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A biography of the French queen explores the intrigue surrounding her life from her birth, through her unhappy marriage, her lavish life at Versailles, to the events leading up to her death by beheading during the French Revolution.
In this dazzling new vision of the ever-fascinating queen, a dynamic young historian reveals how Marie Antoinette's bold attempts to reshape royal fashion changed the future of France Marie Antoinette has always stood as an icon of supreme style, but surprisingly none of her biographers have paid sustained attention to her clothes. In Queen of Fashion, Caroline Weber shows how Marie Antoinette developed her reputation for fashionable excess, and explains through lively, illuminating new research the political controversies that her clothing provoked. Weber surveys Marie Antoinette's "Revolution in Dress," covering each phase of the queen's tumultuous life, beginning with the young girl, struggling to survive Versailles's rigid traditions of royal glamour (twelve-foot-wide hoopskirts, whalebone corsets that crushed her organs). As queen, Marie Antoinette used stunning, often extreme costumes to project an image of power and wage war against her enemies. Gradually, however, she began to lose her hold on the French when she started to adopt "unqueenly" outfits (the provocative chemise) that, surprisingly, would be adopted by the revolutionaries who executed her. Weber's queen is sublime, human, and surprising: a sometimes courageous monarch unwilling to allow others to determine her destiny. The paradox of her tragic story, according to Weber, is that fashion—the vehicle she used to secure her triumphs—was also the means of her undoing. Weber's book is not only a stylish and original addition to Marie Antoinette scholarship, but also a moving, revelatory reinterpretation of one of history's most controversial figures.
This is the biography of one of the most tragic women in History. It is the story of a frivolous young girl who threw wild parties and spent a lot of her husband's money and for that reason, and that reason alone, she had her head chopped off in public. The back cover photo here shows Marie Antoinette being given her last rights by a clergyman as she was waiting before the guillotine for the executioners to cut off her head, and while a crowd of thousands watched. Her last words were one of apology to one of her executioners, when she accidentally stepped on his foot. All of the events of the Life of Marie Antoinette are brilliantly explained in this biography by Andre Castelot. The most haunting and harrowing pages of the biography are Castelot's darkly etched picture of the Queen in the culminating moments of her life. Perhaps it is not in the least a paradox that one of the most arrantly self-indulgent women should, in her adversity, provide one of the most memorable images of mother love."
This “wonderfully gripping biography” digs beneath the famous legend to present a nuanced and revealing portrait of a serious-mined monarch (Allan Massie, Wall Street Journal). As the last Queen of France before the French Revolution, Marie-Antoinette was mistrusted and reviled in her own time, while today she is portrayed as a lightweight incapable of understanding the events that engulfed her. But who was she really? In this new account, John Hardman redresses the balance and sheds fresh light on her story. Hardman shows how Marie-Antoinette played a significant but misunderstood role in the crisis of the monarchy. Drawing on new sources, he describes how she refused to prioritize the aggressive foreign policy of her mother, bravely took over the helm from her faltering husband, and, when revolution broke out, worked closely with repentant radicals to give the constitutional monarchy a fighting chance. For the first time, Hardman demonstrates exactly what influence Marie-Antoinette had and when and how she exerted it. Named a 2020 Book of the Year by The Spectator
Chantal Thomas presents the history of the mythification of one of the most infamous queens in all history, whose execution still fascinates us today. In The Wicked Queen, Chantal Thomas presents the history of the mythification of one of the most infamous queens in all history, whose execution still fascinates us today. Almost as soon as Marie-Antoinette, archduchess of Austria, was brought to France as the bride of Louis XVI in 1771, she was smothered in images. In a monarchy increasingly under assault, the charm and horror of her feminine body and her political power as a foreign intruder turned Marie-Antoinette into an alien other. Marie-Antoinette's mythification, argues Thomas, must be interpreted as the misogynist demonization of women's power and authority in revolutionary France.In a series of pamphlets written from the 1770s until her death in 1793, Marie-Antoinette is portrayed as a spendthrift, a libertine, an orgiastic lesbian, and a poisoner and infant murderess. In her analyses of these pamphlets, seven of which appear here in translation for the first time, Thomas reconstructs how the mounting hallucinatory and libelous discourse culminated in the inevitable destruction of what had become the counterrevolutionary symbol par excellence. The Wicked Queen exposes the elaborate process by which the myth of Marie-Antoinette emerged as a crucial element in the successful staging of the French Revolution.
Marie Antoinette has remained atop the popular cultural landscape for centuries for the daring in style and fashion that she brought to 18th century France. For the better part of the queen’s reign, one man was entrusted with the sole responsibility of ensuring that her coiffure was at its most ostentatious best. Who was this minister of fashion who wielded such tremendous influence over the queen’s affairs? Winner of the Adele Mellen Prize for Distinguished Scholarship, Marie Antoinette’s Head: The Royal Hairdresser, The Queen, and the Revolution charts the rise of Leonard Autie from humble origins as a country barber in the south of France to the inventor of the Pouf and premier hairdresser to Queen Marie-Antoinette. By unearthing a variety of sources from the 18th and 19th centuries, including memoirs (including Léonard’s own), court documents, and archived periodicals the author, French History professor and expert Will Bashor, tells Autie’s mostly unknown story. Bashor chronicles Leonard’s story, the role he played in the life of his most famous client, and the chaotic and history-making world in which he rose to prominence. Besides his proximity to the queen, Leonard also had a most fascinating life filled with sex (he was the only man in a female dominated court), seduction, intrigue, espionage, theft, exile, treason, and possibly, execution.
Marie-Antoinette is one of the most fascinating and controversial figures in all of French history. This volume explores the many struggles by various individuals and groups to put right Marie's identity, and it simultaneously links these struggles to larger destabilizations in social, political and gender systems in France. Looking at how Marie was represented in politics, art, literature and journalism, the contributors to this volume reveal how crucial political and cultural contexts were enacted "on the body of the queen" and on the complex identity of Marie. Taken together, these essays suggest that it is precisely because she came to represent the contradictions in the social, political and gender systems of her era, that Marie remains such an important historical figure.
France's iconic queen, Marie Antoinette, wrongly accused of uttering the infamous "Let them eat cake," was alternately revered and reviled during her lifetime. For centuries since, she has been the object of debate, speculation, and the fascination so often accorded illustrious figures in history. Married in mere girlhood, this essentially lighthearted child was thrust onto the royal stage and commanded by circumstance to play a significant role in European history. Antonia Fraser's lavish and engaging portrait excites compassion and regard for all aspects of the queen, immersing the reader not only in the coming-of-age of a graceful woman, but in the culture of an unparalleled time and place.
Queen Marie Antoinette, wife of King Louis XVI of France and Queen Henrietta Maria, wife of King Charles I of England were two of the most notorious queens in European history. They both faced accusations that they had transgressed social, gender and regional norms, and attempted to defend themselves against negative reactions to their behavior. Each queen engaged with the debates of her time concerning the place of women within their families, religion, politics, the public sphere and court culture and attempted to counter criticism of her foreign origins and political influence. The impeachment of Henrietta Maria in 1643 and trial and execution of Marie Antoinette in 1793 were also trials of monarchical government that shaped the English Civil Wars and French Revolution.
During the 1930s, Maud, an artist, discovers she has a psychic gift. The first signs manifest themselves in the royal gardens of the Trianon where gradually she understands that a woman from the beyond is attempting to communicate with her. The revelation is beyond belief: it is the ghost of Marie Antoinette appearing to her to share a terrible secret that has tormented her for centuries. After being guillotined, the Queen is said to have been thrown into a common grave but then exhumed and buried with her husband, Louis XVI, in the Saint-Denis basilica. Yet the ghost tells Maud that her remains are still in the pit on which a chapel stands today. The queen asks Maud to move her body to the right place so she can finally find peace and no longer haunt people. Part fantastic ghost story, part biography, this is a delicious beautifully illustrated look into French revolutionary history by the artist of the bestselling 'Girl in Dior.'