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What is the soul of poetry? Perhaps the most influential answer comes from Aristotle’s Poetics, in which the writer regarded poetry as an instance of mimesis, a kind of representation or simulation. However, despite the significance he gave the term, Aristotle's use of the word mimesis was far from unequivocal, and over the centuries that have followed this inconsistency has stimulated a wealth of interpretations and debate. Tracking Poetics from its birth in rhetorical studies to its reception across the centuries until romanticism, Mats Malm here examines the many different ways scholars—from Averroës to Schlegel—have understood mimesis, looking at how these various interpretations have led to very different definitions of the soul of poetry.
A visual guide to the best in contemporary typographic design, this book features examples and usages of modern typography from around the world.
Survey of the thirty best recent design work for cultural clients, including galleries, museums, theatres and auditoriums. The focus is on new identities and their application, as well as smaller design solutions as gallery guides, promotional programmes, exhibition catalogues, theatre programmes, branded merchandising, websites, signage systems and temporary exhibition design.
There is plenty of creativity within the international graffiti and street art scene. Writing text messages in public spaces has been a unique art form and a means of communication between humans for thousands of years. Many street artists work only with text, written messages or poems, and not necessarily only with colourful murals, styles, tags and logos. Street Messages is the first publication that delivers a deep insight into this literary form of expression in the world of global street art. We are confronted with a vast amount of written information in the form of advertising and street or shop signs every single day of our lives. Reading and decoding this information has become a daily routine. Apart from the texts that are trying to sell us something or direct us somewhere, the streets are full of artistic and poetic forms of expression – messages written by graffiti and street artists. Street Messages offers a historic background to written messages in public spaces and introduces more than 80 artists from across the world who work exclusively or partly with text. The vast body of information and numerous exclusive quotes and words of wisdom makes Street Messages the first book to shed some light on this as yet undocumented form of street art culture. Features artwork by Banksy, Dolk, Ben Eine, Faith 47, Flint..., Kid Acne, Know Hope, Mobstr, Skki and many others.
The field of rheumatology has undergone numerous exciting advances in recent years, especially the development of biological drugs with novel targets, made possible by rapid advances in the basic science of musculoskeletal diseases together with improved imaging techniques. This thoroughly revised fourth edition of the Oxford Textbook of Rheumatology reflects the changing face of the specialty and the many recent advances in the science, treatment, and understanding of rheumatic diseases. The focus of this comprehensive reference work is the presentation and management of rheumatic conditions at all ages. Where relevant, treatment approaches are evidence-based and cross-referenced to national and international guidelines. Each clinical chapter provides up-to-date treatment advice illustrated with clinical vignettes as appropriate, and the authors consistently emphasize the overlap of rheumatology with other disciplines. With full colour illustrations throughout and a complementary online version, the Oxford Textbook of Rheumatology, Fourth Edition is an essential reference for all trainees and specialists in the field.
The contributions to this book explore a phenomenon that appears to be a contradiction in itself – we, the users of computers, can be tracked in digital space for all eternity. Although, on the one hand, one wants to be noticed and noticeable, on the other hand one does not necessarily want to be recognized at the first instance, being prey to an unfathomable public, or – even less so – to lose face. The book documents artistic and other strategies that point out options for appearing in the infinite book of faces whilst nevertheless avoiding being included in any records. The desire not to become a mere object of facial sell-out does not just remain an aesthetic endeavor. The contributions also contain combative and sarcastic statements against a digital dynamic that has already penetrated our everyday lives.
Restless Empathy examines the complex process of projecting into the interior world of another--whether artist, viewer or object--and seeking to make a connection. For the exhibition, the Aspen Art Museum has invited eight artists--Allora & Calzadilla, Pawel Althamer, Marc Bijl, Lara Favaretto, Geof Oppenheimer, Lars Ramberg, Frances Stark and Mark Wallinger--to propose projects sited throughout the museum and town of Aspen. While diverse in practice, these artists create and explore empathy in unexpected ways. With recent works grouped under Relational Aesthetics, the viewer becomes instrumentalized within the work itself. Rather than use people as a medium, however, the artists in Restless Empathy make generous gestures toward the public, marked by a deep sincerity and moments of intimate surprise. Subverting expectations of permanence and monumentality in art that addresses the public, Restless Empathy broadly explores relationships between aesthetics, space, locality and modes of address.
Formerly a British colony, the island of Cyprus is now a divided country, where histories of political and cultural conflicts, as well as competing identities, are still contested. Cyprus provides the ideal case study for this innovative exploration, extensively illustrated, of how the practice of photography in relation to its political, cultural and economic contexts both contributes and responds to the formation of identity. Contributors from Cyprus, Greece, the UK and the USA, representing diverse disciplines, draw from photography theory, art history, anthropology and sociology to explore how the island and its people have been represented photographically. They reveal how the different gazes- colonial, political, gendered, and within art photography- contribute to the creation of individual and national identities and, by extension, to the creation and re-creation of imagery of Cyprus as place. While Photography and Cyprus focuses on one geographical and cultural territory, the questions this book asks and the themes and arguments it follows apply also to other places characterized by their colonial heritage. The intriguing example of Cyprus thus serves as a fitting test-ground for current debates relating to photography, place and identity.