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In selecting Margaret Walker as the recipient of the Yale Series of Younger Poets in 1942—making her the first African American to receive this national literary award—Stephen Vincent Benét proclaimed hers a vibrant new voice, finding in her collection For My People “a controlled intensity of emotion and a language that, at times, even when it is most modern, has something of a surge of biblical poetry.” Today, more than seventy years later, Walker’s voice still resonates with particular power. Addressing the literature and culture of black America, This Is My Century, first published in 1989, marked a significant contribution to American poetry, bringing together Walker’s selection of one hundred of her own poems. On the eve of the centennial of Walker’s birth, the University of Georgia Press is proud to reissue this classic of American letters. In addition to her award-winning debut collection, the volume includes Prophets for a New Day (1970), a celebration of the civil rights movement; October Journey (1973), a collection of autobiographical and dedicatory poems; and thirty-seven previously uncollected poems.
"Half a century ago a young woman published a poem that was destined to reverberate through American life." "Here that poem is reprinted with thirty-eight stunning photographs that celebrate it." ""For My People" is a resounding catalog of black history, a clarion that refutes the affliction of humiliation, an indelible record of noble accomplishments. Since 1942 this enduring paean to black America has remained an everlasting appeal against racial oppression." ""I wrote most of that poem," Margaret Walker says, "in fifteen minutes on a typewriter. I think it was just after my twenty-second birthday, and I felt it was my whole life gushing out - as I had felt about my people all my life."" "Since that time the astonishing young poet whose voice rose in cadences that praise and honor black America has never ceased to stir minds and hearts to action with her credos. She became indeed the renowned poet, novelist, lecturer, teacher, and sage Margaret Walker Alexander." "In commemoration of "For My People," her first publication, and in tribute to her richly productive life, the acclaimed photographer Roland L. Freeman has joined a photo essay to Margaret Walker's poem." ""I selected photographs that call to mind the special human elements evoked by Walker, so basic to everyday life, and yet not often celebrated, elements which unravel the real beauty and the tenacity for life of African-American people."" "With this marvelous collaboration both Walker and Freeman stimulate rejoicing for the spirit of the artist who perceives and depicts the rich and vital culture of black America." "In this jubilee year of a momentous poem, "For My People" continues to resound in the hearts of African-Americans and for all who love human freedom."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
An exploration of race and heritage, For My People is the first book by poet and novelist Margaret Walker (1915-1998) and the 41st volume of the Yale Series of Younger Poets.
A novel based on the life of the author's great-grandmother follows the story of Vyry, the child of a white plantation owner and one of his slaves, through the years of the Civil War and Reconstruction.
Profiles the founder of the "New Town" movement and discusses the development of British new towns, the Radburn Idea, Greenbelt Towns, and the American new towns such as Reston and Columbia.
Smart Ball follows Major League Baseball's history as a sport, a domestic monopoly, a neocolonial power, and an international business. MLB's challenge has been to market its popular mythology as the national pastime with pastoral, populist roots while addressing the management challenges of competing with other sports and diversions in a burgeoning global economy. Baseball researcher Robert F. Lewis II argues that MLB for years abused its legal insulation and monopoly status through arrogant treatment of its fans and players and static management of its business. As its privileged position eroded eroded in the face of increased competition from other sports and union resistance, it awakened to its perilous predicament and began aggressively courting athletes and fans at home and abroad. Using a detailed marketing analysis and applying the principles of a "smart power" model, the author assesses MLB's progression as a global business brand that continues to appeal to a consumer's sense of an idyllic past in the midst of a fast-paced, and often violent, present.
Raised Up Down Yonder attempts to shift focus away from why black youth are "problematic" to explore what their daily lives actually entail. Howell travels to the small community of Hamilton, Alabama, to investigate what it is like for a young black person to grow up in the contemporary rural South. What she finds is that the young people of Hamilton are neither idly passing their time in a stereotypically languid setting nor are they being corrupted by hip-hop culture and the perils of the urban North, as many pundits suggest. Rather, they are dynamic and diverse young people making their way through the structures that define the twenty-first-century South. Told through the poignant stories of several high school students, Raised Up Down Yonder reveals a group that is often rendered invisible in society. Blended families, football sagas, crunk music, expanding social networks, and a nearby segregated prom are just a few of the fascinating juxtapositions.
Presents the text of Alice Walker's story "Everyday Use"; contains background essays that provide insight into the story; and features a selection of critical response. Includes a chronology and an interview with the author.
Forrest County, Mississippi, became a focal point of the civil rights movement when, in 1961, the United States Justice Department filed a lawsuit against its voting registrar Theron Lynd. While thirty percent of the county's residents were black, only twelve black persons were on its voting rolls. United States v. Lynd was the first trial that resulted in the conviction of a southern registrar for contempt of court. The case served as a model for other challenges to voter discrimination in the South, and was an important influence in shaping the Voting Rights Act of 1965. Count Them One by One is a comprehensive account of the groundbreaking case written by one of the Justice Department's trial attorneys. Gordon A. Martin, Jr., then a newly-minted lawyer, traveled to Hattiesburg from Washington to help shape the federal case against Lynd. He met with and prepared the government's sixteen black witnesses who had been refused registration, found white witnesses, and was one of the lawyers during the trial. Decades later, Martin returned to Mississippi and interviewed the still-living witnesses, their children, and friends. Martin intertwines these current reflections with commentary about the case itself. The result is an impassioned, cogent fusion of reportage, oral history, and memoir about a trial that fundamentally reshaped liberty and the South.
Give students the power of language by using the inspiring ideas in this very readable book.