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This book is an endeavour to trace in many fields the extent of the inheritance which the modern world owes to Ancient Rome. The chapters have been written independently, and it will be seen that they are not all on the same plan. Some writers have described the contribution of Rome to civilization, and have left it to the reader to infer the extent of the legacy; others have traced the steps by which the legacy has come to us, and to this subject Professor Foligno has devoted a valuable chapter. - Editor's note.
Sensational headlines have publicized the drug trafficking, brutal violence, and other organized crime elements associated with Central America's mara gangs, but there have been few clear-eyed analyses of the history, hierarchies, and future of the mara phenomenon. The first book to look specifically at the Central American gang problem by drawing on the perspectives of researchers from different disciplinary backgrounds, Maras: Gang Violence and Security in Central America provides much-needed insight. These essays trace the development of the gangs, from Mara Salvatrucha to the 18th Street Gang, in Los Angeles and their spread to El Salvador, Honduras, Guatemala, and Nicaragua as the result of members' deportation to Central America; there, they account for high homicide rates and threaten the democratic stability of the region. With expertise in areas ranging from political science to law enforcement and human rights, the contributors also explore the spread of mara violence in the United States. Their findings comprise a complete documentation that spans sexualized violence, case studies of individual gangs, economic factors, varied responses to gang violence, the use of intelligence gathering, the limits of state power, and the role of policy makers. Raising crucial questions for a wide readership, these essays are sure to spark productive international dialogues.
Over the past decades, collaborative initiatives between luxury brands and the art world have been increasing in number and relevance. At first treated as a mere trend or as a marketing stunt, in time luxury-art collaborations have come to be acknowledged as one of the most effective ways luxury brands and artists can position themselves in today’s market, engaging with their clients and audiences. This book sheds light on the socio-cultural valence of luxury-art collaborations. The book explores luxury-art collaborations in the context of postmodern consumption, i.e. as a phenomenon deeply rooted in and emerging from the ways postmodern individuals value and consume objects, contents and ideas. More specifically, the book covers: how collaborations reflect the postmodern condition and liquid consumption practices (hybrid, temporary, hyperreal); the impact of luxury-art collaborations on the evolution of luxury stores and museums, and the emergence of hybrid spaces (art fairs, nomadic exhibitions, pop-up stores) – the temporal features of luxury-art collaborations (shortlived duration and fast-paced tempo) – how luxury-art collaborations reshuffle traditional status dynamics while drawing new boundaries of social distinction based on experience and access – why luxury brands and creatives are redefining their conventional identities, morphing into cultural entities and bricoleurs. The book appeals to a wide range of readers, from academics and students in art business, luxury studies, consumption behaviour, to professionals in the luxury industry and the art world. The book is also relevant to an international readership of non-specialists interested in current social and cultural matters.
In 1961 Roger Maris made Baseball history by hitting 61 home runs...and beating the great Babe Ruth's record. Yet he's still on the outside of the Baseball Hall of Fame. Has his time finally come? Did Maris earn his "title to fame?"
The Legacy of Israel in Judah's Bible undertakes a comprehensive re-evaluation of the Bible's primary narrative in Genesis through Kings as it relates to history. It divides the core textual traditions along political lines that reveal deeply contrasting assumptions, an approach that places biblical controversies in dialogue with anthropologically informed archaeology. Starting from close study of selected biblical texts, the work moves toward historical issues that may be illuminated by both this material and a larger range of textual evidence. The result is a synthesis that breaks away from conventional lines of debate in matters relating to ancient Israel and the Bible, setting an agenda for future engagement of these fields with wider study of antiquity.
A nostalgic look back at the decade that defined the New York Giants, updated with a new introduction. NEW YORK TIMES reporter Gerald Eskenazi brings us back to 1954, when the New York Giants began a decade of success as an iconic American sports team, winning six division titles between 1954 and 1963. Emerging from years of slumber, going from the Polo Grounds to Yankee Stadium, they produced a crop of hall of fame players whose names still resonate, including Tittle, Gifford, Greer, and Robustelli, making a then $7 New York Giants ticket the toughest to buy in the world of sports. Filled with personal anecdotes from players and coaches that reconstruct the drama and excitement of the plays and games during that eventful era, Giants fans will be reunited with the players (Robustelli, Huff, Grier, Modzelewski, and Svare on defense; Gifford, Rote, Brown, Shofner, Webster, and Tittle on offense), their rivals (Jim Brown, John Unitas, and others), meet Vince Lombardi and Tom Landry when they were assistant coaches, and relive the 1958 title game against the Baltimore Colts—the first overtime game in National Football League history—which remains in lore as the “greatest game ever played." Originally published in 1976 and now in eBook for the first time with a new introduction by the author on the Giants of the past 25 years, and their Superbowl championship under Tom Coughlin, THERE WERE GIANTS IN THOSE DAYS is a look back at the decade that defined the New York Giants.
In Adiós Niño: The Gangs of Guatemala City and the Politics of Death, Deborah T. Levenson examines transformations in the Guatemalan gangs called Maras from their emergence in the 1980s to the early 2000s. A historical study, Adiós Niño describes how fragile spaces of friendship and exploration turned into rigid and violent ones in which youth, and especially young men, came to employ death as a natural way of living for the short period that they expected to survive. Levenson relates the stark changes in the Maras to global, national, and urban deterioration; transregional gangs that intersect with the drug trade; and the Guatemalan military's obliteration of radical popular movements and of social imaginaries of solidarity. Part of Guatemala City's reconfigured social, political, and cultural milieu, with their members often trapped in Guatemala's growing prison system, the gangs are used to justify remilitarization in Guatemala's contemporary postwar, post-peace era. Portraying the Maras as microcosms of broader tragedies, and pointing out the difficulties faced by those youth who seek to escape the gangs, Levenson poses important questions about the relationship between trauma, memory, and historical agency.
Таких, как я, называют Марами – отмеченными самой богиней смерти Мораной. Когда-то у меня и моих шести сестер был свой путь.Тогда люди нас уважали и просили о милосердии. Они приносили нам подношения и молились нам. Но 200 лет назад все изменилось, когда принц Серата осмелился поднять руку на одну из нас.Я пыталась отомстить, но погибли мы все. Теперь правители Аракена, погрязшие в длительной войне со своим соседом Сератом, решили вернуть меня к жизни. Дать второй шанс на месть и свободу, привязав меня к тому, против кого я никогда не пойду. Таких, как он, называют Морок, и их боятся абсолютно все.Читайте любовное фэнтези теперь на английском языке!Welcome to the world of belligerent kingdoms of Serat and Araken, where on the border of good and evil Mara is resurrected for revenge. Grey haired, wearing a scarlet cape, she is tied to the one who has brought her from the grave.The perfect blend of dark epic fantasy and romance swirls “Corpse Bride” and “Van Helsing” under the scarlet cape of the one, whose spirit is free.“There were seven of us. Maras – the ones marked by Morana, the goddess of death herself. Once in the world, Maras had their own way. Back then, people respected us and asked for mercy. They brought us offerings and prayed to us. But 200 years ago everything changed when Prince of Serat dared to raise his hand against one of us. That’s how one of us died. Driven by vengeance, the six of us came to the bloody Prince, but were all killed”Moroks are marked by The Shadow, the non-existence, where the most rotten souls disappear. Prince of Araken, Daniel orders a Morok to revive a Mara called Agatha. Daniel wants Agatha to use her magic to save the heir to the throne, Nikolay, who’s thought to have been poisoned by the King of Serat.Agatha knows, that she is tied to Morok, and that this is her only chance to take revenge. She is going to help Prince of Araken, but the price of her help will be very high.
None of them expected the nightmare to continue . . . In the sequel to ’m a Gay Wizard V.S. Santoni imagines a world where Johnny, Hunter, Alison, and Blake are forced once again to prove that love and magic can save the day. When Johnny wakes up, something isn’t right. It’s a blissful summer day, and Johnny’s father is taking him to begin a brand new life in Misthaven, and all his best friends, Alison, Hunter, and Blake, join him in the idyllic town. Once reunited, Johnny and his friends discover that this Misthaven is actually Dreamhaven—the Marduk Institute’s mystical prison for wizards—and they’re trapped. But that’s the least of their problems when Hunter falls ill with a magical sickness, and his soul is thrown into the Night City, an underworld ruled by the Nightmare King. Johnny will not leave Hunter. Vowing to stay together, he, Alison, and Blake enter the Night City, a domain of the dead where both their powers and trust in each other will be tested. But in a realm where the Nightmare King rules second only to Death itself, Johnny’s love for Hunter must continue to be his most powerful magic.
An original novel set in the universe of Star Trek: Enterprise! A new nation has arisen from the ashes of the Romulan War: the United Federation of Planets, an unprecedented union of diverse species cooperating for the good of all. Admiral Jonathan Archer—the former captain of the Earth starship Enterprise, whose efforts made this union possible—envisions a vibrant Fed­eration promoting galactic peace and a multispecies Starfleet dedicated to exploring strange new worlds. Archer’s former crewmates, including Captain T’Pol of the U.S.S. Endeavour and Captain Malcolm Reed of the U.S.S. Pioneer, work with him to secure that bright future. Yet others within the Federation see its purpose as chiefly military, a united defense against a dangerous galaxy, while some of its neighbors view that military might with suspicion and fear. And getting the member nations, their space fleets, and even their technologies to work together as a unified whole is an ongoing challenge. When a new threat emerges from a force so alien and hostile that negotiation seems impossible, a group of unaligned worlds asks Starfleet to come to its defense, and the Federation’s leaders seize the opportunity to build their reputation as an interstellar power. But Archer fears the conflict is building toward an unnec­essary war, potentially taking the young nation down a path it was never meant to follow. Archer and his allies strive to find a better solution...but old foes are working secretly to sabotage their efforts and ensure that the great experiment called the Federation comes to a quick and bloody end. ™, ®, & © 2013 CBS Studios, Inc. STAR TREK and related marks are trademarks of CBS Studios, Inc. All Rights Reserved.