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Maria Baldwin (1856–1922) held a special place in the racially divided society of her time, as a highly respected educator at a largely white New England school and an activist who carried on the radical spirit of the Boston area's internationally renowned abolitionists from a generation earlier. African American sociologist Adelaide Cromwell called Baldwin "the lone symbol of Negro progress in education in the greater Boston area" during her lifetime. Baldwin used her respectable position to fight alongside more radical activists like William Monroe Trotter for full citizenship for fellow members of the black community. And, in her professional and personal life, she negotiated and challenged dominant white ideas about black womanhood. In Maria Baldwin's Worlds, Kathleen Weiler reveals both Baldwin's victories and what fellow activist W. E. B. Du Bois called her "quiet courage" in everyday life, in the context of the wider black freedom struggle in New England.
From the internationally bestselling creator of Wreck This Journal, an interactive guide for exploring and documenting the art and science of everyday life. Artists and scientists analyze the world around them in surprisingly similar ways, by observing, collecting, documenting, analyzing, and comparing. In this captivating guided journal, readers are encouraged to explore their world as both artists and scientists. The mission Smith proposes? To document and observe the world around you as if you’ve never seen it before. Take notes. Collect things you find on your travels. Document findings. Notice patterns. Copy. Trace. Focus on one thing at a time. Record what you are drawn to. Through this series of beautifully hand-illustrated interactive prompts, readers will enjoy exploring and discovering the world in ways they never even imagined.
The World of Willa Cather describes the people and places in Nebraska that figure prominently in many of Cather’s best novels and short stories. It offers material that can be found nowhere else. Here are Willa Cather of Red Cloud, her family and friends, and the things that formed her sensibilities.
Family -- Faith, the Lutheran way -- Painting from nature : Maria Martin and John James Audubon -- Living together/working together : collaboration and kinship -- Family and science : beyond botanicals -- Family and science : quadrupeds -- Faith : "Our trust in God
The Leper King is a story of authentic history and imaginative fantasy interwoven with faith and love, war and magic set amidst the turbulent times of the Crusades. Upon the premature death of his father, BALDWIN IV, stricken with leprosy from a young age, ascends to the throne of Jherusalem at the age of thirteen. Immediately, enemies threaten his reign as war looms with the great leader of Islam, SALEHDIN. Guided by his trusted friend and Chancellor, Archbishop WILLIAM of Tyre, the young leper sets out to prove himself worthy of the crown, despite the political intrigues of his own High Court. Among those at Court with whom he must contend are his recently returned mother, AGNES de Courtenay, a grasping woman of immoral character, and his sister, SIBYLLA, who comes to Court after spending most of her life shut away from the world in a convent to marry a Western lord against her will. Being a minor, Baldwin must submit to the Regency of his much older cousin, RAYMOND III of Tripoli; but the young king chaffs beneath the Regents authority, longing to put it behind him so he can pursue his own course of action against the enemy. While Raymond continually argues for peace with the Muslims, Baldwin and the new lord of Kerak, REYNALD de Chtillon, hope to bring the Sarrazins to war before the sultans power grows too strong to push back. Unbeknownst to the king and the lords of Outremer, an old and secret cabal of heretic conspirators known only as the Order of Sion led by one, AMALRIC de Lusignan, that seeks to gain control of the kingdom. Their purpose is to proclaim a new form of Christianity with Jherusalem as its ecclesiastical seat of power in opposition to Rome and to crown a sacred king of their own making. That sacred king is none other than Amalrics brother, GUION de Lusignan, whom they claim is a blood descendant of Jhsu Christ. In this conspiracy, two influential men of the kingdom aid them: HERACLIUS, Archbishop of Caesarea and OTHON de Saint-Amant, Master of the famed warrior-monks, the Knights Templar. Saint-Amant, however, is a deeply conflicted man who begins to question how Sion, and the secretive master he reluctantly follows, is manipulating him and his Order. With Agnes diseased son crowned king, it isnt long before Lusignan draws her into the intrigues of the conspiracy as well with the belief she can protect her son. Seeking divine guidance in the Church of the Holy Sepulcher in the aftermath of battle, Baldwin meets, by chance, an elderly woman who thanks him for a simple act of his kindness. He is astonished, though, when she casts aside her cloak and disguise, revealing to him that she is MARY MAGDALEN, a beautiful and immortal woman of Faerie who vows to guide and befriend him. Only later does she tell him that his leprosy is not the result of disease, but of a magic spell cast by an unseen enemy; a spell that not only devours the kings life, but also becomes the enemys own undoing. So begins a tale of history and fantasy, in which a young king must determine whether his faith or fate will guide him in the defense of his fragile kingdom. Visit the Authors Website at www.scottrezer.com to learn more about the novel and to read the prologue.
This is one of the wisest books I've read in years... —New York Times Book Review No writer I know of comes close to even trying to articulate the weird magic of poetry as Ruefle does. She acknowledges and celebrates in the odd mystery and mysticism of the act—the fact that poetry must both guard and reveal, hint at and pull back... Also, and maybe most crucially, Ruefle’s work is never once stuffy or overdone: she writes this stuff with a level of seriousness-as-play that’s vital and welcome, that doesn’t make writing poetry sound anything but wild, strange, life-enlargening fun. -The Kenyon Review Profound, unpredictable, charming, and outright funny...These informal talks have far more staying power and verve than most of their kind. Readers may come away dazzled, as well as amused... —Publishers Weekly This is a book not just for poets but for anyone interested in the human heart, the inner-life, the breath exhaling a completion of an idea that will make you feel changed in some way. This is a desert island book. —Matthew Dickman The accomplished poet is humorous and self-deprecating in this collection of illuminating essays on poetry, aesthetics and literature... —San Francisco Examiner Over the course of fifteen years, Mary Ruefle delivered a lecture every six months to a group of poetry graduate students. Collected here for the first time, these lectures include "Poetry and the Moon," "Someone Reading a Book Is a Sign of Order in the World," and "Lectures I Will Never Give." Intellectually virtuosic, instructive, and experiential, Madness, Rack, and Honey resists definition, demanding instead an utter—and utterly pleasurable—immersion. Finalist for the 2012 National Book Critics Circle Award. Mary Ruefle has published more than a dozen books of poetry, prose, and erasures. She lives in Vermont.