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Polly Giller returned to Iowa from Boston to start a new life, not that her old one was all that bad. With her inheritance, she purchased an old school building in Bellingwood and is in the middle of renovating it when the bones of two bodies are pulled out of a ceiling.The whole town knows who those bones belong to, but when she also finds crates and crates of items from the sixties through the early nineties in the old root cellar, they wonder if the two things are connected.A welcoming committee shows up at Polly's front door and these women soon become her fast friends. Fortunately, the leader of the group is married to the Sheriff and he is there to make sure mysteries are solved and everyone stays safe, but when Polly's old boyfriend from Boston shows up, that becomes a little more difficult. The women might be a little older than Polly, but she finds out they might be even more wild than the friends she had when living back east. Lydia Merritt, the Sheriff's wife, is a woman filled with love and passion. Beryl Watson is an artist and more than a little flamboyant. Andy Saner wants to organize and label the world, but loves with a great big heart and Sylvie Donovan, with her two young sons is trying to make it as a single mother. The men in Polly's world are just as interesting. Henry Sturtz is the carpenter and contractor in charge of construction and might have a little crush on his boss, while Doug Randall and Billy Endicott are her Jedi Knights in Shining Armor. Polly's immediate family might be gone, but her new family offers a great deal of love, fun and entertainment.Read along as the extraordinary, yet quite ordinary, people in Bellingwood tell their stories.
A sweet story full of both loss and love, All Roads Lead Home centers on Belle (Vivien Cardone), a grief-stricken young girl whose mother has died. Her father Cody (Jason London) is unsure of how to parent his 12-year-old daughter alone, so he sends Belle to help her maternal grandpa Hock (Peter Coyote) on his horse ranch. Gruff and to the point, Hock is not sure what to make of Belle, who is as headstrong as she is fragile and reminiscent of his late daughter. Cody, Belle and Hock all care about animals, but they don't necessarily agree on what's best for them. Belle has a very black and white attitude about what's right and wrong.?You don't kill things because they're broken,? she reasons.?You give things a chance.? As she grows to understand that preserving life at all costs isn't necessarily what's best for animals, she allows herself--and her family--some grace and forgiveness. All Roads Lead Home does not fall in the same category as a classic like Old Yeller. But it does tell a heartwarming tale that features some super cute animals, including an adorable, scene-stealing puppy. At times a tad too earnest, the movie (which is inspired by a true story) makes for pleasant viewing that could open up some nice dialogue between parents and children about how compassion comes in many different forms.
That stereotype about the mid-life crisis involving smoking-hot flings with younger women? Yeah, turns out that might be true after all...Brooke has resigned herself to being single forever. She's almost 40 and practically married to her career. When she decides to take some time off to renovate a run-down farmhouse in the middle of nowhere, everyone tells her she's having a midlife crisis. Maybe she is, but she still thinks that buying the farmhouse is the best thing she's done in years. Now if only she could get the roof to stop leaking...Riley has always been a free spirit with nothing to her name besides the shirt on her back and a bag of tools. She's resourceful and knows what she's doing, but it turns out that it's still hard to make it as a woman in the trades. So when she hears about a major farmhouse renovation taking place, she jumps at the opportunity. She never would have imagined her new employer would be someone like Brooke, though...Sparks fly between Brooke and Riley as they're thrown together. The intensity of their attraction is matched only by the barriers to their relationship.Can two women who are polar opposites find a way to build a home together?
Three starred reviews! “Harrowing but deeply illuminating.” —School Library Journal A young boy gets detained by ICE while crossing the border from Mexico to the United States in this timely and unflinching novel by award-winning author Alexandra Diaz. The bed creaks under Santiago’s shivering body. They say a person’s life flashes by before dying. But it’s not his whole life. Just the events that led to this. The important ones, and the ones Santiago would rather forget. The coins in Santiago’s hand are meant for the bus fare back to his abusive abuela’s house. Except he refuses to return; he won’t be missed. His future is uncertain until he meets the kind, maternal María Dolores and her young daughter, Alegría, who help Santiago decide what comes next: He will accompany them to el otro lado, the United States of America. They embark with little, just backpacks with water and a bit of food. To travel together will require trust from all parties, and Santiago is used to going it alone. None of the three travelers realizes that the journey through Mexico to the border is just the beginning of their story.
All roads lead to home. It’s easy to go through life believing that we can satisfy our longing for home with a three-bedroom, two-bath slice of the American dream that we mortgage at 4 percent and pay for over the course of thirty years. But ultimately, in our deepest places, we’re really looking to belong and to be known. And what we sometimes miss in our search for the perfect spot to set up camp is that wherever we are on the long and winding road of life, God is at work in the journey, teaching us, shaping us, and refining us—sometimes through the most unlikely people and circumstances. In Home Is Where My People Are, Sophie Hudson takes readers on a delightfully quirky journey through the South, introducing them to an unforgettable cast of characters, places, and experiences. Along the way, she reflects on how God has used each of the stops along the road to impart timeless spiritual wisdom and truth. Nobody embodies the South like Sophie Hudson, and this nostalgic celebration of home is sure to make even those north of the Mason-Dixon line long to settle in on the front porch with a glass of sweet tea and reflect on all of the people in our lives who—related or not—have come to represent home. Because at the end of the day, it’s not the address on the front door or even the name on the mailbox that says home, but the people who live and laugh and love there, wherever there might happen to be.
Fifty years after they first came together and changed the sound of rock 'n' roll, the Grateful Dead remain one of rock's most beloved bands -- a musical and cultural phenomenon that spans generations and paved the way for everything from the world of jam bands and the idea of independently released music to social networking. Much has been written about the band, but nothing quite as vibrant and vivid as So Many Roads. Drawing on new interviews with surviving members and people in their inner circle -- along with the group's extensive archives and his own research from years of covering the group -- David Browne, longtime music journalist and contributing editor at Rolling Stone, does more than merely delve into the Dead's saga. By way of an altogether unique structure -- each chapter centered around a significant or pivotal day in their story -- he lends this epic musical and cultural story a you-are-there feel unlike any other book written about the band. So Many Roads takes us deep into the world of the Dead in ways that will be eye-opening even to the most rabid Deadheads. Readers will find themselves inside their communal home in Haight-Ashbury during the band's notorious 1967 bust; behind the scenes in the studio, watching the Dead at work (and play); backstage at the taping of the legendary "Touch of Grey" video and at their final shows; and in the midst of the Dead's legendary band meetings. Along the way, readers will hear not only from the Dead but also from friends, colleagues, lovers, and crew members, including some who've never spoken to the press before. The result is a remarkably detailed and cinematic book that paints a strikingly fresh portrait of one of rock's greatest and most enduring institutions and sheds new light -- for fans and newcomers alike -- on the band's music, dynamics, and internal struggles. "There is nothing like a Grateful Dead concert," read the legendary bumper stickers. Similarly, there's nothing like So Many Roads, which explores all-new routes on the band's long, strange trip.
From Kristin Hannah, the #1 New York Times bestselling author of the smash-hit novels Firefly Lane, The Nightingale, and The Four Winds comes a novel about how one reckless night destroys the lives of three teenagers and their families. For eighteen years, Jude Farraday has put her children's needs above her own, and it shows—her twins, Mia and Zach, are bright and happy teenagers. When Lexi Baill moves into their small, close-knit community, no one is more welcoming than Jude. Lexi, a former foster child with a dark past, quickly becomes Mia's best friend. Then Zach falls in love with Lexi and the three become inseparable. Jude does everything to keep her kids out of harm's way. But senior year of high school tests them all. It's a dangerous, explosive season of drinking, driving, parties, and kids who want to let loose. And then on a hot summer's night, one bad decision is made. In the blink of an eye, the Farraday family will be torn apart and Lexi will lose everything. In the years that follow, each must face the consequences of that single night and find a way to forget...or the courage to forgive. Vivid, universal, and emotionally complex, Night Road raises profound questions about motherhood, identity, love, and forgiveness. It is a luminous, heartbreaking novel that captures both the exquisite pain of loss and the stunning power of hope. This is Kristin Hannah at her very best, telling an unforgettable story about the longing for family, the resilience of the human heart, and the courage it takes to forgive the people we love. "You cannot read Night Road and not be affected by the story and the characters. The total impact of the book will stay with you for days to come after it is finished." —The Huffington Post
Studies the impact of recovery programs on individual lives and explains how to adapt the principles of the Twelve-Step process to personal needs.
THE STORIES: In the first play, A NIGHTINGALE, Mabel and Vonnie, two Houston neighbors and best friends, both refugees from small Texas towns, are forbearing and patient about the protracted and uninvited visits of Annie Long, a girlhood acquaintan
PURA BELPRÉ HONOR BOOK ALA NOTABLE BOOK “An important, must-have addition to the growing body of literature with immigrant themes.” —School Library Journal (starred review) Twelve-year-old Jaime makes the treacherous and life-changing journey from his home in Guatemala to live with his older brother in the United States in this “powerful and timely” (Booklist, starred review) middle grade novel. Jaime is sitting on his bed drawing when he hears a scream. Instantly, he knows: Miguel, his cousin and best friend, is dead. Everyone in Jaime’s small town in Guatemala knows someone who has been killed by the Alphas, a powerful gang that’s known for violence and drug trafficking. Anyone who refuses to work for them is hurt or killed—like Miguel. With Miguel gone, Jaime fears that he is next. There’s only one choice: accompanied by his cousin Ángela, Jaime must flee his home to live with his older brother in New Mexico. Inspired by true events, The Only Road is an individual story of a boy who feels that leaving his home and risking everything is his only chance for a better life. The story is “told with heartbreaking honesty,” Booklist raved, and “will bring readers face to face with the harsh realities immigrants go through in the hope of finding a better, safer life, and it will likely cause them to reflect on what it means to be human.”