, justice, fortitude, and temperance. He shows you how these traits are no mere abstractions; they reflect an understanding of human nature with its capacity for both good and evil. Bolstered by contemporary applications and real-life examples, The Catholic Virtues shows how the seven virtues are interconnected and are, quite simply, the keys to becoming more Christlike.
Deep Down Things: Essays on Catholic Culture explores common threads that characterize Catholicism. The contributors look successively at: Catholic culture and everyday life of the parish and of work, at Catholic culture and the imaginative life of poets and fiction writers, and at Catholic culture and postmodern life where individual conscience, skepticism, and relativism challenge Church authority and faith itself. They do so while looking for foundational components that persist and comprise a culture that Catholics recognize regardless of their diverse ethnicity, geographic location, or historical epoch. The authors of this collection have aimed to inspire both Catholics and non-Catholics alike, inside and outside the academic community, to deepen their own knowledge and appreciation of the Christian tradition generally and Catholic culture particularly. The authors hope to encourage sincere and open dialogue about Catholic culture (in the best tradition of Catholic thought) both to further the inquiry after truth and to enhance fruitful reflection upon Catholic culture and its contributions over time and across cultures.
In Hotly in Pursuit of the Real, the beloved bestselling novelist Ron Hansen opens the doors of his writing studio to share with us his passions for history, scandal, theology, Jesuits, the American West, and golf (which he plays even in bad weather). If Hansen's novels explore people very different from himself--from a stigmatic nun to a Victorian poet to Billy the Kid, and even Hitler's niece--the meditations in this book do the opposite, allowing us to glimpse the wellsprings of his imagination, the places and traditions and books that drive him to create made-up worlds. In that sense, the reflections in these pages truly serve as "notes toward a memoir." As each section unfolds, we gain a clearer sense of Hansen's aesthetic, the parallels he sees between writing and the sacraments, between literature's capacity to make history present to us and the Church's rich array of traditions, including the Jesuit charism that has inspired great writers, such as Gerard Manley Hopkins (and himself). Equally adept at telling a hilarious anecdote and guiding us through a complex, ambiguous episode in history, Hansen's language remains fresh and invigorating. Hotly in Pursuit of the Real takes you inside one writer's imagination, only to send you back out into the wide world with new eyes.
Endorsements: ""Where are all the Catholic writers? is a popular question these days. In his beautifully realized new book The Fine Delight, Nicholas Ripatrazone offers an answer: they are among us, writing. With skill and care, he explores the artistry of three superb writers--Ron Hansen, Paul Mariani, and Andre Dubus--as well as several other contemporary Catholic authors. In the process he reveals . . . how reading can be sacramental, enabling us to discover God's presence in our modern world."" --James Martin, SJ, author of The Jesuit Guide to (Almost) Everything ""The Fine Delight is a text of scholarship and personal consideration of American literature that is marked by and built from postconciliar Catholic thought. Nicholas Ripatrazone has written a highly readable study of the work of writers whose beliefs vary widely, but who share a living engagement with the Word. This book itself is just such an engagement. It will inspire more informed and curious reading."" --Alice Elliott Dark, author of In the Gloaming: Stories ""Nicholas Ripatrazone offers an insightful interrogation into the theological and aesthetic strategies of contemporary Catholic writers--novelists, poets, and essayists writing in the last fifty years. Aware that the Catholic imagination is not static, he suggests helpful ways to understand how post-Vatican II writers situate their faith in light of their artistic vision. A timely book, Ripatrazone helps extend the critical and pastoral implications of a Catholic literary aesthetic."" --Mark Bosco, SJ, author of Graham Greene's Catholic Imagination About the Contributor(s): Nick Ripatrazone is the author of three books: Oblations (prose poems, 2011), This Is Not About Birds (poems, 2012), and This Darksome Burn (novella, 2013). His writing has received honors from Esquire, The Kenyon Review, and ESPN: The Magazine. He teaches literature at Rutgers University.
Cormac McCarthy told an interviewer for the New York Times Magazine that "books are made out of books," but he has been famously unwilling to discuss how his own writing draws on the works of other writers. Yet his novels and plays masterfully appropriate and allude to an extensive range of literary works, demonstrating that McCarthy is well aware of literary tradition, respectful of the canon, and deliberately situating himself in a knowing relationship to precursors. The Wittliff Collection at Texas State University acquired McCarthy's literary archive in 2007. In Books Are Made Out of Books, Michael Lynn Crews thoroughly mines the archive to identify nearly 150 writers and thinkers that McCarthy himself references in early drafts, marginalia, notes, and correspondence. Crews organizes the references into chapters devoted to McCarthy's published works, the unpublished screenplay Whales and Men, and McCarthy's correspondence. For each work, Crews identifies the authors, artists, or other cultural figures that McCarthy references; gives the source of the reference in McCarthy's papers; provides context for the reference as it appears in the archives; and explains the significance of the reference to the novel or play that McCarthy was working on. This groundbreaking exploration of McCarthy's literary influences—impossible to undertake before the opening of the archive—vastly expands our understanding of how one of America's foremost authors has engaged with the ideas, images, metaphors, and language of other thinkers and made them his own.
By using photography as a storytelling medium, the cinematographer plays a key role in translating a screenplay into images and capturing the director's vision of a film. This volume presents in-depth interviews with 13 prominent cinematographers, who discuss their careers and the art and craft of feature film cinematography. The interviewees—who represent the spectrum of big-budget Hollywood and low-budget independent filmmaking from the sixties through the nineties—talk about their responsibilities, including lighting, camera movement, equipment, cinematic grammar, lenses, film stocks, interpreting the script, the budget and schedule, and the psychological effect of images. Each interview is preceded by a short biography and a selected filmography, which provide the background for a detailed analysis of the photographic style and technique of many highly acclaimed and seminal films.
In recent years, there has been an explosion in the market for fiction on religious topics and themes, most notably Dan Brown's The Da Vinci Code. The variety of contemporary religious fiction and the publishing phenomenon surrounding it indicate that this literature transcends any overt religious meaning and is significant in its political and social implications; it is emblematic of the contemporary American Zeitgeist. Traditionally, literature is both mirror and lamp, reflecting the society that produces it and illuminating the values and interests of that society. Recognizing both of those perspectives, Gandolfo examines Christian literature's place in American culture today and explores the cultural meaning and significance of the wildly popular Christian fiction now available. The phenomenon surrounding Dan Brown's The Da Vinci Code has led to a cottage industry of interpretations, attacks, and commentaries, but one thing is certain: the book has had an enormous impact on American society, culture, and religious understanding, not to mention the publishing industry, which scrambles to find similar religious books to feed to an eager public. But The Da Vinci Code is not the only book of its type on the market today. In recent years, there has been an explosion in the market for fiction on religious topics and themes, with an entire series devoted to the impending Rapture as described in the Left Behind series. Some fiction does not take an explicitly religious theme as these books do. Instead, writers like Andre Dubus and Ron Hansen imbue their creative work with spiritual and religious themes embedded in the everyday lives and concerns of their characters. Regardless of the specific approach, what is not in doubt is that American readers have made the authors of these works wealthy as bookstores cannot stock their shelves with enough copies. Why the recent surge of interest in Christian fiction? How does it reflect trends in our culture and our lives? How has it changed our society and our understanding of spirituality and religion? How accurate are these books in terms of the theology they espouse? The variety of contemporary religious fiction and the publishing phenomenon surrounding it indicate that this literature transcends any overt religious meaning and is significant in its political and social implications; it is emblematic of the contemporary American Zeitgeist. Traditionally, literature is both mirror and lamp, reflecting the society that produces it and illuminating the values and interests of that society. Recognizing both of those perspectives, Faith and Fiction examines Christian literature's place in American culture today and explores the cultural meaning and significance of the wildly popular Christian fiction now available.
A biographical encyclopedia of American and British Christian-themed writers from World War II to the present, covering acclaimed literary works and popular evangelical fiction. Encyclopedia of Contemporary Christian Fiction: From C.S. Lewis to Left Behind spans the entire breadth of Christian-themed British and American writing from World War II to the present—well-known and less familiar authors, acclaimed literary novels, and popular writing in a variety of genres (mysteries, thrillers, romances), works that explore matters of faith, works that challenge orthodoxy and church practices, and works wholly written by and for devout evangelicals. Encyclopedia of Contemporary Christian Fiction offers 90 alphabetically organized entries covering the field's most important writers. Each entry includes a brief biography, religious and educational background, a survey of major works and themes, and a summary of critical response, as well as a bibliography of major works and criticism. By examining evocative, sometimes overlooked Christian elements in modern fiction, and by exploring the depth and scope of popular evangelical fiction, Encyclopedia of Contemporary Christian Fiction offers the richest, most complete portrait of the role of faith in modern English writing ever published.