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An eminent historian of cartography offers this Iavishly illustrated account of the mapmaking revolution in Renaissance Europe. 78 halftones. 12 color plates.
Map Worlds plots a journey of discovery through the world of women map-makers from the golden age of cartography in the sixteenth-century Low Countries to tactile maps in contemporary Brazil. Author Will C. van den Hoonaard examines the history of women in the profession, sets out the situation of women in technical fields and cartography-related organizations, and outlines the challenges they face in their careers. Map Worlds explores women as colourists in early times, describes the major houses of cartographic production, and delves into the economic function of intermarriages among cartographic houses and families. It relates how in later centuries, working from the margins, women produced maps to record painful tribal memories or sought to remedy social injustices. Much later, one woman so changed the way we think about continents that the shift has been likened to the Copernican revolution. Other women created order and wonder about the lunar landscape, and still others turned the art and science of making maps inside out, exposing the hidden, unconscious, and subliminal “text” of maps. Shared by all these map-makers are themes of social justice and making maps work for the betterment of humanity.
The story of discovery and mapmaking is one of pushing back shadows," writes Andrew Taylor, and "none in the last two thousand years achieved as much as Gerard Mercator in extending the boundaries of what could be comprehended." His life encompassed most of the turbulent, extraordinary sixteenth century, a time when revolutions would engulf religion, science, and civilization. Almost extinguished by the Inquisition, Mercator's genius lay in making maps, and his achievement did nothing less than revolutionize the study of geography. Appropriately for an era undergoing radical change, Mercator was full of contradiction, tied to knowledge and beliefs of the past while forging a new path. He never traveled beyond northern Europe, yet he had the imagination to draw the entire world anew and to solve a problem that had baffled sailors and scientists for centuries: how a curved Earth could be faithfully rendered on a flat surface so as to allow for accurate navigation. His "projection" was so visionary that it is used by NASA to map Mars today. Andrew Taylor has beautifully captured Mercator amidst the turmoil and opportunity of his times and the luminaries who inspired his talent-his teacher and business partner, Gemma Frisius; the English magus, John Dee; his benefactor, the Holy Roman Emperor Charles V, his cartographic collaborator, Abraham Ortelius. The World of Gerard Mercator is a masterful biography of one of the men most responsible for the modern world.
A biography of the sixteenth-century cartographer Gerardus Mercator, who invented a method of projecting the curvature of the Earth's surface on to a flat sheet of paper.
These diverse essays investigate political factors behind the rapid development of cartography in Renaissance Europe and its impact on emerging European nations. By 1500 a few rulers had already discovered that better knowledge of their lands would strengthen their control over them; by 1550, the cartographer's art had become an important instrument for bringing territories under the control of centralized government. Throughout the following century increasing governmental reliance on maps demanded greater accuracy and more sophisticated techniques. This volume, a detailed survey of the political uses of cartography between 1400 and 1700 in Europe, answers these questions: When did monarchs and ministers begin to perceive that maps could be useful in government? For what purposes were maps commissioned? How accurate and useful were they? How did cartographic knowledge strengthen the hand of government? By focusing on particular places and periods in early modern Europe, the chapters offer new insights into the growth of cartography as a science, the impetus behind these developments - often rulers attempting to expand their power - and the role of mapmaking in European history. The essay on Poland reveals that cartographic progress came only under the impetus of powerful rulers; another explores the French monarchy's role in the burst of scientific cartography that marked the opening of the "splendid century". Additional chapters discuss the profound influence of cartographic ideas on the English aristocracy during the sixteenth century, the relation of progress in mapmaking to imperialistic goals of the Spanish and Austrian Habsburgs, and the supposed primacy of Italian mapmakingfollowing the Renaissance. Contributors to this volume are Peter Barber, David Buisseret, John Marino, Michael J. Mikos, Geoffrey Parker, and James Vann. These essays were originally presented as the Kenneth Nebenzahl, Jr., Lectures in the History of Cartography at the Newberry Library.
Since its launch in 1987, the History of Cartography series has garnered critical acclaim and sparked a new generation of interdisciplinary scholarship. Cartography in the European Enlightenment, the highly anticipated fourth volume, offers a comprehensive overview of the cartographic practices of Europeans, Russians, and the Ottomans, both at home and in overseas territories, from 1650 to 1800. The social and intellectual changes that swept Enlightenment Europe also transformed many of its mapmaking practices. A new emphasis on geometric principles gave rise to improved tools for measuring and mapping the world, even as large-scale cartographic projects became possible under the aegis of powerful states. Yet older mapping practices persisted: Enlightenment cartography encompassed a wide variety of processes for making, circulating, and using maps of different types. The volume’s more than four hundred encyclopedic articles explore the era’s mapping, covering topics both detailed—such as geodetic surveying, thematic mapping, and map collecting—and broad, such as women and cartography, cartography and the economy, and the art and design of maps. Copious bibliographical references and nearly one thousand full-color illustrations complement the detailed entries.