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This book presents rare evidence about the lives of three African women in the sixteenth century—the very period from which we can trace the origins of global empires, slavery, capitalism, modern religious dogma and anti-Black violence. These features of today’s world took shape as Portugal built a global empire on African gold and bodies. Forced labour was essential to the world economy of the Atlantic basin, and afflicted many African women and girls who were enslaved and manumitted, baptised and unconvinced. While some women liaised with European and mixed-race men along the West African coast, others, ordinary yet bold, pushed back against new forms of captivity, racial capitalism, religious orthodoxy and sexual violence, as if they were already self-governing. Many Black Women of this Fortress lays bare the insurgent ideas and actions of Graça, Mónica and Adwoa, charting how they advocated for themselves and exercised spiritual and female power. Theirs is a collective story, written from obscurity; from the forgotten and overlooked colonial records. By drawing attention to their lives, we dare to grasp the complexities of modernity’s gestation.
In 1738, when more than 100 African fugitives had arrived, the Spanish established the fort and town of Gracia Real de Santa Teresa de Mose, the first legally sanctioned free black community in what is now the United States. This book tells the story of Fort Mose and the people who lived there. It challenges the notion of the American black experience as simply that of slavery, offering instead a rich and balanced view of the African-American experience in the Spanish colonies from the arrival of Columbus to the American Revolution.
* A womanist theology of change * Integrates postmodern thought, womanist theology, and process philosophy
Williams's important work argues that taking the New Testament and particularly Galatians 3:28 seriously should lead black churches to challenge sexism and racism not only in society at large but also in African American churches and denominational bodies. By addressing oppressive practices in African American and other churches, they remain true to the liberation principle of the Bible-the equality of all people before God-which has been used effectively by black churches. His argument unfolds first through looking at the biblical text, especially the figure of Jesus and his ministry and how he broke the social barriers of his day. It then shows how African American Christians have historically appropriated this lens and legacy in their own religious and social experience and explains how this vision pertains to the state of black women in the churches today. Williams's book will help all Christian churches reappropriate the biblical text and serve as a model for how the Bible can be responsibly employed in the churches and the public arena to promote equality for all people.
"Wonderful . . . J. V. Jones is a striking writer." So says Robert Jordan, the author of The Wheel of Time epic fantasy series. And Jones lives up to that praise in the highly charged epic adventure of Ash March and Raif Sevrance, two outcasts whose fate are entwined by ancient prophecies and need, in the cold, dark world that threatens to be torn asunder by a war to end all wars. Isolated by their birthrights, they are but two who fight the dreaded Endlords, and their strength and courage will be needed if the world is to be saved from darkness." Raif, wrongly accused and cut off from his clan by the treachery of their new headsman, has a talent for killing that is part of his curse and his burden. But he bears another burden of greater weight. Ash is a sacred warrior to the Sull, an ancient race whose numbers have declined. Raised as a foundling, never knowing her true history, she must learn to accept the terrible gifts of her heritage. But as Ash learns more of her greater fate, Raif's task looms dark and desperate, for he must journey through the nightmare realm of the Want, a place where even the Sull now fear to tread. For deep within the Want is the Fortress of Grey Ice, and there he must heal the breach in the Blindwall that already threatens the world. Should he fail, not even Ash's powers can save them. . . . At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This volume, co-authored by a black minister and a black theologian, provides an overview of the shape and history of major black religious bodies: Methodist, Baptist, and Pentecostal. It introduces the denominations and their demographics before relating their historical development into the groups that are known today.
Kofi Dᴐnkᴐ was a blacksmith and farmer, as well as an important healer, intellectual, spiritual leader, settler of disputes, and custodian of shared values for his Ghanaian community. In Our Own Way in This Part of the World Kwasi Konadu centers Dᴐnkᴐ's life story and experiences in a communography of Dᴐnkᴐ's community and nation from the late nineteenth century through the end of the twentieth, which were shaped by historical forces from colonial Ghana's cocoa boom to decolonization and political and religious parochialism. Although Dᴐnkᴐ touched the lives of thousands of citizens and patients, neither he nor they appear in national or international archives covering the region. Yet his memory persists in his intellectual and healing legacy, and the story of his community offers a non-national, decolonized example of social organization structured around spiritual forces that serves as a powerful reminder of the importance for scholars to take their cues from the lived experiences and ideas of the people they study.
The Civil Rights Movement was not only an epochal social and political event but also a profound moral turning point in American history. Here, for the first time, social ethicist Ross examines the religiously motivated activism of black women in the movement and its moral import.
"No Ivy League gracefully delivers a messy truth behind the essential process of questioning and reckoning." — Nate Powell, artist of the March trilogy When 17-year-old Hazel takes a summer job clearing ivy from the forest in Portland, Oregon, the only plan is to earn some extra cash to put toward concert tickets. Homeschooled, affluent, and sheltered, Hazel soon finds that working side by side with at-risk teens leaves no room for comforting illusions of equality and understanding. This uncomfortable and compelling memoir is an important story of a teen’s awakening to the racial insularity of the upper class, the power of white privilege, and the hidden history of segregation in Portland.
An insightful exploration of the complexity of Black women's wartime and postwar experiences across the American South.