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30th December 1852: After an unhappy Christmas, Marian Evans returns to London. Today will mark the first day of a bitter feud between Marian and her brother, Isaac. Indeed, the rift between them will become so great that Marian becomes trapped into an endless repeating-cycle in which she keeps returning to this moment, as many "alternate" futures are played out. In an "alternate" time-line, Marian Evans resigns her job as Editor of the Westminster Review in 1851. This version of history will remember Marian as a translator, journalist and philosopher - but not as novelist. She will disappear into obscurity following the publication of the second novel by Warwickshire writer, Joseph Liggins. Marian next finds herself on a railway platform at Nuneaton Station, some time in the early twenty first century of this "alternate" world. Here she befriends a young man whom claims he will have a major influence upon the direction of her life in the years to come.
Middlemarch is the prime example of George Eliot's dictum that "interpretations are illimitable," and in this collection of new essays Middlemarch is re-examined as an open text responsive to gaps and fissures, and as resistant to authority as it is to other fixed notions of identity, idealism, and gender. What does the novel omit, and how do the omissions shape what is there? How shall we understand the materiality of the text? What problems does it pose to adaptation? The novel's plasticity becomes a basis for investigation into the multiple forms of expressiveness, and a consideration of how we might plot the patterns linguistically, ideologically, even cinematically. New spaces emerge within character, place, and narrative; what seemed absent or inaccessible assumes shape and definition; Middlemarch remains "Victorian" but it is a Victorianism understood through the dual perspectives of the 19th and 21st centuries. Scholars of George Eliot and students of Victorianism will be engaged by the wide-ranging scope of these essays, which nonetheless build on each other to form a coherent narrative of critical reflections. If there is something for everyone in Middlemarch, there is also something compelling about each of the essays in this collection.
This book investigates the debates around religion and science at the influential Victoria Institute. Founded in London in 1865, and largely drawn from the evangelical wing of the Church of England, it had as its prime objective the defence of ‘the great truths revealed in Holy Scripture’ from ‘the opposition of science, falsely so called’. The conflict for them was not between science and religion directly, but what exactly constituted true science. Chapters cover the Victoria Institute’s formation, its heyday in the late nineteenth century, and its decline in the years following the First World War. They show that at stake was more than any particular theory; rather, it was an entire worldview, combining theology, epistemology, and philosophy of science. Therefore, instead of simply offering a survey of religious responses to evolutionary theory, this study demonstrates the complex relationship between science, evangelical religion, and society in the years after Darwin’s Origin of Species. It also offers some insight as to why conservative evangelicals did not display the militancy of some American fundamentalists with whom they shared so many of their intellectual commitments. Filling in a significant gap in the literature around modern attitudes to religion and science, this book will be of keen interest to scholars of Religious Studies, the History of Religion, and Science and Religion.
George Eliot for the Twenty-First Century reexamines Eliot two hundred years after her birth and offers an innovative critical reading that seeks to change perceptions of Eliot. Tracing Eliot’s literary reception from the nineteenth century to the late twentieth and early twenty-first century, K. M. Newton frames Eliot as an unorthodox radical and considers the philosophical, ethical, political, and artistic subtleties permeating her writings. Drawing from close readings of her novels, essays, and letters, Newton offers a new critical perspective on George Eliot and reveals her enduring relevance in the twenty-first century.
Fionnuala Dillane revisits the first decade of Marian Evans's working life to explore the influence of the periodical press on her emergence as George Eliot and on her subsequent responses to fame. This interdisciplinary study discusses the significance of Evans's work as a journalist, editor and serial-fiction writer in the periodical press from the late 1840s to the late 1850s and positions this early career against critical responses to Evans's later literary persona, George Eliot. Dillane argues that Evans's association with the nineteenth-century periodical industry, that dominant cultural force of the age, is important for its illumination of Evans's understanding of the formation of reading audiences, the development of literary genres and the cultivation of literary celebrity.
This book examines the range of the colonial imaginary in Eliot’s works, from the domestic and regional to ancient and speculative colonialisms. It challenges monolithic, hegemonic views of George Eliot — whose novelistic career paralleled the creation of British India — and also dismissals of the postcolonial as ahistorical. It uncovers often-overlooked colonized figures in the novels. It also investigates Victorian Islamophobia in light of Eliot’s impatience with ignorance, intolerance, and xenophobia as well as her interrogation of the make-believe of endings. Drawing on a range of sources from Eugène Bodichon’s Algerian anthropological texts, the Persian journals of John Martyn, and postmodern re-engagements, Postcolonial George Eliot has implications for an understanding of the globalization of English, the decolonization of disciplinarity and periodization, and the roots of present-day conflict in the wider Mediterranean world.
The Southern Baptist Convention is currently facing issues that challenge its identity, heritage, and future. In The SBC and the 21st Century, key leaders—including Jason Allen, Frank Page, Ronnie Floyd, Thom Rainer, Albert Mohler, Paige Patterson, David Platt, and Danny Akin—address critical issues such as: · Will the SBC grow more unified around shared convictions and mission or will it fragment over secondary concerns and tertiary doctrinal differences? · Will the SBC be able to maintain a distinct Baptist identity while engaging and partnering with the broader evangelical community? · Will the SBC be willing to reimagine its structures, programs, and efforts to effectively reach the world for Christ or will it risk being a past-tense denomination? This volume not only promotes meaningful dialogue, it calls leaders throughout the SBC into action. Extensive thought, research, assessment, and wisdom from some of the SBC’s brightest minds have been poured into this volume with the intent of rendering a helpful contribution to SBC life that will propel forward the collective work of Southern Baptists well into the 21st century.
This comprehensive guide to one of the most successful yet controversial writers of the Victorian period introduces the contexts and many interpretations of her work, from publication to the present. & nbsp.
Perhaps no period better clarifies our current crisis of digital information than the nineteenth century. Self-aware about its own epochal telecommunications changes and awash in a flood of print, the nineteenth century confronted the consequences of its media shifts in ways that still define contemporary responses. In this authoritative new work, Paul Fyfe argues that writing about Victorian new media continues to shape reactions to digital change. Among its unexpected legacies are what we call digital humanities, characterized by the self-reflexiveness, disciplinary reconfigurations, and debates that have made us digital Victorians, so to speak, struggling again to resituate humanities practices amid another technological revolution. Engaging with writers such as Thomas De Quincey, George Eliot, George du Maurier, Henry James, and Robert Louis Stevenson who confronted the new media of their day, Fyfe shows how we have inherited Victorian anxieties about quantitative and machine-driven reading, professional obsolescence in the face of new technology, and more—telling a longer history of how writers, readers, and scholars adapt to dramatically changing media ecologies, then and now. The result is a predigital history for the digital humanities through nineteenth-century encounters with telecommunication networks, privacy intrusions, quantitative reading methods, remediation, and their effects on literary professionals. As Fyfe demonstrates, well before computers, the Victorians were already digital.
This study shows how aesthetics and economics have been combined in a great work of literature. Frost examines the history of Middlemarch’s composition and publication within the context of Victorian demand, then goes on to consider the interpretation, reception and consumption of the book.