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The contributors to Mapping Geographies of Violence explore the multi-layered meaning of violence and the various ways it occupies our daily lives, be they overt, institutional, structural or covert. With an eye towards social justice, each chapter offers a discrete definition of violence and provides readers with a range of theoretical orientations, from social psychology, symbolic interactionism and Marxism to discourse analysis. From these perspectives, several examples of violence are explored: anti-feminism, police raids, gendered violence, mental illness, sex work and poverty. Mapping Geographies of Violence presents readers with a larger understanding and analysis of how violence, far from just an expression of individuals or groups, is rooted in social constructs like class, patriarchy and racism.
The contributors to Mapping Geographies of Violence explore the multi-layered meaning of violence and the various ways it occupies our daily lives, be they overt, institutional, structural or covert. With an eye towards social justice, each chapter offers a discrete definition of violence and provides readers with a range of theoretical orientations, from social psychology, symbolic interactionism and Marxism to discourse analysis. From these perspectives, several examples of violence are explored: anti-feminism, police raids, gendered violence, mental illness, sex work and poverty. Mapping Geographies of Violence presents readers with a larger understanding and analysis of how violence, far from just an expression of individuals or groups, is rooted in social constructs like class, patriarchy and racism.
This volume offers a critical and creative analysis of the innovations of Deathscapes, a transnational digital humanities project that maps the sites and distributions of custodial deaths in locations such as police cells, prisons and immigration detention centres. An international team of authors take a multidisciplinary approach to questions of race, geographies of state violence and countermaps of resistance across North America, Australia and Europe. The book establishes rich lines of dialogic connection between digital and other media by incorporating both traditional scholarly resources and digital archives, databases and social media. Chapters offer a comprehensive mapping of the key attributes through which racial violence is addressed and contested through digital media and articulate, in the process, the distinctive dimensions of the Deathscapes site. This interdisciplinary volume will be an important resource for scholars, students and activists working in the areas of Cultural Studies, Media and Visual Studies, Indigenous Studies, Refugee Studies and Law.
This timely Research Agenda highlights how slow violence, unlike other forms of conflict and direct, physical violence, is difficult to see and measure. It explores ways in which geographers study, analyze and draw attention to forms of harm and violence that have often not been at the forefront of public awareness, including slow violence affecting children, women, Indigenous peoples, and the environment.
This volume brings to the fore the spatial dimension of specific places and sites, and assesses how they condition – and are conditioned by – conflict and peace processes. By marrying spatial theories with theories of peace and conflict, the contributors propose a new research agenda to investigate where peace and conflict take place.
In a world in which global trade is at risk, where warehouses and airports, shipping lanes and seaports try to guard against the likes of Al Qaeda and Somali pirates, and natural disaster can disrupt the flow of goods, even our “stuff” has a political life. The high stakes of logistics are not surprising, Deborah Cowen reveals, if we understand its genesis in war. In The Deadly Life of Logistics, Cowen traces the art and science of logistics over the last sixty years, from the battlefield to the boardroom and back again. Focusing on choke points such as national borders, zones of piracy, blockades, and cities, she tracks contemporary efforts to keep goods circulating and brings to light the collective violence these efforts produce. She investigates how the old military art of logistics played a critical role in the making of the global economic order—not simply the globalization of production, but the invention of the supply chain and the reorganization of national economies into transnational systems. While reshaping the world of production and distribution, logistics is also actively reconfiguring global maps of security and citizenship, a phenomenon Cowen charts through the rise of supply chain security, with its challenge to long-standing notions of state sovereignty and border management. Though the object of corporate and governmental logistical efforts is commodity supply, The Deadly Life of Logistics demonstrates that they are deeply political—and, considered in the context of the long history of logistics, deeply indebted to the practice of war.
Welcome to a top-level clearance world that doesn't exist...Now with updated material for the paperback edition. This is the adventurous, insightful, and often chilling story of a road trip through a shadow nation of state secrets, clandestine military bases, black sites, hidden laboratories, and top-secret agencies that make up what insiders call the "black world." Here, geographer and provocateur Trevor Paglen knocks on the doors of CIA prisons, stakes out a covert air base in Nevada from a mountaintop 30 miles away, dissects the Defense Department's multibillion dollar "black" budget, and interviews those who live on the edges of these blank spots. Whether Paglen reports from a hotel room in Vegas, a secret prison in Kabul, or a trailer in Shoshone Indian territory, he is impassioned, rigorous, relentless-and delivers eye-opening details.
Mark My Words traces settler colonialism as an enduring form of gendered spatial violence, demonstrating how it persists in the contemporary context of neoliberal globalization. In a strong and lucid voice, Mishuana Goeman provides close readings of literary texts, arguing that it is vital to refocus the efforts of Native nations beyond replicating settler models of territory, jurisdiction, and race.
In “There’s Something In The Water”, Ingrid R. G. Waldron examines the legacy of environmental racism and its health impacts in Indigenous and Black communities in Canada, using Nova Scotia as a case study, and the grassroots resistance activities by Indigenous and Black communities against the pollution and poisoning of their communities. Using settler colonialism as the overarching theory, Waldron unpacks how environmental racism operates as a mechanism of erasure enabled by the intersecting dynamics of white supremacy, power, state-sanctioned racial violence, neoliberalism and racial capitalism in white settler societies. By and large, the environmental justice narrative in Nova Scotia fails to make race explicit, obscuring it within discussions on class, and this type of strategic inadvertence mutes the specificity of Mi’kmaq and African Nova Scotian experiences with racism and environmental hazards in Nova Scotia. By redefining the parameters of critique around the environmental justice narrative and movement in Nova Scotia and Canada, Waldron opens a space for a more critical dialogue on how environmental racism manifests itself within this intersectional context. Waldron also illustrates the ways in which the effects of environmental racism are compounded by other forms of oppression to further dehumanize and harm communities already dealing with pre-existing vulnerabilities, such as long-standing social and economic inequality. Finally, Waldron documents the long history of struggle, resistance, and mobilizing in Indigenous and Black communities to address environmental racism.
Black Geographies is an interdisciplinary collection of essays in black geographic theory. Fourteen authors address specific geographic sites and develop their geopolitical relevance with regards to race, uneven geographies, and resistance. Multi-faceted and erudite, Black Geographies brings into focus the politics of place that black subjects, communities, and philosophers inhabit. Highlights include essays on the African diaspora and its interaction with citizenship and nationalism, critical readings of the blues and hip-hop, and thorough deconstructions of Nova Scotian and British Columbian black topography. Drawing on historical, contemporary, and theoretical black geographies from the USA, the Caribbean, and Canada, these essays provide an exploration of past and present black spatial theories and experiences. Katherine McKittrick lives in Toronto, Ontario, and teaches gender studies, critical race studies, and indigenous studies at Queen's University in Kingston, Ontario. She is the author of Demonic Grounds: Black Women and the Cartographies of Struggle, and is also researching the writings of Sylvia Wynter. Clyde Woods lives in Santa Barbara, California, and teaches in the Department of Black Studies at the University of California, Santa Barbara. Woods is the author of Development Arrested: The Blues and Plantation Power in the Mississippi Delta.