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This particular hymn Krishna dvadashanama Stotra comprised of twelve names of Krishna (Vishnu) is claimed to be from Mahabharata. It is said that it has been initiated to Arjuna by Krishna himself. The phalashruti says those who chant this hymn in the dawn are freed from all kinds of sins. Though the source of this hymn is not clear, the twelve names mentioned in this hymn are among the most important names of lord Krishna and we find scriptural evidences that chanting these names individually or in collection purifies us of our sins. This book sheds light on how each of these twelve names help us in cleansing our sins and earning the grace of lord Krishna.
The hymn Nrusimha dvadashana nama stotra, the twelve-name hymn of lord narasimha is a traditional short and powerful hymn of lord narasimha, (said to be found in some manuscripts of brahma purana) the hymn praises the lord with twelve epithets praising his various glorious qualities, This hymn is recited by devotees of vishnu of various schools. This book is a short translation of the hymn in simple english. By chanting this hymn with devotion, one van please lord narasimha and get his protection from diseases enemies and all kinds of negativity. ( as quoted in the phala shruti of the hymn)
This short hymn comprised of twelve names of goddess Lakshmi found in Vishvasara Tantra. Lord īśvara reveals this hymn through this tantra. These twelve names are considered the essence of all names of goddess Lakshmi, or the Kamalatmika form of the goddess (goddess Mahalakshmi in her great wisdom goddess form) as proposed by the Vishvasara tantra. It is to be noted that some of the epithets coincide with the names used to address the goddess in sri sukta, and Lakshmi ashtottara shatanama stotra.
These twelve names of goddess vārāhī are given in the seventeenth chapter of lalitopākhyāna – the narration about goddess lalitā. This is a conversation between Lord Hayagreeva and sage Agastya, Hayagreeva teaches Agastya the twelve names of goddess vārāhī. These are called the secretive names of vārāhī as these names contain the key to understanding who vārāhī is. The gods and goddesses standing in the sky praise her with these names, says the brahmanda purana. All twelve names describe the attributes of goddess vārāhī, apart from that, some names also indicate various forms of goddess vārāhī. This hymn also acts as a great protective armour for those who chant it.
Twelve names of Saraswati eulogize her different aspects and glories. This is a short yet powerful hymn. by chanting this with devotion we can attain the blessings of goddess saraswati the goddess of wisdom, learning, and knowledge, the phalashruti of this stotra says goddess sarasvati becomes very pleased with those who chant these twelve names regularly and resides in the tip of their tongue and blesses them with wisdom. therefore such a devotee spills words of wisdom and auspicious words.
This is a short yet powerful hymn praising Bhairava, comprised of ten epithets of bhairava. the phalashruti - verses describing the benefits of chanting says " One who recites these ten names, having gotten up in the morning doesn’t experience the terrific suffering and will not fear anything, nor does any danger arise in life."
Shiva manasa pooja is one of the easiest and shortest and most beautiful hymns on Shiva which helps us to do a mental worship or internal worship. Wherever we are and in whichever time we want, we can do the mental worship. Mental worship is the process of visualizing the god, then visualizing various offerings and offer them to the lord mentally. The basic offerings are of sixteen kinds which will be discussed in detail throughout this book. This worship is one of the best ways to connect with god. You don’t need to depend on any external factors or availability of things. You can create things out of our visualization and offer them to god. All that god cares is that you wish to offer him something with love and you are thinking about him with love and devotion while offering mentally. This kind of worship has an equal importance just like external ritualistic worship (baahya pooja) – external worship. Even at times when you are not able to do the external worship, it is prescribed that you do internal worship of the lord. This hymn is one of the simplest ways to help you do it. You can do it two times a day. There are no special rules to be followed. Just chant this hymn with devotion and visualize every offering in each step and offer it to lord Shiva. I will give you a couple of Dhyana shlokas (verses for contemplation and visualization) of lord Shiva which you can use to visualize Shiva and then slowly visualize various offerings and offer them to lord Shiva as guided by the hymn.
Parāshara Samhita gives us a very special mantra of hanuman called sundari prathama mantra , which is a collection of names , though it is a collection of hymns it is not just a hymn but also counted as a single mantra. Since it is a collection of 27 names and does not openly contain any beeja mantras, it can be chanted by everyone. Hence this book is an effort to comment on those particular names and explain them backed by the sacred text parāshara Samhita and other sacred scriptures. Each epithet of Hanuman describes us about a unique quality or aspect of hanuman or a great deed performed by him. This mantra is chanted for accomplishing all kinds of puruṣārtha (four accomplishments of life, dharma (righteousness) artha (wealth) kāma (desire) and moksha (liberation) by the grace of lord hanuman.
If you are an artist, particularly a digital artist then You would know the importance of a graphic tablet. There are many options available in the market. like Wacom one , Deco etc. The only problem is you should know whether you are comfortable with your graphic tablet I will always recommend that you practice before you buy which is again not the practical option. There are others who may not be professional artists but want to try the luxury of graphic tablet. Artists who are trying hard to earn more and are not having a budget to buy this tablet should have a fair chance to try this out. I found that there are tools to make this possible. This book is an effort to show you a way to have the graphic tablet experience with a tablet you already have. In this book you will get A simple and easy step by step guide to convert any android tablet (or phone) to a drawing pad with screenshots all with free tools. A demo video which shows you how it works ( the end result) Recommendation of optional Paid tools which works best with this tool ( the paid tools are completely optional)