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Maps in newspapers generated many discussions among cartographers and geographers working from different approaches and theoretical backgrounds. This work examines these maps from a historiographical as well as a historical perspective. It considers three main questions, namely how maps in the press should be conceptualized, how cartographic images in newspapers have been studied, and how these images changed over time. In order to provide a perspective on the origins, development, and impact of war maps in the press, we will explore maps representing three geopolitical conflicts for Brazilian audiences: The War of the Triple Alliance (1864–1870), the World War II (1939–1945) and the War on Drugs in Rio de Janeiro’s favelas (1994–2010). By exploring maps on these wars, we will identify specific cartographic practices used in this genre as well as the connections that this mode has with other types of map production and consumption.
Maps with the News is a lively assessment of the role of cartography in American journalism. Tracing the use of maps in American news reporting from the eighteenth century to the 1980s, Mark Monmonier explores why and how journalistic maps have achieved such importance. "A most welcome and thorough investigation of a neglected aspect of both the history of cartography and modern cartographic practice."—Mapline "A well-written, scholarly treatment of journalistic cartography. . . . It is well researched, thoroughly indexed and referenced . . . amply illustrated."—Judith A. Tyner, Imago Mundi "There is little doubt that Maps with the News should be part of the training and on the desks of all those concerned with producing maps for mass consumption, and also on the bookshelves of all journalists, graphic artists, historians of cartography, and geographic educators."—W. G. V. Balchin, Geographical Journal "A definitive work on journalistic cartography."—Virginia Chipperfield, Society of University Cartographers Bulletin
"This is a rich and path-breaking comparative study of reading tastes in the final years of old regime Europe. Based on extensive research in the account books of the Swiss publishers, the Société Typographique de Neuchâtel (STN), and related archives, it charts the dissemination of literature and reading tastes across Europe in the years leading up to the French revolution. In the process, it recasts our understanding of late 18th-century print culture and the contours of the enlightenment. The fruit of a widely acclaimed five year database project, the STN database, it is also a story of pioneering efforts to apply the latest digital technology and GIS mapping techniques to traditional historical and bibliographic problems. Although written to serve as a standalone study, this book is ideally complemented by its companion volume, Mark Curran's The French Book Trade in Enlightenment Europe I: Selling Enlightenment, which offers a radical reinterpretation of the structure and practices of the European book trade. The STN database is now recognised as a cutting-edge digital project of global significance. Robert Darnton has called it "a prodigious accomplishment and a joy to use" while Jeremy Popkin adds, "No one working in the field of French Enlightenment studies ... can afford to ignore the rich mine of data that Simon Burrows and his collaborators have made accessible, in an eminently usable form, and the new possibilities it opens up for scholars." The French Book Trade in Enlightenment Europe I and II offer a roadmap of that data and what it can show us."--Bloomsbury Publishing
This book addresses the role and importance of space in the respective fields of the social sciences and the humanities. It discusses how map representations and mapping processes can inform ongoing intellectual debates or open new avenues for scholarly inquiry within and across disciplines, including a wide array of significant developments in spatial processes, including the Internet, global positioning system (GPS), affordable digital photography and mobile technologies. Last but not least it reviews and assesses recent research challenges across disciplines that enhance our understanding of spatial processes and mapping at scales ranging from the molecular to the galactic.
"In this edition, Meyer's analysis of the correlation between newspaper quality and profitability is updated and applied to recent developments in the newspaper industry. Meyer argues that understanding the relationship between quality and profit is central to sustaining journalistic excellence and preserving journalism's unique social functions." -- Provided by the publisher.
In 1914, the newspaper map or newsmap began to supply readers with the geographical backdrop to the Great War, an important tool in explaining the progress of the war to the public at home. Day by day, for every campaign and battle, readers across the nation were deluged with maps, both in the pages of newspapers and pasted up in town and city streets, allowing them to follow Australian and Allied exploits. Drawn from scant news cables, out of date cartography, and the writer's imagination, a semi-fictional war story emerged, of ANZAC successes and, sometimes, disasters. Our boys were in Egypt, Palestine, Gallipoli, Belgium, Germany and France, in towns and villages most Australians had never heard of. Soon, these places were being discussed, with growing expertise, over maps in homes, pubs, churches and clubs. Those following the war at home were never allowed too close, as censorship rules dictated when maps could be published. Yet 'Where Are Our Boys?' is not simply about propaganda. Maps in newspapers tracked the war's many campaigns and the exploits of our boys, but most impportantly allowed those at home to feel close to their brothers, husbands, fathers, uncles, neighbours and cousins. Maps naturally became central to commemorating events, people and places. The war produced more maps than any time before in history, giving us along the way some of the most beautiful, and sometimes misleading, maps ever published. 'Where Are Our Boys?' tells the story of how the war was fought and won from the opening salvos in 1914 to Gallipoli and victory on the Western Front. In the end, though, these maps were needed most to help understand the conflict and to comprehend the great human costs.
A guide to fundamental issues in designing interactive visualizations, exploring ideas of inquiry, design, structured data, and usability. Interactive visualization is emerging as a vibrant new form of communication, providing compelling presentations that allow viewers to interact directly with information in order to construct their own understandings of it. Building on a long tradition of print-based information visualization, interactive visualization utilizes the technological capabilities of computers, the Internet, and computer graphics to marshal multifaceted information in the service of making a point visually. This book offers an introduction to the field, presenting a framework for exploring historical, theoretical, and practical issues. It is not a “how-to” book tied to specific and soon-to-be-outdated software tools, but a guide to the concepts that are central to building interactive visualization projects whatever their ultimate form. The framework the book presents (known as the ASSERT model, developed by the author), allows the reader to explore the process of interactive visualization in terms of choosing good questions to ask; finding appropriate data for answering them; structuring that information; exploring and analyzing the data; representing the data visually; and telling a story using the data. Interactive visualization draws on many disciplines to inform the final representation, and the book reflects this, covering basic principles of inquiry, data structuring, information design, statistics, cognitive theory, usability, working with spreadsheets, the Internet, and storytelling.
Bull Run ... Ball's Bluff... Secessionville ... Antietam ... Champion's Hill ... Chickamauga. To the Northern public during the Civil War they were exotic names of unfamiliar places where husbands, sons, fathers, and brothers fought and died. Hungry for information from these far-off battlefields, Americans began buying daily newspapers in record numbers. Competition among publishers grew keen. Correspondents reporting from the field soon began supplementing written dispatches with battlefield maps, and before long newspapers were seeking new ways to portray topography and battle lines in clear, effective images. In Civil War Newspaper Maps David Bosse shows how nineteenth-century advances in printing and engraving technology, coupled with an unprecedented public demand for information, led to the development of a means of mass communication still in use today - the quickly produced newspaper battlefield map. Bosse's introduction offers a concise overview of the subject, including how correspondents got maps to their papers from the field, press-military relations during the war, and the economic problems of map printing. Following the text is an atlas of forty-five newspaper maps printed by the Northern daily press. Each map is accompanied by a summary of the military operation it illustrates and a commentary on the map itself, including an evaluation of its accuracy based on comparison with other historical and cartographic sources. Arranged chronologically, the maps cover nearly every theater of the war and represent a unique historical record of one of the pivotal events in American history.