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This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1845 edition. Excerpt: ...ox escapes; and of cpurse his end of the yoke falls down to the ground. The boys stopped the steers and got them together again at the side of the road, just as I came up, and they were trying to yoke up again the one that had got away. The smallest boy was holding up the bow in its place, and the other, who Was considerably larger, was trying to put in the pin; but it seems that the small boy did not hold it up quite high enough, for the other called out to him, in a very loud and angry, and very imperious tone, " ' Why don't you hold up that bow, you fool?' " I looked.out at him as I was passing, and said, ' Keep good-natured, my boy; the beauty of breaking steers is to keep good-natured.'" " What did he say to that?" asked Marco. " I don't know," replied Forester; "he stared at me very earnestly while I was saying it, but the moment that I finished my sentence, I was just opposite to him, and instantly afterwards the side of my chaise advancing, cut off the whole group from my view, so that I could not even see how he looked." Marco seemed quite interested in this story, and then he wanted Forester to tell him of some other scenes which were witnessed in travelling in the country. " A short time after this, as I was going along, I saw a red building by the side of the road, which looked a little like a school-house, but I suppose it was a town-house." " What is a town-house? " asked Marco. " It corresponds to the City Hall in New York," replied Forester. " But I will explain that to you some other time. In front of this town-house was a company of soldiers in the road. They were marching towards me in a broad column, which filled up the road entirely. Presently they halted and remained as they were, occupying the whole road. I did not see how...
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Excerpt from Marco Paul's Travels and Adventures in the Pursuit of Knowledge: City of New York One morning in August, about fifteen years ago, a young man, named John Fores ter, was walking upon the sidewalk of a cer tain street in New York, called N assau-street. There were many people coming and going upon the sidewalk, and the street was almost filled with carts, drays, and wagons. These vehicles increased in number, until Forester perceived that what is called a jam was formed a short distance before him, and the carts had to stop until a passage was cleared. Forester was himself stopped, too, by a great quare pile Of bricks, which had been heaped up upon the sidewalk, in front Of a store which workmen were rebuilding. There was a high fence, which extended nearly to the middle of the sidewalk, inclosing the space that the work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!
Excerpt from Marco Paul's Travels and Adventures in the Pursuit of Knowledge: Springfield Armory On one occasion, while he was under his cousin Forester's care, they were going from New York city to Forester's residence in Ver mont. Marco proposed that his cousin Fores ter should allow him to choose the route. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.