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A 17th-century British royal spy uncovers a nefarious plot brewing in Oxford in this “fine series [of] derring-do and historical interest” (Kirkus Reviews). Spring, 1603: As Queen Elizabeth lay dying, England waits anxiously to know its future. The Virgin Queen hasn’t named an heir, refusing even to speak. Her cousin James, King of Scotland, is assumed to be her successor, but will the transition be peaceful? Sir Robert Cecil, Secretary of State, fears insurrection and has brought troops to the capital. But from where might the danger come—overseas, or from malcontents closer to home? Meanwhile, intelligencer Martin Marbeck finds himself wrongly suspected of corruption and frozen out of Cecil’s inner circle. When a Lady acquaintance asks him to check on her son in Oxford, Marbeck is happy for any excuse to leave London. It seems the young man has joined a fanatical Puritan sect, but his involvement is far more serious—and dangerous—than anyone had imagined. Suddenly, Marbeck finds himself confronting multiple plots that threaten not only the peace of the nation but the very fabric of England itself . . . “The fast-moving plot is never dull, making the prospect of more Marbeck welcome.” —Publishers Weekly “If further novels are as good as this one, the series could have a long run.” —Booklist
As King James I takes the throne of England, pirates take the seas, and a British royal spy uncovers their swashbuckling plot in this 17th-century mystery. Summer, 1604: England is on edge as a high-powered Spanish delegation arrives in London to start vital and long-awaited treaty talks. King James, a year into his reign, wants to be seen as the Peacemaker King, bringing an end to nearly twenty years of warfare with Spain which has left both countries exhausted and almost bankrupt. Yet there are some who profit from the war—and they cannot be allowed to threaten the peace negotiations. British intelligencer Martin Marbeck, working under a new spymaster, is charged with protecting the Spanish delegation. But even Marbeck hasn’t foreseen that the task will pit him against corsairs of the high seas, double agents, and corrupt noblemen who will stop at nothing to wreck the treaty. Suddenly Marbeck’s peacekeeping mission is his most deadly assignment yet. “The third entry in the early 17th-century spy series once again succeeds in exploring complicated times. Perfect for readers who delight in political intrigue and secret agent shenanigans no matter what time period.” —Library Journal
Elizabethan spymaster Martin Marbeck uncovers a deadly conspiracy against the King of England in this acclaimed historical series. 1605. With the new King James on the throne, England is still fiercely divided between Catholic and Protestant. Ordered to keep watch on well-known Papist Thomas Percy, cousin of the Earl of Northumberland, Marbeck’s assignment takes on a greater urgency when rumours reach him of a terrible danger aimed at the King. But with no idea where this threat comes from, and his spymaster’s refusal to take it seriously, Marbeck is at a loss. And his efforts to concentrate on affairs of state are complicated by affairs of the heart in the elegant form of Charlotte de Baume. By the time he uncovers the terrifying truth, Marbeck has only days to expose the conspirators. The safety of the realm is at stake . . . but so is Marbeck’s own, and he must draw on every scrap of his courage, his sharp wits, and his plain stubbornness to prevent a catastrophe. “Satisfying and twisty conclusion.” —Publishers Weekly “Pilkington does a masterful job.” —Booklist
An Elizabethan spy chases a double agent across Europe in this historical mystery series debut—“Think James Bond for the 17th-century crowd” (Library Journal). At the dawn of the seventeenth century, England continues to be entangled in wars with Spain and Ireland for many years. The country crackles with unease in the waning years of Queen Elizabeth’s reign, and intelligencer Martin Marbeck has just received a vital message from his spymaster, Sir Robert Cecil: the existence of a spy has been discovered, a double agent code named Morera. A master of disguise and fluent in the argot of secrets and lies, Marbeck must uncover the true identity of this traitor quickly, while evading dangerous Spanish spies, before rumors of the young King Philip III forming a new Armada prove themselves to be true. “A gripping, entertaining page-turner.” —Booklist, starred review “[Pilkington’s] Tudor-era spy novel oozes intrigue and dramatically captures the unsettled mood of the times.” —Library Journal “Pilkington introduces an intriguing new hero in the dashing Marbeck in an eventful tale packed with the usual Elizabethan minutiae.” —Kirkus Reviews
Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.
The tragedy of Lady Jane Grey is unquestionably one of the most poignant episodes in English history, but its very dramatic completeness and compactness have almost invariably caused its wider significance to be obscured by the element of personal pathos with which it abounds. The sympathetic figure of the studious, saintly maiden, single-hearted in her attachment to the austere creed of Geneva, stands forth alone in a score of books refulgent against the gloomy background of the greed and ambition to which she was sacrificed. The whole drama of her usurpation and its swift catastrophe is usually treated as an isolated phenomenon, the result of one man’s unscrupulous self-seeking; and with the fall of the fair head of the Nine Days’ Queen upon the blood-stained scaffold within the Tower the curtain is rung down and the incident looked upon as fittingly closed by the martyrdom of the gentlest champion of the Protestant Reformation in England. Such a treatment of the subject, however attractive and humanly interesting it may be, is nevertheless unscientific as history and untrue in fact. An adequate appreciation of the tendencies behind the unsuccessful attempt to deprive Mary of her birthright can only be gained by a consideration of the circumstances preceding and surrounding the main incident. The reasons why Northumberland, a weak man as events proved, was able to ride rough-shod over the nobles and people of England, the explanation of his sudden and ignominious collapse and of the apparent levity with which the nation at large changed its religious beliefs and observance at the bidding of assumed authority are none of them on the surface of events; and the story of Jane Grey as it is usually told, whilst abounding in pathetic interest gives no key to the vast political issues of which the fatal intrigue of Northumberland was but a by-product. To represent the tragedy as a purely religious one, as is not infrequently done, is doubly misleading. That one side happened to be Catholic and the other Protestant was merely a matter of party politics, and probably not a single active participator in the events, except Jane herself, and to some extent Mary, was really moved by religious considerations at all, loud as the professions of some of the leaders were.
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Proposes that the emergence of the concept of privacy as a personal right and the core of individuality is connected in a complex way with the easy availability of printed books and the spread of the ability to read that emerged during the period. Looks at representations of reading and readers, especially women, in devotional books, conversion narratives, personal letters, drama, and the novel. Also explores how privacy became gendered in the early modern periodAnnotation copyrighted by Book News, Inc., Portland, OR