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“A compelling read” that reveals how maps became informational tools charting everything from epidemics to slavery (Journal of American History). In the nineteenth century, Americans began to use maps in radically new ways. For the first time, medical men mapped diseases to understand and prevent epidemics, natural scientists mapped climate and rainfall to uncover weather patterns, educators mapped the past to foster national loyalty among students, and Northerners mapped slavery to assess the power of the South. After the Civil War, federal agencies embraced statistical and thematic mapping in order to profile the ethnic, racial, economic, moral, and physical attributes of a reunified nation. By the end of the century, Congress had authorized a national archive of maps, an explicit recognition that old maps were not relics to be discarded but unique records of the nation’s past. All of these experiments involved the realization that maps were not just illustrations of data, but visual tools that were uniquely equipped to convey complex ideas and information. In Mapping the Nation, Susan Schulten charts how maps of epidemic disease, slavery, census statistics, the environment, and the past demonstrated the analytical potential of cartography, and in the process transformed the very meaning of a map. Today, statistical and thematic maps are so ubiquitous that we take for granted that data will be arranged cartographically. Whether for urban planning, public health, marketing, or political strategy, maps have become everyday tools of social organization, governance, and economics. The world we inhabit—saturated with maps and graphic information—grew out of this sea change in spatial thought and representation in the nineteenth century, when Americans learned to see themselves and their nation in new dimensions.
In nearly two decades since Samuel P. Huntington proposed his influential and troubling ‘clash of civilizations’ thesis, nationalism has only continued to puzzle and frustrate commentators, policy analysts and political theorists. No consensus exists concerning its identity, genesis or future. Are we reverting to the petty nationalisms of the nineteenth century or evolving into a globalized, supranational world? Has the nation-state outlived its usefulness and exhausted its progressive and emancipatory role? Opening with powerful statements by Lord Acton and Otto Bauer – the classic liberal and socialist positions, respectively – Mapping the Nation presents a wealth of thought on this issue: the debate between Ernest Gellner and Miroslav Hroch; Gopal Balakrishnan’s critique of Benedict Anderson’s seminal Imagined Communities; Partha Chatterjee on the limitations of the Enlightenment approach to nationhood; and contributions from Michael Mann, Eric Hobsbawm, Tom Nairn, and Jürgen Habermas.
This “absorbing history of the Ordnance Survey”—the first complete map of the British Isles—"charts the many hurdles map-makers have had to overcome” (The Guardian, UK). Map of a Nation tells the story of the creation of the Ordnance Survey map, the first complete, accurate, affordable map of the British Isles. The Ordnance Survey is a much beloved British institution, and this is—amazingly—the first popular history to tell the story of the map and the men who dreamt and delivered it. The Ordnance Survey’s history is one of political revolutions, rebellions and regional unions that altered the shape and identity of the United Kingdom over the eighteenth and nineteenth centuries. It’s also a deliciously readable account of one of the great untold British adventure stories, featuring intrepid individuals lugging brass theodolites up mountains to make the country visible to itself for the first time.
Making the case for a new kind of visual history, The Goddess and the Nation charts the pictorial life and career of Bharat Mata, “Mother India,” the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country’s diverse communities. Soon after Mother India’s emergence in the late nineteenth century, artists, both famous and amateur, began to picture her in various media, incorporating the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Filled with illustrations, including 100 in color, The Goddess and the Nation draws on visual studies, gender studies, and the history of cartography to offer a rigorous analysis of Mother India’s appearance in painting, print, poster art, and pictures from the late nineteenth century to the present. By exploring the mutual entanglement of the scientifically mapped image of India and a (Hindu) mother/goddess, Sumathi Ramaswamy reveals Mother India as a figure who relies on the British colonial mapped image of her dominion to distinguish her from the other goddesses of India, and to guarantee her novel status as embodiment, sign, and symbol of national territory. Providing an exemplary critique of ideologies of gender and the science of cartography, Ramaswamy demonstrates that images do not merely reflect history; they actively make it. In The Goddess and the Nation, she teaches us about pictorial ways of learning the form of the nation, of how to live with it—and ultimately to die for it.
Throughout its history, America has been defined through maps. Whether made for military strategy or urban reform, to encourage settlement or to investigate disease, maps invest information with meaning by translating it into visual form. They capture what people knew, what they thought they knew, what they hoped for, and what they feared. As such they offer unrivaled windows onto the past. In this book Susan Schulten uses maps to explore five centuries of American history, from the voyages of European discovery to the digital age. With stunning visual clarity, A History of America in 100 Maps showcases the power of cartography to illuminate and complicate our understanding of the past. Gathered primarily from the British Library’s incomparable archives and compiled into nine chronological chapters, these one hundred full-color maps range from the iconic to the unfamiliar. Each is discussed in terms of its specific features as well as its larger historical significance in a way that conveys a fresh perspective on the past. Some of these maps were made by established cartographers, while others were made by unknown individuals such as Cherokee tribal leaders, soldiers on the front, and the first generation of girls to be formally educated. Some were tools of statecraft and diplomacy, and others were instruments of social reform or even advertising and entertainment. But when considered together, they demonstrate the many ways that maps both reflect and influence historical change. Audacious in scope and charming in execution, this collection of one hundred full-color maps offers an imaginative and visually engaging tour of American history that will show readers a new way of navigating their own worlds.
Readers learn about the different areas of the United States in this stimulating library bound book. Featuring vividly colored examples of various maps, including physical, political, and thematic, this book will have readers engaged and inspired to learn more about the different parts of the U.S. and to create a map of their own!
Whilst documents and other written material are obvious resources that help shape our view of the past, maps too can say much about a nation's history. This is the first book to take maps seriously as a form of history, from the earliest representations of Scotland by Ptolemy in the second century AD to the most recent form of Scotland's mapping and geographical representation in GIS, satellite imagery and SATNAV.Compiled by three experts who have spent their lives working with maps, Scotland: Mapping the Nation offers a fascinating and thought-provoking perspective on Scottish history which is beautifully illustrated with complete facsimiles and details of hundreds of the most significant manuscript and printed maps from the National Library of Scotland and other institutions, including those by Timothy Pont, Joan Blaeu and William Roy, amongst many others.
Almost universally, newly independent states seek to affirm their independence and identity by making the production of new maps and atlases a top priority. For formerly colonized peoples, however, this process neither begins nor ends with independence, and it is rarely straightforward. Mapping their own land is fraught with a fresh set of issues: how to define and administer their territories, develop their national identity, establish their role in the community of nations, and more. The contributors to Decolonizing the Map explore this complicated relationship between mapping and decolonization while engaging with recent theoretical debates about the nature of decolonization itself. These essays, originally delivered as the 2010 Kenneth Nebenzahl, Jr., Lectures in the History of Cartography at the Newberry Library, encompass more than two centuries and three continents—Latin America, Africa, and Asia. Ranging from the late eighteenth century through the mid-twentieth, contributors study topics from mapping and national identity in late colonial Mexico to the enduring complications created by the partition of British India and the racialized organization of space in apartheid and post-apartheid South Africa. A vital contribution to studies of both colonization and cartography, Decolonizing the Map is the first book to systematically and comprehensively examine the engagement of mapping in the long—and clearly unfinished—parallel processes of decolonization and nation building in the modern world.
An annual compilation of inspiring stories of government GIS work, Mapping the Nation: Navigating Complex Challenges focuses on how organizations are addressing challenges in their industry.
Few political phenomena have proved as confusing or as difficult to comprehend as nationalism. There is no established consensus on its identity, genesis or future. Are we, for example, in the process of being thrust back into a nineteenth-century world of competitive and aggressive great powers and petty nationalisms? Or, rather, are we being flung headlong into a new, globalized and supra-national millennium? Has the nation-state outlived its usefulness and exhausted its progressive and emancipatory role, or has nationalism always been implicated in an exclusivist ethnic and militaristic logic? Mapping the Nation seeks to address these and other questions about the nature and destiny of the "national question" in the present epoch. A comprehensive and definitive reader on the subject, with contributions from some of the most significant and stimulating theorists of the nation-state, it presents a wide range of divergent ideas and controversies. Leading off with powerful statements of the classic liberal and socialist positions, by Lord Acton and Otto Bauer, there then follows an historical-sociological debate between the late Ernest Gellner and the Czech historian Miroslav Hroch, the one stressing the connections between nationalism and the transition away from agrarian society, the other emphasizing its variability and real anthropological basis. John Breuilly and Anthony D. Smith, two of the leading British specialists, provide a counterpoint to each other with considerations on the respective importance of political leadership and continuing ethnic communities in the construction of nationalist movements. Gopal Balakrishnan, in a carefully honed critique of Benedict Anderson's seminal Imagined Communities, and Partha Chatterjee, from the Subaltern Studies circle, offer crucial insights on the limitations of the Enlightenment approach to nationhood, as do Sylvia Walby and Katherine Verdery with their reflections on the entanglements of nation, gender and identity politics. Sociologist Michael Mann delivers an authoritative refutation of the chatter about the "death of the nation-state." Finally, relating the theoretical questions directly to the politics of our time, renowned historian Eric Hobsbawm, provocative theorist Tom Nairn, and the outstanding political philosopher Jürgen Habermas discuss, with varying degrees of optimism and pessimism, the future of the national project.