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Proust's letters to his mother were first published in France in 1955, and were immediately recognized as one of the most important and fascinating instalments of his vast correspondence. It is hoped that the present volume will serve as a complete introduction to the beauties and complexities of "A la Recherche du Temps Perdu" and to the real 'life in time' from which this great novel sprang.
Presents selected correspondence from the French novelist, which details his life as a dutiful son and socialite, and reveals his signature ideas about life, art, and character, which appear as major themes in his masterpiece.
Reissued with a new preface to commemorate the publication of "A la recherche du temps perdu" one hundred years ago, this title portrays in abundant detail the life and times of literary voices of the twentieth century.
Reading was so important to Marcel Proust that it sometimes seems he was unable to create a personage without a book in hand. Everybody in his work reads: servants and masters, children and parents, artists and physicians. The more sophisticated characters find it natural to speak in quotations. Proust made literary taste a means of defining personalities and gave literature an actual role to play in his novels. In this wonderfully entertaining book, scholar and biographer Anka Muhlstein, the author of Balzac’s Omelette, draws out these themes in Proust's work and life, thus providing not only a friendly introduction to the momentous In Search of Lost Time, but also exciting highlights of some of the finest work in French literature.
Marcel Proust once wrote, “There is no longer anybody, not even myself, since I cannot leave my bed, who will go along the Rue du Repos to visit the little Jewish cemetery where my grandfather, following a custom that he never understood, went for so many years to lay a stone on his parents’ grave.” Investigating the origin and significance of this statement, Antoine Compagnon offers new insight into the great author’s underappreciated Jewish side. Compagnon traces Proust’s ties to the French Jewish community, examining his relations with his mother’s successful and assimilated family, the Weils. He explores how French Jews read and responded to Proust’s masterpiece In Search of Lost Time in the 1920s and 1930s. Challenging contemporary critics who perceive self-hatred or even antisemitism in Proust’s work, Compagnon shows that many Jewish intellectuals and young Zionists admired and vigorously debated the novel, some seeing it as a source for pride in their Jewish identity. He also considers Proust’s portrayal of homosexuality and how it relates to notions of Jewishness. A work of remarkable erudition and deep research, Proust, a Jewish Way brings to light the vanished world of Proust’s first Jewish readers and shows how it can illuminate our reading of the great novelist today.
Marcel Proust (1871–1922) spent fourteen years creating In Search of Lost Time, his seven-volume magnum opus. He died when it was only half in print, unable to see it become one of the most important literary works of the twentieth century. Over eighty years later, the work still garners extraordinary levels of critical attention, and Proust’s habits, health, and sexual preferences still keep commentators and fans occupied. In this concise biography, Adam Watt explores the life of a writer whose every experience was stored, dissected, and redeployed within a vast fictional work. After considering Proust’s earlier years of personal and aesthetic experiment, Watt provides an engaging account of two intertwined processes taking place against the vibrant backdrop of Belle Époque Paris and World War I: the progress of In Search of Lost Time and the simultaneous decline of its author. He demonstrates how Proust’s own periods of ill health and isolation reflected his narrator’s thoughts on desire, love, and loss, as well as his contemplation of beauty, memory, aging, and the possibility of happiness. Drawing on the author’s immense correspondence, the accounts of his contemporaries, and the insights of recent scholarship, Marcel Proust offers a rewarding new portrait of the novelist once described as “the most complicated man in Paris.”
A tragic family history told in a collection of imaginary letters to a famed collector, Moise de Camondo Letters to Camondo is a collection of imaginary letters from Edmund de Waal to Moise de Camondo, the banker and art collector who created a spectacular house in Paris, now the Musée Nissim de Camondo, and filled it with the greatest private collection of French eighteenth-century art. The Camondos were a Jewish family from Constantinople, “the Rothschilds of the East,” who made their home in Paris in the 1870s and became philanthropists, art collectors, and fixtures of Belle Époque high society, as well as being targets of antisemitism—much like de Waal's relations, the Ephrussi family, to whom they were connected. Moise de Camondo created a spectacular house and filled it with art for his son, Nissim; after Nissim was killed in the First World War, the house was bequeathed to the French state. Eventually, the Camondos were murdered by the Nazis. After de Waal, one of the world’s greatest ceramic artists, was invited to make an exhibition in the Camondo house, he began to write letters to Moise de Camondo. These fifty letters are deeply personal reflections on assimilation, melancholy, family, art, the vicissitudes of history, and the value of memory.