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A naïve English farmer’s wife travels alone to Poznan, Poland, to visit the Zachodni Institute; an archive that holds records of the wartime Polish Resistance. It is the start of an adventure into history, and all that had been hidden since the Nuremberg Trials where Stalin and dismissed all evidence submitted by the Poles and the ensuing 45-year Russian occupation of Poland ensured their silence. On a quest to distinguish fact from fiction, Cynthia Engelmann investigates the truth of an unpublished manuscript bequeathed to her upon the death of Maria Weychan. Maria’s memoire had revealed an extraordinary tale of intrigue, romance, imprisonment and survival, as told a by a young Polish dancer in Berlin after the end of World War II. She had survived life in a camp with her mother for longer than had previously been thought possible. Had they collaborated with the Germans to protect themselves? Finding herself part of a movement to collate events of history previously hidden and silenced, Cynthia uncovers the leads of the evidence to share the truth of Maria’s memoire.
A revolutionary memoir about domestic abuse by the award-winning author of Her Body and Other Parties In the Dream House is Carmen Maria Machado’s engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming. And it’s that struggle that gives the book its original structure: each chapter is driven by its own narrative trope—the haunted house, erotica, the bildungsroman—through which Machado holds the events up to the light and examines them from different angles. She looks back at her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations of the history and reality of abuse in queer relationships. Machado’s dire narrative is leavened with her characteristic wit, playfulness, and openness to inquiry. She casts a critical eye over legal proceedings, fairy tales, Star Trek, and Disney villains, as well as iconic works of film and fiction. The result is a wrenching, riveting book that explodes our ideas about what a memoir can do and be.
Tan Lee finds himself embroiled in an unusual love triangle, all while trying to defuse a heist, unravel a conspiracy, and navigate the most complicated babysitting assignment ever in this YA novel by New York Times and Indie bestselling author Abigail Hing Wen. After a magical kiss at Prom, best friends Tan Lee and Winter Woo agree to cool it off, a plan that goes awry when their parents jointly head off to Hawaii and leave Tan and Winter to babysit Tan's sister Sana together. If that isn't complicated enough, Tan's ex-girlfriend from Shanghai arrives on his doorstep with money stolen from her billionaire father and thugs on her heels. Tan soon finds himself on the run through the San Francisco Bay Area, trying to out-manuever international hackers and protect his friends, family and sister—and his own heart.
Since the turn of the twenty-first century, efforts to improve human rights, social equality, and democracy in western Europe have faced growing challenges that range from economic and medical crises to the resurgence of the tribalist far right. Studying western European cinema reveals how filmmakers have been using their art to reflect on the region’s contemporary problems and potentials. In Conflict and Survival in Contemporary Western European Film, John Alexander Williams and Alexandra Hagen have collected a diverse array of essays that analyzehow filmmakers have portrayed forms of strifeand endurancein the new century. Divided into three thematic sections—historical conflicts and national identities; migrants, natives, and battles over space; and ethical struggles in everyday life—this book offers case studies of historical context, narrative, and form in a range of significant recent films. Showcasing such movies as Days of Glory, A War, Code Unknown, The Edge of Heaven, Toni Erdmann, The Great Beauty, and Weekend, this fascinating collection presents contemporary filmmakers as critical citizen-artists who are directly involved in interrogating the past, present, and future of Europe.
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