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"The present volume of MSP's Czech Translations Series brings the first scholarly edition in English of the so-called Manuscripts, Czech literary forgeries of the early nineteenth century whose creation and reception represent one of the more remarkable episodes of Romantic forgery. The rich documentation here includes a selection of reviews and polemical articles that the Manuscripts provoked, showing their long term cultural significance and impact, including the central role they played in the development of Czech national consciousness. The annotated translation enables contemporary readers to experience their aesthetic force and perceive the qualities that linked Czech culture to the broad stream of European cultural developments"--
This book explores the unedited material contained in the Hawthornden manuscripts of William Fowler, a Scottish poet attached to the court of Queen Anna of Denmark between 1590 and 1612. The material is representative of Fowler’s ephemeral and occasional production, largely unknown to modern scholars. Through the lenses of the Hawthornden fragments, this book engages in the exploration of one of the "cultural places of the European Renaissance", represented by the extensive use of emblems and other literary devices, and by the use of manuscript copies to circulate them. The discourse mainly focuses on the Jacobean courtly establishment in the first decade of the seventeenth century, from the point of view of a Scottish insider. By focusing on the intellectual makeup of the court in the newly united Great Britain, this work aims at bridging manuscript scholarship and literary studies with a wider perspective on contemporary society, politics and culture.
Elizabeth I acceded to the throne in 1558, restoring the Protestant faith to England. At the heart of the new queen's court lay Elizabeth's bedchamber, closely guarded by the favoured women who helped her dress, looked after her jewels and shared her bed. Elizabeth's private life was of public, political concern. Her bedfellows were witnesses to the face and body beneath the make-up and elaborate clothes, as well as to rumoured illicit dalliances with such figures as Robert Dudley. Their presence was for security as well as propriety, as the kingdom was haunted by fears of assassination plots and other Catholic subterfuge. For such was the significance of the queen's body: it represented the very state itself. This riveting, revealing history of the politics of intimacy uncovers the feminized world of the Elizabethan court. Between the scandal and intrigue the women who attended the queen were the guardians of the truth about her health, chastity and fertility. Their stories offer extraordinary insight into the daily life of the Elizabethans, the fragility of royal favour and the price of disloyalty.
From the author of The Secret Bride, the tragic tale of the fifth wife of Henry VIII. When the young and beautiful Catherine Howard becomes the fifth wife of the fifty-year-old King Henry VIII, she seems to be on top of the world. Yet her reign is destined to be brief and heartbreaking, as she is forced to do battle with enemies far more powerful and calculating than she could have ever anticipated in a court where one wrong move could mean her undoing. Wanting only love, Catherine is compelled to deny her heart's desire in favor of her family's ambition. But in so doing, she unwittingly gives those who sought to bring her down a most effective weapon—her own romantic past. The Queen's Mistake is the tragic tale of one passionate and idealistic woman who struggles to negotiate the intrigue of the court and the yearnings of her heart.
From the author of To Ruin a Queen comes a “riveting social history in an exciting mystery setting” (Booklist, starred review) featuring Ursula Blanchard, lady-in-waiting and secret agent to Queen Elizabeth. Ursula Blanchard, loyal lady of the Queen's Presence Chamber and gifted sleuth, is at home amid the glittering complexities of the royal court. Now, Ursula has a new part to play in the service of her Queen—a role that exposes her to hidden dangers in the famed university town of Cambridge. Assigned as a harbinger for the Queen's upcoming Summer Progress to Cambridge, Ursula is placed in charge of not only Her Majesty's comfort, but also her safety. For Ursula, that means undertaking employment in a pie shop to investigate rumored political perils behind a swashbuckling student play conceived at the University to entertain the Queen. Even in such a bastion of Protestant power and scholarly pursuits as Cambridge, protecting the Queen is not purely academic. When a handsome young student's all-too-conveniently timed death rouses her suspicions, Ursula applies her superior powers of observation to untangling a mystifying jumble of oddities, coincidences, secrets, and ciphers that surround her...and discovers ominous signs of treason.
In The Kingdoms of Thorn and Bone, Greg Keyes has crafted a brilliant saga of magic, adventure, and love set against a backdrop of clashing empires and an ancient, reawakened evil. Now, with The Born Queen, Keyes brings his epic to a masterly close, gathering the strands of plot and character into a stunning climax that both completes and transcends all that has gone before. The Briar King is dead, and the world itself follows him to ruin. Aspar White, wounded and tired, must embark on one last quest to save the forest and the people he loves, but he has little hope of success. Anne Dare at last sits on the throne of Crotheny, but for how long? The Church, now led by the corrupt and powerful Marché Hespero, has declared a holy war against her, giving the king of Hansa the pretext he needs to unleash his vast might on the young queen and her unready army. But Hansa is the least of Anne’s worries. The Hellrune, war seer of Hansa, strikes at her through vision and prophecy. The Kept–last of the elder Skasloi lords–weaves his own dark webs. Anne’s teacher and ally in the sedos world might also be her worst enemy, and Anne’s own mounting strength compels her toward madness. Surviving these dangers and mastering her eldritch abilities are merely prelude to the real struggle. There are many–some with power matching or even exceeding Anne’s own–who are willing to kill in order to seize control. For whoever sits upon the throne will have the ultimate command to bring about the world’s salvation–or its apocalypse.