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Bible & Treaty: Missionaries among the Māori is a complex and colourful adventure of faith, bravery, perseverance and betrayal that seeks to recover lost connections in the story of modern New Zealand. It brings a fresh perspective to the missionary story, from the lead-up to Samuel Marsden's first sermon on New Zealand soil, and the intervening struggle for survival and understanding, to the dramatic events that unfolded around the Treaty of Waitangi and the disillusionment that led to the Land Wars in the 1860s. While some missionaries clearly failed to live up to their high calling, the majority committed their lives to Māori and were instrumental in spreading Christianity, brokering peace between warring tribes, and promoting literacy – resulting in a Māori-language edition of the Bible. This highly readable account, from the author of Ratana Revisited: An Unfinished Legacy (2006) and Ratana: The Prophet (2009), shines a new light on the ever-evolving business of New Zealand's early history.
Entanglements of Empire explores the political, cultural and economic entanglements and irrevocable social transformations that resulted from Maori engagements with Protestant missionaries at the most distant edge of the British empire. The first Protestant mission to New Zealand, established in 1814, saw the beginning of complex political, cultural, and economic entanglements with Maori. Entanglements of Empire is a deft reconstruction of the cross-cultural translations of this early period. Misunderstanding was rife: the physical body itself became the most contentious site of cultural engagement, as Maori and missionaries struggled over issues of hygiene, tattooing, clothing, and sexual morality.In this fascinating study, Tony Ballantyne explores the varying understandings of such concepts as civilization, work, time and space, and gender &– and the practical consequences of the struggles over these ideas. The encounters in the classroom, chapel, kitchen, and farmyard worked mutually to affect both the Maori and the English worldviews.Ultimately, the interest in missionary Christianity among influential Maori chiefs had far-reaching consequences for both groups. Concluding in 1840 with the signing of the Treaty of Waitangi and the new age it ushered in, Ballantyne's book offers important insights into this crucial period of New Zealand history.
See link to http://nzetc.victoria.ac.nz/tm/scholarly/tei-KenGramm.html.
The arrival of the Anglican Church with its claims to religious power was soon followed by British imperial claims to temporal power. Political, legal, economic and social institutions were designed to be the bastions of control across the British Empire. However, they were also places of contestation and engagement at a local and national level, and this was true of New Zealand. Māori culture was constantly capable of adaptation in the face of changing contexts. This ground-breaking book explores the emergence of Te Hāhi Mihinare – the Māori Anglican Church. Anglicanism, brought to New Zealand by English missionaries in 1814, was made widely known by Māori evangelists, as iwi adapted the religion to make it their own. The ways in which Mihinare (Māori Anglicans) engaged with the settler Anglican Church in New Zealand and created their own unique Church casts light on the broader question of how Māori interacted with and transformed European culture and institutions. Hirini Kaa vividly describes the quest for a Māori Anglican bishop, the translation into te reo of the prayer book, and the development of a distinctive Māori Anglican ministry for today’s world. Te Hāhi Mihinare uncovers a rich history that enhances our understanding of New Zealand’s past.
Details many events that happened from the very beginning of the Church of Jesus Christ of Latter-day Saints in New Zealand in the 1850s. Behind each is a story of faith, devotion, and many hardships.
Maori music records and analyses ancient Maori musical tradition and knowledge, and explores the impact of European music on this tradition. Mervyn McLean draws on diverse written and oral sources gathered over more than 30 years of scholarship and field work that yielded some 1300 recorded songs, hundreds of pages of interviews with singers, and numerous eye-witness accounts. The work is illustrated throughout with photos and music examples.
Translation of a French edition produced for a thesis by Háelâene Serabian (Ph. D.)--University of Cambridge, 2005.
The archetypal story of Thomas Kendall, a self-torturing, struggling missionary in nineteenth century New Zealand, is also a remarkable history of cross-cultural experience. Posted to New Zealand in 1814, Kendall was immensely devout but entirely unprepared for dealing with Māori. He nonetheless helped produce the first Māori Grammar, but was hindered by rumours of an affair with a Māori chief’s daughter. Dismissed from his duties in 1823, he continued studying Māori culture until his death nearly a decade later. Long out of print, this work by a leading New Zealand historian tells an absorbing story of the difficulties and dangers of the evangelical mission.
Girl of New Zealand presents a nuanced insight into the way violence and colonial attitudes shaped the representation of Māori women and girls. Michelle Erai examines more than thirty images of Māori women alongside the records of early missionaries and settlers in Aotearoa, as well as comments by archivists and librarians, to shed light on how race, gender, and sexuality have been ascribed to particular bodies. Viewed through Māori, feminist, queer, and film theories, Erai shows how images such as Girl of New Zealand (1793) and later images, cartoons, and travel advertising created and deployed a colonial optic. Girl of New Zealand reveals how the phantasm of the Māori woman has shown up in historical images, how such images shape our imagination, and how impossible it has become to maintain the delusion of the “innocent eye.” Erai argues that the process of ascribing race, gender, sexuality, and class to imagined bodies can itself be a kind of violence. In the wake of the Me Too movement and other feminist projects, Erai’s timely analysis speaks to the historical foundations of negative attitudes toward Indigenous Māori women in the eyes of colonial “others”—outsiders from elsewhere who reflected their own desires and fears in their representations of the Indigenous inhabitants of Aotearoa, New Zealand. Erai resurrects Māori women from objectification and locates them firmly within Māori whānau and communities.