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American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life.
This early work by Henry Stacpoole was originally published in 1906 and we are now republishing it with a brand new introductory biography. 'The Golden Astrolabe' is a work of fiction that Stacpoole co-authored with William A. Bryce. Henry De Vere Stacpoole was born on April 9th 1863 in Kingstown, Ireland. Stacpoole's writing career started with the publication of 'The Intended' in 1894, but his most famous work is The Blue Lagoon, a romance novel published in 1908. The book was met with critical acclaim and was adapted to film twenty times in twelve years.
Gathers traditional baby games, clapping plays, jumps and skips, singing plays, ring plays, dances, outdoor games, songs, and stories
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This work is unique in the field: the reader is introduced to music from several centuries and to five of the most popular plays in great detail (Macbeth, Romeo & Juliet, The Merry Wives of Windsor, Othello, A Midsummer Night's Dream). Other plays are discussed (1 & 2 Henry IV, Henry V, The Taming of the Shrew, The Merchant of Venice). It contains no musical notation and assumes no previous knowledge of music or of Shakespeare. It can be used in the classroom by a professor of English or of music. Suggested CD and video recordings are listed and keyed by page number to examples in the book.