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This is by far the most complete and most authoritative translation of the work of Marco Polo (1254-1324). It is based on a manuscript found by Sir Percival David (1892-1964) in the Catedral de Toledo in Spain where it had lain forgotten for 130 years. That manuscript was a copy written in 1795 and was in turn based on a manuscript written in about 1400. The manuscript in Cathedral de Toledo is in Latin. Arthur Christopher Moule (1873-1957) painstakingly transcribed it into type written text. He was so careful to be faithful to the original that he even transcribed meaningless punctuation marks. The Latin text was published as Volume 2 in 1935, even though it was published first. Volume One followed three years later and was published in 1938. After first publishing the Latin original, A. C. Moule went to work translating the Latin into English. Here he gives credit to his predecessors, Giovanni Battista Ramusio (1485-1557) and Sir Henry Yule (1820-1899). Yule's work was published by his daughter in 1903. A. C. Moule was gratified when his translations often came out the same as theirs. A. C. Moule took 17 different versions of the Marco Polo manuscripts. He then combined them into one document by putting into italics those words that are not found in the other versions. Then, on the outside margins and sometimes in the footnotes, he uses a code to show where and in which version the words in italics can be found. He was careful to note the differences. Every word that is different from the words of Ramusio or Yule is put in italics. In addition, there is a chart showing where the page numbers to this work are different from the page numbers of the other translations. Thus, a reader looking at a page of this book can quickly find the equivalent page in the Yule work.
Concerns a collection of maps and associated documents claimed to be from Marco Polo's time or that of his daughters (as many of the maps have the name or one or another of the three daughters on them). Discusses provenance, authenticity, and history of the documents, known to scholars as "the Marco Polo Maps" since 1948, here discussed fully for the first time.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This is a study of the manner in which certain mythical notions of the world become accepted as fact. Dathorne shows how particular European concepts such as El Dorado, the Fountain of Youth, a race of Amazons, and monster (including cannibal) images were first associated with the Orient. After the New World encounter they were repositioned to North and South America. The book examines the way in which Arabs and Africans are conscripted into the view of the world and takes an unusual, non-Eurocentric viewpoint of how Africans journeyed to the New World and Europe, participating in, what may be considered, an early stage of world exploration and discovery. The study concludes by looking at European travel literature from the early journeys of St. Brendan, through the Viking voyages and up to Marco Polo and Sir John Mandeville. In all these instances, the encounters seem to justify mythical belief. Dathorne's interest in the subject is both intellectual and passionate since, coming from Guyana, he was very much part of this malformed Weltschmerz.
Marco Polo was 17 the first time he saw his father. Soon after, he joined his father and uncle on a trip from Marco's hometown of Venice, Italy, to China. In the 1200s, that journey took several years and the three travelers faced many hazards. Once he arrived, Marco impressed the country's powerful leader Kublai Khan enough to become an ambassador and governor. He spent years crisscrossing China, then known as Cathay, in the Khan's service. He finally returned home, but a few years later he was imprisoned during a conflict between Venice and Genoa. During his imprisonment, he wrote a book that described places and sights few Europeans knew even existed and changed their view of the world forever.
Did Marco Polo reach China? This richly illustrated companion volume to the public television film chronicles the remarkable two-year expedition of explorers Denis Belliveau and Francis O'Donnell as they sought the answer to this controversial 700-year-old question. With Polo's book, The Travels of Marco Polo, as their guide, they journeyed over 25,000 miles becoming the first to retrace his entire path by land and sea without resorting to helicopters or airplanes. Surviving deadly skirmishes and capture in Afghanistan, they were the first Westerners in a generation to cross its ancient forgotten passageway to China, the Wakhan Corridor. Their camel caravan on the southern Silk Road encountered the deadly singing sands of the Taklamakan and Gobi deserts. In Sumatra, where Polo was stranded waiting for trade winds, they lived with the Mentawai tribes, whose culture has remained unchanged since the Bronze Age. They became among the first Americans granted visas to enter Iran, where Polo fulfilled an important mission for Kublai Khan. Accompanied by 200 stunning full-color photographs, the text provides a fascinating account of the lands and peoples the two hardy adventurers encountered during their perilous journey. The authors' experiences are remarkably similar to descriptions from Polo's account of his own travels and life. Laden with adventure, humor, diplomacy, history, and art, this book is compelling proof that travel is the enemy of bigotry—a truth that resonates from Marco Polo's time to our own.
As the first European to travel extensively throughout Asia, Marco Polo was the earliest bridge between East and West. His famous journeys took him across the boundaries of the known world, along the dangerous Silk Road, and into the court of Kublai Kahn, where he won the trust of the most feared and reviled leader of his day. Polo introduced the cultural riches of China to Europe, spawning centuries of Western fascination with Asia. In this lively blend of history, biography, and travelogue, acclaimed author Laurence Bergreen separates myth from history, creating the most authoritative account yet of Polo's remarkable adventures. Exceptionally narrated and written with a discerning eye for detail, Marco Polo is as riveting as the life it describes.
Interpreting textual mediations of history in early modernity, this volume adds nuance to our understanding of the contributions fiction and fictionalizing make to the shape and texture of versions of and debates about history during that period. Geographically, the scope of the essays extends beyond Europe and England to include Asia and Africa. Contributors take a number of different approaches to understand the relationship between history, fiction, and broader themes in early modern culture. They analyze the ways fiction writers use historical sources, fictional texts translate ideas about the past into a vernacular accessible to broad audiences, fictional depictions and interpretations shape historical action, and the ways in which nonfictional texts and accounts were given fictional histories of their own, intentionally or not, through transmission and interpretation. By combining the already contested idea of fiction with performance, action, and ideas/ideology, this collection provides a more thorough consideration of fictional histories in the early modern period. It also covers more than two centuries of primary material, providing a longer perspective on the changing and complex role of history in forming early modern national, gendered, and cultural identities.