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A catalog of an exhibition that surveys the history of international graffiti and street art.
A guide to type design and lettering that includes relevant theory, history, explanatory diagrams, exercises, photographs, and illustrations, and features interviews with various designers, artists, and illustrators.
For ten years, New York's Alleged Gallery provided a breeding ground and played the role of willing accomplice to some of the most vibrant American art to come along in decades. By exhibiting the then emerging talents of Mark Gonzales, Chris Johanson, Rita Ackermann, Susan Cianciolo, Barry McGee, Margaret Kilgallen, Harmony Korine, Mike Mills, Ed Templeton, Thomas Campbell and Terry Richardson, much of Alleged's impact was due to a complete and utter disregard for the status quo. Using a potent blend of photographs, artworks and interviews with artists, photographers, filmmakers, musicians, collectors and other denizens of the era, Young Sleek and Full of Hell documents the glorious trials and tribulations of running an independent gallery in the final hours of the 20th century. The full list of the artists interviewed by Brendan Fowler in the book is as follows: Thomas Campbell, David Aron, Liz Goldwyn, Joey Garfield, Leo Fitzpatrick, Spike Jonze, Audrey "Rose" Bernstein, Kid America, Amy Gunther, Mike Mills, Jason Lee, Arik "Moonhawk" Roper, Carlo McCormick, Shelter Serra, Kim Hastreiter, Andre Razo, Chris Pastras, Lila Lee, Athena Razo, Joshua Wildman, Brian Degraw, Chris Habib, Julia Gandelsonas, Bill Powers, Sasha Hirschfeld, Susan Cianciolo, Shayla Hason, Ari Marcopoulos, Cynthia Connolly, Adam Glickman, Michele Lockwood, Terry Richardson, Barry McGee, Phil Frost, Tobin Yelland, Craig R. Stacyk II, Jess Holzworth, Marcellus Hall, Ashley Macomber, Tatiana von Furstenberg, Stefano Giovannini, Adam Wallacavage, Rita Ackermann, Erin Krause, Chan Marshall, Stephen Powers, David Hershkovits; Thurstone Moore, Chris Johanson, Janice Gaffney, Ed Templeton, Hugh Gallagher, Harmony Korine, Andy Jenkins, Ryan McGinley, Cheryl Dunn, Simone Shubuck, Shepard Fairey, Andrew Jeffrey Wright, Lee Ranaldo, Seth Hodes, Bruce Labruce, Brendan Fowler, Dakota Goldhor, Beata Hendricks, Ivory Serra, Susanna Howe, Mai-Thu Perret, Christian Strike, Chloe Sevigny, Oliver Zaham and Clare Crespo.
Text by Aaron Rose. Contributions by Sean Kennerly, Jack Hanley.
Edited by Aaron Rose and Christian Strike. Interview with Agnes B.
One of the best-known experimental novels of the 1960s, Beautiful Losers is Leonard Cohen’ s most defiant and uninhibited work. As imagined by Cohen, hell is an apartment in Montreal, where a bereaved and lust-tormented narrator reconstructs his relations with the dead. In that hell two men and a woman twine impossibly and betray one another again and again. Memory blurs into blasphemous sexual fantasy--and redemption takes the form of an Iroquois saint and virgin who has been dead for 300 years but still has the power to save even the most degraded of her suitors. First published in 1966, Beautiful Losers demonstrates that its author is not only a superb songwriter but also a novelist of visionary power. Funny, harrowing, and fiercely moving, it is a classic erotic tragedy, incandescent in its prose and exhilarating for its risky union of sexuality and faith.
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Edited by Polly Koch. Foreword by Linda Shearer. Introduction by Toby Kamps.