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This collection of essays reveals the diversity of the impact on late medieval and Golden Age Spanish literature of the socio-religious dichotomy that came to exist between conversos (New Christians), who were perceived as inferior because of their Jewish descent, and Old Christians, who asserted the superiority of their pure Christian lineage.
Julio Ramón Ribeyro has been widely acclaimed Peru's master storyteller. Until now, however, few of his stories have been translated into English. This volume brings together fifteen stories written during the period 1952-1975, which were collected in the three volumes of La palabra del mudo. Ribeyro's stories treat the social problems brought about by urban expansion, including poverty, racial and sexual discrimination, class struggles, alienation, and violence. At the same time, elements of the fantastic playfully interrupt some of the stories. As Ribeyro's characters become swept up in circumstances beyond their understanding, we see that the only freedom or dignity left them comes from their own imaginations. The fifteen stories included here are "Terra Incognita," "Barbara," "The Featherless Buzzards," "Of Modest Color," "The Substitute Teacher," "The Insignia," "The Banquet," "Alienation (An Instructive Story with a Footnote)," "The Little Laid Cow," "The Jacaranda Trees," "Bottles and Men," "Nothing to Do, Monsieur Baruch," "The Captives," "The Spanish," and "Painted Papers."
In its consideration of American Indian literature as a rich and exciting body of work, The Voice in the Margin invites us to broaden our notion of what a truly inclusive American literature might be, and of how it might be placed in relation to an international—a "cosmopolitan"—literary canon. The book comes at a time when the most influential national media have focused attention on the subject of the literary canon. They have made it an issue not merely of academic but of general public concern, expressing strong opinions on the subject of what the American student should or should not read as essential or core texts. Is the literary canon simply a given of tradition and history, or is it, and must it be, constantly under construction? The question remains hotly contested to the present moment. Arnold Krupat argues that the literary expression of the indigenous peoples of the United States has claims on us to more than marginal attention. Demonstrating a firm grasp of both literary history and contemporary critical theory, he situates Indian literature, traditional and modern, in a variety of contexts and categories. His extensive knowledge of the history and current theory of ethnography recommends the book to anthropologists and folklorists as well as to students and teachers of literature, both canonical and noncanonical. The materials covered, the perspectives considered, and the learning displayed all make The Voice in the Margin a major contribution to the exciting field of contemporary cultural studies. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.
Annotation Writing from positions of cultural exclusion, women have faced constraints not only upon the "content" of fiction but upon the act of narration itself. Narrative voice thus becomes a matter not simply of technique but of social authority: how to speak publicly, to whom, and in whose name. Susan Sniader Lanser here explores patterns of narration in a wide range of novels by women of England, France, and the United States from the 1740s to the present. Drawing upon narratological and feminist theory, Lanser sheds new light on the history of "voice" as a narrative strategy and as a means of attaining social power.
"The Argentine Nestor Perlongher was a groundbreaking poet and anthropologist whose work takes on the most dynamic and conflictive themes of modern-day Latin America. His poetry addresses issues of dictatorship, national identity, exile, transvestism and marginal sexualities, and modern-day esoteric religions while his anthropological work challenged the very limits of the human being and attacked the most entrenched of contemporary taboos." "Nestor Perlongher: The Poetic Search for an Argentine Marginal Voice is a vital addition to our understanding of the difficult work of this poet, for two reasons. First, Perlongher was a pioneer in a number of fields: sexual rights, urban anthropology, the philosophy of Deleuze and Guattari, esoteric religions and, crucially, modern Plate River poetry. This work is the first in English to comprehensively address this provocative and innovative oeuvre. Secondly, Perlongher's difficult, highly allusive and linguistically challenging poetry creates problems of reading and interpretation for any researcher. Ben Bollig draws on a wealth of historical, cultural and social research about contemporary Argentina, providing a rich background against which to assess Perlongher's work. The detailed close readings of the poems themselves offer ways into Perlongher's work and methodological tools for the study of difficult poetry."--BOOK JACKET.
Women and the word marginalization have never remained oxymoronic – the cross-cultural texts and Engels interest on subjugation make a perfect recipe for this incongruity. Multicultural and Marginalized Voices of Postcolonial Literature traces multifarious facets of marginalized literature across the world, giving a brilliant overview of the historical roots of multiculturalist and marginalized sections. The fourteen chapters relate key literary and cultural texts and cover a broad spectrum of historical, linguistic and theoretical issues. There are three sections in the book – section I has four chapters, dealing specifically theoretical constructions and representations. Section II consists of four chapters that offer varied spectrum of discourses on world literature, intersecting with the frameworks of literary theories. Section III comprises six chapters that explore the mind of dalits, subalterns, colonial women and gender issues of a variety of Indian English Writers and draw varied perspectives of it.
Ever since Bessie Smith's powerful voice conspired with the "race records" industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women's singing. In Black Resonance, Emily J. Lordi analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. Focusing on two generations of artists from the 1920s to the 1970s, Black Resonance reveals a musical-literary tradition in which singers and writers, faced with similar challenges and harboring similar aims, developed comparable expressive techniques. Drawing together such seemingly disparate works as Bessie Smith's blues and Richard Wright's neglected film of Native Son, Mahalia Jackson's gospel music and Ralph Ellison's Invisible Man, each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice. In the process, Lordi demonstrates that popular female singers are not passive muses with raw, natural, or ineffable talent. Rather, they are experimental artists who innovate black expressive possibilities right alongside their literary peers. The first study of black music and literature to centralize the music of black women, Black Resonance offers new ways of reading and hearing some of the twentieth century's most beloved and challenging voices.