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Marcia Langton: Welcome to Country is a curated guidebook to Indigenous Australia and the Torres Strait Islands. In its pages, respected scholar and author Professor Marcia Langton offers fascinating insights into Indigenous languages and customs, history, native title, art and dance, storytelling, and cultural awareness and etiquette for visitors. There is also a directory of Indigenous tourism experiences, organised by state or territory, covering galleries and festivals, national parks and museums, communities that are open to visitors, as well as tours and performances. This book is essential for anyone travelling around Australia who wants to learn more about the culture that has thrived here for over 50,000 years. It also offers the chance to enjoy tourism opportunities that will show you a different side of this fascinating country — one that remains dynamic, and is filled with openness and diversity.
Marcia Langton: Welcome to Country 2nd edition is the essential follow-up to Australia’s landmark travel guide to Indigenous Australia, Welcome to Country. In this extensively updated edition, Marcia Langton offers a full range of Indigenous-owned or -operated tourism experiences across Australia, including an expanded directory with 250 new listings, illustrated maps, and photography by Wayne Quilliam. Australia is home to the longest continuing culture on Earth, and Welcome to Country 2nd edition highlights myriad ways to engage and deepen our knowledge and appreciation of the First peoples through travel. Everything from arts centres to tours is covered in this guide, and there are also fascinating insights into Indigenous cultures and histories, as well as etiquette for visitors. This guide also addresses the events and issues facing Australia today, such as as Native Title, the Stolen Generations, the 2020 bushfires, the Black Lives Matter movement, and making a rightful place in the nation for the First Australians. Welcome to Country was the first book of its kind and this updated edition, brought together by a highly respected First Nations scholar and author, is a must-have for every Australian home.
Childhood stories of family, country and belonging What is it like to grow up Aboriginal in Australia? This anthology, compiled by award-winning author Anita Heiss, showcases many diverse voices, experiences and stories in order to answer that question. Accounts from well-known authors and high-profile identities sit alongside those from newly discovered writers of all ages. All of the contributors speak from the heart – sometimes calling for empathy, oftentimes challenging stereotypes, always demanding respect. This groundbreaking collection will enlighten, inspire and educate about the lives of Aboriginal people in Australia today. Contributors include: Tony Birch, Deborah Cheetham, Adam Goodes, Terri Janke, Patrick Johnson, Ambelin Kwaymullina, Jack Latimore, Celeste Liddle, Amy McQuire, Kerry Reed-Gilbert, Miranda Tapsell, Jared Thomas, Aileen Walsh, Alexis West, Tara June Winch, and many, many more. Winner, Small Publisher Adult Book of the Year at the 2019 Australian Book Industry Awards ‘Growing Up Aboriginal in Australia is a mosaic, its more than 50 tiles – short personal essays with unique patterns, shapes, colours and textures – coming together to form a powerful portrait of resilience.’ —The Saturday Paper ‘... provides a diverse snapshot of Indigenous Australia from a much needed Aboriginal perspective.’ —The Saturday Age
The idea of constitutional recognition of Indigenous Australians has become a highly political and contentious issue. It is entangled in institutional processes that rarely allow the diversity of Indigenous opinion to be expressed. With a referendum on the agenda, it is now urgent that Indigenous people have a direct say in the form of recognition that constitutional change might achieve. It's Our Country: Indigenous Arguments for Meaningful Constitutional Recognition and Reform is a collection of essays by Aboriginal and Torres Strait Islander thinkers and leaders including Patrick Dodson, Noel Pearson, Dawn Casey, Nyunggai Warren Mundine and Mick Mansell. Each essay explores what recognition and constitutional reform might achieve—or not achieve—for Indigenous people.
This stunning companion to the National Museum of Australia's blockbuster Indigenous-led exhibition, Songlines: Tracking the Seven Sisters, explores the history and meaning of songlines, the Dreaming or creation tracks that crisscross the Australian continent, of which the Seven Sisters songline is one of the most extensive. Through stunning artworks (many created especially for the exhibition), story, and in-depth analysis, the book will provide the definitive resource for those interested in finding out more about these complex pathways of spiritual, ecological, economic, cultural, and ontological knowledge - the stories `written in the land'.
Loving Country is a powerful and essential guidebook that offers a new way to travel and discover Australia through an Indigenous narrative. In this beautifully designed and photographed edition, co-authors Bruce Pascoe and Vicky Shukuroglou, in consultation with communities and Elders across Australia, show travellers how to see the country as herself, to know her whole and old story, and to find the way to fall in love with her, our home. Featuring 18 places in detail, from the ingenious fish traps at Brewarrina and the rivers that feed the Great Barrier Reef, to the love stories of Wiluna and the whale story of Margaret River, there is so much to celebrate. This immersive book covers history, Dreaming stories, traditional cultural practices, Indigenous tours and the importance of recognition and protection of place. It offers keys to unlock the heart of this loving country for those who want to enrich their understanding of our continent, and for travellers looking for more than a whistle-stop tour of Australia. In Loving Country, Bruce and Vicky hope that all communities will be heard when they tell their stories, and that these stories and the country from which they have grown will be honoured. Readers are encouraged to discover sacred Australia by reconsidering the accepted history, and hearing diverse stories of her Indigenous peoples. It is a roadmap to communication and understanding, between all peoples and country, to encourage environmental and social change.
The acclaimed national bestseller - moving, passionate, deeply felt and powerful. In July 2015, as the debate over Adam Goodes being booed at AFL games raged and got ever more heated and ugly, Stan Grant wrote a short but powerful piece for The Guardian that went viral, not only in Australia but right around the world, shared over 100,000 times on social media. His was a personal, passionate and powerful response to racism in Australia and the sorrow, shame, anger and hardship of being an indigenous man. ''We are the detritus of the brutality of the Australian frontier'', he wrote, ''We remained a reminder of what was lost, what was taken, what was destroyed to scaffold the building of this nation''s prosperity.'' Stan Grant was lucky enough to find an escape route, making his way through education to become one of our leading journalists. He also spent many years outside Australia, working in Asia, the Middle East, Europe and Africa, a time that liberated him and gave him a unique perspective on Australia. This is his very personal meditation on what it means to be Australian, what it means to be indigenous, and what racism really means in this country. Talking to My Country is that rare and special book that talks to every Australian about their country - what it is, and what it could be. It is not just about race, or about indigenous people but all of us, our shared identity. Direct, honest and forthright, Stan is talking to us all. He might not have all the answers but he wants us to keep on asking the question: how can we be better? Winner of the 2016 Walkley Book Award and the 2016 National Trust Heritage Award, and shortlisted for the 2016 NIB Waverley Library Award and the 2016 Queensland Literary Award. ''Grant will be an important voice in shaping this nation'' The Saturday paper ''It is a story so essential and salutary to this place that it should be given out free at the ballot box'' Sydney Morning Herald ''Grant is a natural storyteller - at his best when recounting his experiences and observations of Indigenous Australian life with devastating simplicity and acuity. This highly readable book ... has the potential to spark empathy and generate important discussion, and deserves to be read widely.'' Bookseller + Publisher ''...an urgent and flowing narrative in a book that should be on the required reading list in every school'' The Australian
Deadly Woman Blues, stunning, original and brimming with life, is the first of its kind. Part art book, part comic book, part biography and fully deadly, it is a unique graphic history of the black women who made Australian music. In this album of portraits, the long-awaited follow-on from Clinton Walker's classic Buried Country, more than one hundred amazing artists are reborn. Starring Georgia Lee, Nellie Small, Candy Devine, Wilma Reading, Sibby Doolan, Ruby Hunter, Marlene Cummins, Tiddas, Carole Fraser, Christine Anu, Jessica Mauboy, Emma Donovan, Shellie Morris, Leah Flanagan, Crystal Mercy and many, many more singers and musicians, Deadly Woman Bluesis a story full of tears and joy, always beautiful and heroic.
History, Power, Text: Cultural Studies and Indigenous Studies is a collection of essays on Indigenous themes published between 1996 and 2013 in the journal known first as UTS Review and now as Cultural Studies Review. This journal opened up a space for new kinds of politics, new styles of writing and new modes of interdisciplinary engagement. History, Power, Text highlights the significance of just one of the exciting interdisciplinary spaces, or meeting points, the journal enabled. ‘Indigenous cultural studies’ is our name for the intersection of cultural studies and Indigenous studies showcased here. This volume republishes key works by academics and writers Katelyn Barney, Jennifer Biddle, Tony Birch, Wendy Brady, Gillian Cowlishaw, Robyn Ferrell, Bronwyn Fredericks, Heather Goodall, Tess Lea, Erin Manning, Richard Martin, Aileen Moreton-Robinson, Stephen Muecke, Alison Ravenscroft, Deborah Bird Rose, Lisa Slater, Sonia Smallacombe, Rebe Taylor, Penny van Toorn, Eve Vincent, Irene Watson and Virginia Watson—many of whom have taken this opportunity to write reflections on their work—as well as interviews between Christine Nicholls and painter Kathleen Petyarre, and Anne Brewster and author Kim Scott. The book also features new essays by Birch, Moreton-Robinson and Crystal McKinnon, and a roundtable discussion with former and current journal editors Chris Healy, Stephen Muecke and Katrina Schlunke.
Indigenous Australians have long understood sustainable hunting and harvesting, seasonal changes in flora and fauna, predator–prey relationships and imbalances, and seasonal fire management. Yet the extent of their knowledge and expertise has been largely unknown and underappreciated by non-Aboriginal colonists, especially in the south-east of Australia where Aboriginal culture was severely fractured. Aboriginal Biocultural Knowledge in South-eastern Australia is the first book to examine historical records from early colonists who interacted with south-eastern Australian Aboriginal communities and documented their understanding of the environment, natural resources such as water and plant and animal foods, medicine and other aspects of their material world. This book provides a compelling case for the importance of understanding Indigenous knowledge, to inform discussions around climate change, biodiversity, resource management, health and education. It will be a valuable reference for natural resource management agencies, academics in Indigenous studies and anyone interested in Aboriginal culture and knowledge.