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Taking to heart Ralph Ellison's remark that much in American life is "jazz-shaped," The Jazz Cadence of American Culture offers a wide range of eloquent statements about the influence of this art form. Robert G. O'Meally has gathered a comprehensive collection of important essays, speeches, and interviews on the impact of jazz on other arts, on politics, and on the rhythm of everyday life. Focusing mainly on American artistic expression from 1920 to 1970, O'Meally confronts a long era of political and artistic turbulence and change in which American art forms influenced one another in unexpected ways. Organized thematically, these provocative pieces include an essay considering poet and novelist James Weldon Johnson as a cultural critic, an interview with Wynton Marsalis, a speech on the heroic image in jazz, and a newspaper review of a recent melding of jazz music and dance, Bring in 'Da Noise, Bring in 'Da Funk. From Stanley Crouch to August Wilson to Jacqui Malone, the plurality of voices gathered here reflects the variety of expression within jazz. The book's opening section sketches the overall place of jazz in America. Alan P. Merriam and Fradley H. Garner unpack the word jazz and its register, Albert Murray considers improvisation in music and life, Amiri Baraka argues that white critics misunderstand jazz, and Stanley Crouch cogently dissects the intersections of jazz and mainstream American democratic institutions. After this, the book takes an interdisciplinary approach, exploring jazz and the visual arts, dance, sports, history, memory, and literature. Ann Douglas writes on jazz's influence on the design and construction of skyscrapers in the 1920s and '30s, Zora Neale Hurston considers the significance of African-American dance, Michael Eric Dyson looks at the jazz of Michael Jordan's basketball game, and Hazel Carby takes on the sexual politics of Ma Rainey and Bessie Smith's blues. The Jazz Cadence offers a wealth of insight and information for scholars, students, jazz aficionados, and any reader wishing to know more about this music form that has put its stamp on American culture more profoundly than any other in the twentieth century.
"In tales buzzing with possibility, hope, innovation, anger, and tenderness, Tasting Light offers a provocative challenge to connect with open minds, hearts, and senses in a fast-changing world."--back cover.
Marcus Andrews seeks glory in his small hometown of Eaden, Montana. He is entering his senior year of high school and has yet to attain the athletic fame that he has dreamed of his entire life. He is further burdened by his father's mental illness and confusing preoccupations. When Eaden loses its final football playoff game to a rival school, Marcus sees the upcoming basketball season as his last chance to claim immortality within his community. When his history teacher assigns a history writing project, Marcus reaches out to George O'Sullivan, an old man known for his knowledge of local Native American history as well as for rumors about his sexuality. As Marcus's friendship with George grows throughout Marcus's final year of high school, secrets are revealed that will change his life and impact his entire family. Photographs from Eaden follows Marcus's twelve-year journey from central Montana to San Francisco. The story is one of seeking adventure, understanding what it means to be a part of a closely knit community, and finding the value and strength of family.
Our top-secret weapon is missing. And America’s top test pilot is missing too. Full of a fierce, obsessive will to live, Tom Darby is about to test-fire the USA’s ultimate weapon—when something goes tragically wrong. His F-15 fighter explodes in a ball of fire. He ejects into the killing heat of Death Valley. Crazed by injuries, he becomes a wild beast running for his life from unseen enemies—and from his rescuers. Even from his beautiful wife. American teams want him. So do sinister East German agents, headed by an ex-Nazi. Because they believe he possesses . . . The Marcus Device
In most popular literature, vampires are portrayed as charming, classy, and sexy creatures. While werewolves are portrayed as lower class, filthy, and dirty. This story reverses that image and portrays werewolves as elegant, classy, powerful, and beautiful. At the same time, a group of werewolves portray black characters as smart, cunning, and just as powerful as their white counterparts who are vampires. This story also lays out a fictional theory of how Prince George’s County, Maryland, became the home of so many affluent black families while at the same time portraying black people in a way that they have not always been viewed in America, equal. The story of Feud takes readers on the journey of Ally and Aaron (protagonists) and how their two distinct werewolf creation stories collide with James Siller (villain) in present-day Washington, DC, and the surrounding areas. It is fundamentally a story of looking past what one sees and putting aside personal biases to find common ground in relationships that sometimes seem impossible. It is a story about creating family, love, and relationships with a group of people who get tossed into an impossible situation that makes them bond to survive.
"South Park, Houston, Texas, 1977, is where we first meet Ti' John, a young boy under the care of his larger-than-life father - a working-class rodeo star and a practitioner of vodou - and his mother - a good Catholic and cautious disciplinarian - who forbids him to play with the neighborhood "hoodlums." Ti' John, throughout the era of Reaganomics and the dawn of hip-hop and cassette tapes, must negotiate the world around him and a peculiar gift he's inherited from his father and Jules Saint-Pierre "Nonc" Sonnier, a deceased ancestor who visits the boy, announcing himself with the smell of smoke on a regular basis. In many ways, Ti' John is an ordinary kid who loses his innocence as he witnesses violence and death, as he gets his heart broken by girls and his own embittered father, as he struggles to live up to his mother's middle-class aspirations and his father's notion of what it is to be a man. In other ways, he is different - from his childhood buddies and from the father who is his hero. The question throughout this layered and complex coming-of-age story is will Ti' John survive the bad side of life - and his upbringing - and learn how to recognize and keep what is good"--
What is wrong with young people today? This question has captured the concerns of the older generation about the habits and attitudes of the adolescents in their midst. The assumption is that there is indeed something wrong with young people. Even Plato must have rolled his eyes, as he relates his diatribe about the adolescents of Greece. Is the current generation of adolescents less motivated or less focused than their parents? How will they respond to the challenges facing them as they progress to adulthood? When, in fact, do they become adults? Although every generation draws upon their own unique and varied experiences, the speed of our current societal changes has created a very different adolescent passage for contemporary youth than ever before. The world as we know it has changed significantly and because of it, much of today’s youth is decidedly different from their parents. Adolescence itself has shifted dramatically. Young children are displaying adolescent behaviors well before they are ready to act on or understand their meaning, and older adolescents are staying perpetual children. As one writer put it, “the conveyer belt that transported adolescents into adulthood has broken down”. This book provides an interdisciplinary collection of research on the constants and challenges faced by young people today. Failure to launch? Social media? Economic stagnation? For the generation that is coming of age in a post-terrorist world and in the midst of economic upheaval, the challenges might seem insurmountable. However, in this book, scholars from across the academy, from sociology, psychology, education, philosophy, science, and business, explain how the young people today are responding to the constants of growth and change in adolescence and the unique challenges of life in the 21st century.
The Dark Figure continues to advance toward his ultimate goal - rid Eden of the Spirit Oaks and free his master, the Great Deceiver, from Tartarus. Temptation, demons, and other mortals will stand in the way of Marcus and his companions in an attempt to hinder their progress. What happens when a king turns his back on The Great One? What awaits the companions as they venture to the Spirit Oak inside the kingdom of Sodomorrah?