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Breuer's Bohemia explores a vibrant period of midcentury modern design and culture as seen through the influential New England houses designed by Marcel Breuer for his circle of clients and friends. The iconic twentieth-century architect Marcel Breuer was a prolific designer of residential architecture, which is often overshadowed by his early renown as a Bauhaus furniture maker and his large-scale projects. Breuer’s Bohemia surveys the houses he designed in Connecticut and Massachusetts from the 1950s through the ’70s, many of which were commissioned by a few culturally progressive clients—chiefly Rufus and Leslie Stillman and Andrew and Jamie Gagarin—who coalesced around him into a dynamic social circle. Included in this scene were prominent cultural figures such as Alexander Calder, Arthur Miller, Francine du Plessix Gray, Philip Roth, and William Styron, and more, marking a unique intersection of postwar architecture, art, and letters. The publication of Breuer’s Bohemia coincides with the feature-length documentary of the same name by author and filmmaker James Crump, exploring Breuer’s explosive residential practice on the East Coast. Through original research and interviews, the voices of principal characters from Breuer’s circle and notable figures from the field of architecture help tell the story of Breuer’s collaborations with his friends and clients, breathing new life into the history of the rich cultural atmosphere of which they all played a vital part. Heavily illustrated with vintage and contemporary photographs as well as rarely seen archival materials, Breuer’s Bohemia is a unique glimpse of a twentieth-century milieu that produced an aesthetic, intellectual, and sometimes sybaritic community during a fertile period of American design and culture.
Drawing upon previously unpublished archival material, photographs, sketches, notes, and plans, architectural historian Hyman covers Marcel Breuer's entire career as an architect, documenting both his unbuilt and completed work. Following the introduction in which she traces the critical reception of Breuer's architecture throughout his career and in the decades after his death, she presents a biography, as well as a survey of all his buildings and projects organized by type of commission. Extensively illustrated with 325 bandw and color photographs and drawings. Oversize: 10.75x10.5". c. Book News Inc.
A complete monograph on the rich design archive of Bauhaus powerhouse Marcel Breuer. Though best known today for his furniture, especially his tubular steel Wassily armchair, Breuer also deserves notice for architecture of 1930s and postwar era, including UNESCO headquarters in Paris and the Whitney Museum of American Art. With personal accounts by Breuer himself, I.M. Pei and Robert F. Gatje, Breuer's former partner.
"A collection of essays by a group of scholars, which examine Breuer's approach and way of working, his strategies and his signature buildings. These essays draw on an abundance of newly available documents held in the Breuer Archive at Syracuse University, which are now accessible online."--Site web de l'éditeur.
Illustrated with the author's own drawings of many of the projects, as well as with archival images and personal snapshots, Gatje draws a vivid and affecting picture of a unique architecture office, and of one of the great architects of the modern era."--BOOK JACKET.
An armchair tour through twenty strikingly innovative houses.
Internationally renowned architect I. M. Pei commented that if Marcel Breuer's church for Saint John's Abbey had been built in New York instead of the north woods of Minnesota it would be world famous. Hamilton Smith, Breuer's longtime associate, wrote that the completed church was that rare thing, an architectural design fully realized, and he regarded it as Breuer's finest achievement. The junior member of the twelve-monk planning committee recounts in warm and frequently humorous detail how its members related to the Hungarian-born Bauhaus-trained architect who had no background in church architecture but shared their belief in the enduring quality of simple materials sympathetically used. How the strong architect-client relationship survived the strain of disagreement at a critical moment in completion of the church is the narrative high point in this informal record of four years in which the reader sees a masterpiece of modern church architecture take shape.
An in-depth exploration of midcentury residential architecture in America, with extensive photos and design tips included. Post-World War II ranches (1946–1970) range from the decidedly modern gable-roofed Joseph Eichler tracts in the San Francisco Bay area and butterfly wing houses in Palm Springs, Florida, to the unassuming brick or stucco L-shaped ranches and split-levels so common throughout the United States. In this book Michelle Gringeri-Brown and Jim Brown, founders and publishers of the popular quarterly Atomic Ranch magazine, extol the virtues of the tract, split-level, rambler home and its many unique qualities: private front facades, open floor plans, secluded bedroom wings, walls of glass, and an easy-living style. From updated homes with high-end Italian kitchens, terrazzo floors, and modern furniture to affordable homeowner renovations with eclectic thrift-store furnishings, Atomic Ranch presents twenty-five homes showcasing inspiring examples of stylish living through beautiful color photographs, including before and after shots, design-tip sidebars, and a thorough resource index. Atomic Ranch reveals: Hallmarks of the ranch style Inspiring original ranch homes Ranch house transformations and makeovers Preservation of mid-century neighborhoods Adding personality to a ranch home Yards and landscaping A helpful resource section and index