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Revelatory essays on the Mary figures of the Bible.
This interdisciplinary volume of text and art offers new insights into various unsolved mysteries associated with Mary Magdalene, Mary of Bethany, Mary the Mother of Jesus, and Miriam the sister of Moses. Mariamic traditions are often interconnected, as seen in the portrayal of these women as community leaders, prophets, apostles and priests. These traditions also are often inter-religious, echoing themes back to Miriam in the Hebrew Bible as well as forward to Maryam in the Qur'an. The chapters explore questions such as: which biblical Mary did the author of the Gospel of Mary intend to portray-Magdalene, Mother, or neither? Why did some writers depict Mary of Nazareth as a priest? Were extracanonical scriptures featuring Mary more influential than the canonical gospels on the depiction of Maryam in the Qur'an? Contributors dig deep into literature, iconography, and archaeology to offer cutting edge research under three overarching topics. The first section examines the question of "which Mary?" and illustrates how some ancient authors (and contemporary scholars) may have conflated the biblical Marys. The second section focuses on Mary of Nazareth, and includes research related to the portrayal of Mary the Mother of Jesus as a Eucharistic priest. The final section, “Recovering Receptions of Mary in Art, Archeology, and Literature,” explores how artists and authors have engaged with one or more of the Marys, from the early Christian era through to medieval and modern times.
Waiting to be rediscovered in the British Library is an ancient manuscript of the early Church, copied by an anonymous monk. The manuscript is at least 1,450 years old, possibly dating to the first century. And now, The Lost Gospel provides the first ever translation from Syriac into English of this unique document that tells the inside story of Jesus’ social, family, and political life.The Lost Gospel takes the reader on an unparalleled historical adventure through a paradigm shifting manuscript. What the authors eventually discover is as astounding as it is surprising: the confirmation of Jesus’ marriage to Mary Magdalene; the names of their two children; the towering presence of Mary Magdalene; a previously unknown plot on Jesus’ life (thirteen years prior to the crucifixion); an assassination attempt against Mary Magdalene and their children; Jesus’ connection to political figures at the highest level of the Roman Empire; and a religious movement that antedates that of Paul—the Church of Mary Magdalene.Part historical detective story, part modern adventure, The Lost Gospel reveals secrets that have been hiding in plain sight for millennia.
The author draws on insights from her spirit guide, as well as research into the gnostic texts, to explore the lives of Mary, the mother of Jesus, and Mary Magdalene.
A dramatic, thought-provoking portrait of one of the most compelling figures in early Christianity which explores two thousand years of history, art, and literature to provide a close-up look at Mary Magdalen and her significance in religious and cultural thought.
The figure of Mary Magdalen has fascinated and perplexed people for centuries. She is portrayed in the Gospels as a neurotic woman, possibly with a past, yet she is the first to encounter the risen Christ and he charges her with the responsibility of proclaiming the resurrection. She is therefore Christianity's first evangelist - a difficult concept for churches with exclusively male hierarchies who prefer to think of her as just a reformed prostitute. The belief that Mary Magdalen was married to Jesus and that the Church has tried to suppress this truth was not invented in recent years but is almost as old as Christianity itself. This gives a grand tour through 2000 years history, art and tradition with surprises and discoveries all the way.
Ingrid Maisch in this study of Mary Magdalene leads her readers throughout the centuries, developing the images of Mary current in each era, showing that she is always a bellwether for the image of woman at a particular time.
The visions of Blessed Anne Catherine Emmerich are the world's greatest source of detail on the life of St. Mary Magdalen -- great sinner and penitent. Fully referenced to The Life of Jesus Christ (their source), these pages agree completely with Sacred Scripture, but also tell of Mary Magdalen's sinful life from age 9, her extravagant attire, her second repentence after falling back into sin, her exorcism by Our Lord, His defense of her against the self-righteous, her relationship with Martha and Lazarus, her external appearance, her role at Calvary and much more.
This innovative and multidisciplinary collection visits representations and interpretations of Mary Magdalene in the medieval and early modern periods, questioning major scholarly assumptions behind the examination of female saints and their depictions in medieval artworks, literature, and music. Mary Magdalene’s many and various characterizations from reformed prostitute to conversion-figure to devotee of Christ to "apostle to the apostles" to spiritual advisor to the Prince of Marseilles to hermit in the desert, to list just a few examples, mean that the many conflicted representations of Mary Magdalene apply to a staggering variety of cultural material, including art, liturgy, music, literature, theology, hagiography, and the historical record. Furthermore, Mary Magdalene has grown into an extremely popular and controversial figure due to recent books and movies concerning her, and due to a groundswell of general speculation concerning her relationship to Jesus: was she his acquaintance, follower, companion, wife, family-member, or lover? This volume employs a broad spectrum of theoretical methodologies in order to present poststructuralist, postcolonial, postmodernist, hagiographic, and feminist readings of the figure of Mary Magdalene, addressing and interrogating her conflicting roles and the precise relationship between her sacred and secular representations.